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Strictness of Medical Category depends of type of post for which u r selected nd it is really important ,,,,There are many Departments in SSE post ,If u fall in safety category Department eg. Pway,OHE,C ndW then Ur medical standard is somewhat higher so in that case I don't think -3.5D is accepted ,, However for Non Safety Department like Drawing nd Estimation also -3.5 D eye power is more but it can be considered if u request ,use jack,Ur give bribe to Medical doctor …..However Lasik surgery is not permitted in Indian Railways if found u will be Disqualified..

Unlike every country I know about, we Germans have (or rather used to have, see below) reservations about using our own language in lyrics. This is true for contemporary pop music, but even the more so for the traditional German folk song. The next door German is more likely to know the lyrics of “What Shall We Do With a Drunken Sailor” than of any German folk song, with the exception of a couple of Christmas and children’s songs.30It’s easy to see that the roots of this stigmatization are to be found in the German Trauma, the severe shock of the Third Reich. On the one hand, during the Nazi regime Germany experienced an epic brain drain, not only in popular music, but also in other art forms, science and so on. On the other hand, we Germans have been giving ourselves a hard time, and rightfully so, of coping with what “we” had done, or not prevented to happen.One backbone of Nazi propaganda (Trumpists, watch out!) was the “Germany first” cult, which not only was spelled out in racism but also in terms of language. The Nazis had rigid ideas about “German language proper”, and they instrumentalized all parts of German tradition, or what they thought to be typically German, for their propaganda, eventually leading to millions of dead bodies.40That’s why (1) post war Germans didn’t feel like singing or declaiming in German, with the exception of die-hard Nazis of course, and that’s what you would have been thought of singing in German (like the Nazis did). It took us until the 68 movement to hear “non-revisionist” German lyrics in the first place. In addition (2), most protagonists of German pop music had emigrated or died, speaking of brain drain. Eventually (3), post-war Germany was economically depressed; people had other problems than becoming pop stars.The radio stations would mainly play music from the victorious powers, being aware of the malicious role German music had played during the Third Reich. That is, people were listening to English/American music only all the time (also to French and, in the later DDR, to Russian - but the Russians, being a totalitarian state themselves, quickly switched back to German for the same propaganda reasons as formerly the Nazis; so the eastern part of Germany is a different story), and this for a couple of years. This cut off the last remainders of a possible German pop music tradition.50When the “Wirtschaftswunder” (economic miracle) gathered pace German people enthusiastically embraced Rockabilly, R&B, DooWop, Soul, Folk Rock and other “exotic” styles. Elvis, The Beatles, The Rolling Stones. German singers, rather than developing own styles and writing their own music, were covering international hits with German translations.60Original pop music with German lyrics emerged, but was restricted to “Schlager music”, a genre seemingly exclusive to Germany. Schlager is a very easy-listening, happy-go-lucky and simplistic music, commonly associated with kitsch and non-progressive attitude. That is, “cool” people even had one more reason (4) to leave German lyrics well alone. There was no German Rock music in the middle of the sixties.70The seventies brought a boost of self-therapy with the Nazi era, and during the seventies first examples of original pop music with German lyrics materialized. The maybe most influential original German pop genre of that time, Krautrock, was instrumental music, without lyrics! Only a couple exceptions, like Udo Lindenberg, can be named.80Okay, there was “Neue deutsche Welle (NDW)” with a few remarkable results, to my lights for example Ideal and Nina Hagen, to name two successful and mainstream acts. But NDW was only there for some years and then disappeared.90–00 or even until nowI think there’s hardly anything worth mentioning which at the same time had considerable economic success. Maybe Rammstein.We haven’t accomplished, I think. There’s a lot great music out there with German lyrics, but what you come across on most German radio stations is nothing anybody outside Germany would care about.Where to find fresh pop music with German lyrics?This Spotify list of the Goethe Institut compiles what’s going on: Popcast - New sounds from Germany, a playlist by Goethe-Institut on Spotify - lots of mainstream, but sometimes also interesting new stuff.

Dance music (please stop calling it the vulgar Americanism EDM) originated out of Disco in Chicago, and New-Age Rock and Pop from Europe.Disco had the 4x4 rhythms which gave it that hypnotic beat that DJs could beat match together to make an endless groove to dance to all night. This 4x4 rhythm was mirrored in Psychedelic Rock and heavily synthesised Pop music.Chicago took Disco and put more of an edge on it, of which House music was born.Why did they call it House music ? Why did Hip-Hop get called Hip-Hop ? Why is Rock called Rock ? These are all very similar questions, and go back to the genesis of how a new musical movement is created in popular culture. Generally it’s a tool the creators making this new music use. They may include this label in a vocal drop to identify it to prospective fans that are all scouring the record racks on payday, to find that word that describes this new sound that they just heard on the radio,They make it, and they label it so that it is now marketable and easily identifiable for the punters on the shelves whether it was Sugarhill's "Rapper's Delight" or Elvis’ “Jailhouse Rock” or Marshall Jefferson’s “The House Music Anthem”.But then came Techno in Detroit. A more minimal, stripped down sound with few or no vocals. A unique sound to that specific area, just like how West and East Coast Rap was so diverse in the early days of their creation. The sound of a specific place at a specific time in history. A musical movement.This all hit Europe at the same time as a drug called ecstasy and then Rave was born. Again, a specific sound for a specific time. But unhappy with merely the rush of pills, amphetamines were also thrown into the mix. And with that the BPMs of tracks in Europe all increased to match the raver’s ever accelerated heartbeats.Rave became hardcore, which split into Jungle, Drum and Bass and then Breakbeat. Techno still existed, but was amped up to 11 with this heavy Euro style which split from Acid to Minimal, Trance, Schranz, Gabba and Goa. Every sound associated with a moment and a place in time (with Goa Trance, quite literally !)And underneath all of this was this steady stream of House which split into Tech-House, Garage, Speed Garage and continued to influence Pop music.Kylie Minogue - Can't Get Blue Monday Out Of My Head (feat. New Order)The boundaries blurred. The artists did not even know what it is that they were producing half of the time. It was just dance music. They made it, and then labels defined what it was by lumping it all together. Some labels like R&S you did not know what you’d be getting, which could be anything from Aphex Twin’s insane Techno thumper Digeridoo to Jaydee’s iconic House track Plastic Dreams.As Derrick May once famously said, “You go’darned Brits got to go and have a f*****g label for everything. I don’t even know what my music is called over there anymore !”Punters, fans and pundits would argue… this is House music, that is not. This is Techno, that is not. You either cared or you didn’t. The producers kept creating and innovating. The lines continued to blur.And then someone goes and makes Dubstep. “What the heck is that ?” everyone asks, so that they can hashtag it, and look it up on YouTube and build up their new playlists with this hot new sound on their Spotify.The labels these genres have are there for us to know what we are buying, and for the artists to use to generate enthusiasm for the new hotness, or to firmly entrench themselves into a beloved and established old order.Each genre is clearly defined. We can say that Strings of Life is Chicago House, because that’s where it was released. We can say Underground Resistance is Detroit Techno, because that’s where it was made.But then you get artists that make every genre and no genre. Their sound is their own. Artists like Ken Ishii, Cristian Varela and Joel Mull who make thumping techno club monsters one second, and atmospheric soundscapes that could be used in movies the next. Others like Aural Imbalance make Drum and Bass, Ambient, Trance, House… whatever.At the end of the day it’s all music first, dance music (but sometimes maybe not) second.Dance music is not alone in this. Look below at the way that Rock, Jazz and Blues are subdivided. Although not a scholar in these more traditional forms of music, I’d bet that a movement at a specific time and most importantly, the place is what caused these divides into new sub-genres to occur.After all, that’s what music does.Dance music genres ;Beatport Genres and Sub-genresAfro HouseXML Notation: <trackGenre>Afro House</trackGenre>Bass HouseXML Notation: <trackGenre>Bass House</trackGenre>Big RoomXML Notation: <trackGenre>Big Room</trackGenre>Sub-Genres- Electro- Melbourne Bounce- Moombahton- ProgressiveBreaksXML Notation: <trackGenre>Breaks</trackGenre>Sub-Genres-Glitch HopDanceXML Notation: <trackGenre>Dance</trackGenre>Sub-Genres- Pop- Tropical HouseDeep HouseXML Notation: <trackGenre>Deep House</trackGenre>DJ ToolsXML Notation: <trackGenre>DJ Tools</trackGenre>Sub-Genres- Loops- Acapellas- Battle ToolsDrum & BassXML Notation: <trackGenre>Drum &amp; Bass</trackGenre>Sub-Genres- Liquid- Jump Up- Jungle- Deep- HalftimeDubstepXML Notation: <trackGenre>Dubstep</trackGenre>Sub-Genres- BassElectro HouseXML Notation: <trackGenre>Electro House</trackGenre>Sub-Genres- Complextro- Speed House- MidtempoElectronica / DowntempoXML Notation: <trackGenre>Electronica / Downtempo</trackGenre>Sub-Genres- Ambient- Downtempo- BassFunky / Groove / Jackin' HouseXML Notation: <trackGenre>Funky / Groove / Jackin' House</trackGenre>Future HouseXML Notation: <trackGenre>Future House</trackGenre>Sub-Genres- G-HouseGarage / Bassline / GrimeXML Notation: <trackGenre>Garage / Bassline / Grime</trackGenre>Sub-Genres- Garage- Bassline- GrimeHard Dance / HardcoreXML Notation: <trackGenre>Hard Dance / Hardcore</trackGenre>Sub-Genres- Uptempo- Terror- Happy Hardcore- FrenchcoreHip-Hop / R&BXML Notation: <trackGenre>Hip-Hop / R&amp;B</trackGenre>HouseXML Notation: <trackGenre>House</trackGenre>Sub-Genres- Acid- SoulfulIndie DanceXML Notation: <trackGenre>Indie Dance</trackGenre>Leftfield BassNo XML Notation, editorial onlySub-Genres- Deep Dubstep- Juke / Footwork- Global BassLeftfield House & TechnoNo XML Notation, editorial onlyMelodic House & TechnoXML Notation: <trackGenre>Melodic House &amp; Techno</trackGenre>Minimal / Deep TechXML Notation: <trackGenre>Minimal / Deep Tech</trackGenre>Sub-Genres- Bounce- Deep TechNu Disco / DiscoXML Notation: <trackGenre>Nu Disco / Disco</trackGenre>Sub-Genres- Funk / SoulProgressive HouseXML Notation: <trackGenre>Progressive House</trackGenre>Psy-TranceXML Notation: <trackGenre>Psy-Trance</trackGenre>Sub-Genres- Full-On- ProgressiveReggae / Dancehall / DubXML Notation: <trackGenre>Reggae / Dancehall / Dub</trackGenre>Sub-Genres- Dancehall- Dub- ReggaeTech HouseXML Notation: <trackGenre>Tech House</trackGenre>Techno (Peak Time / Driving / Hard)XML Notation: <trackGenre>Techno</trackGenre>Sub-Genres- Driving- Hard Techno- Peak TimeTechno (Raw / Deep Hypnotic)XML Notation: <trackGenre>Techno</trackGenre>Sub-Genres- Broken- Deep / Hypnotic- Dub- EBM- Electro- RawTranceXML Notation: <trackGenre>Trance</trackGenre>Sub-Genres- Progressive- Tech- Uplifting- VocalTrap / Future BassXML Notation: <trackGenre>Trap / Future Bass</trackGenre>Sub-Genres- Trap- Future Bass- TwerkAll music genres ;List of Genre and Style URLs | Discogs BlogBluesBoogie WoogieChicago BluesCountry BluesDelta BluesEast Coast BluesElectric BluesHarmonica BluesJump BluesLouisiana BluesMemphis BluesModern Electric BluesPiano BluesPiedmont BluesRhythm & BluesTexas BluesBrass & MilitaryBrass BandMarchesMilitaryPipe & DrumChildren’sEducationalNursery RhymesStoryClassicalBaroqueChoralClassicalContemporaryEarlyImpressionistMedievalModernNeo-ClassicalNeo-RomanticOperaOperettaOratorioPost-ModernRenaissanceRomanticSerialTwelve-toneZarzuelaElectronicAbstractAcidAcid HouseAcid JazzAmbientBallroomBaltimore ClubBasslineBeatdownBerlin-SchoolBig BeatBreakbeatBreakcoreBreaksBroken BeatChillwaveChiptuneDance-popDark AmbientDarkwaveDeep HouseDeep TechnoDiscoDisco PoloDonkDoomcoreDowntempoDroneDrum n BassDubDub TechnoDubstepDungeon SynthEBMElectroElectro HouseElectroclashEuro HouseEuro-DiscoEurobeatEurodanceExperimentalFreestyleFunkotFuture JazzGabberGarage HouseGhettoGhetto HouseGhettotechGlitchGoa TranceGrimeHands UpHappy HardcoreHard BeatHard HouseHard TechnoHard TranceHardcoreHardstyleHarsh Noise WallHi NRGHip HopHip-HouseHouseIDMIllbientIndustrialItalo HouseItalo-DiscoItalodanceJ-CoreJazzdanceJukeJumpstyleJungleLatinLeftfieldLento ViolentoMakinaMinimalMinimal TechnoModern ClassicalMusique ConcrèteNeo TranceNeofolkNerdcore TechnoNew AgeNew BeatNew WaveNoiseNu-DiscoPower ElectronicsProgressive BreaksProgressive HouseProgressive TrancePsy-TranceRhythmic NoiseSchranzSkweeeSound CollageSpeed GarageSpeedcoreSynth-popSynthwaveTech HouseTech TranceTechnoTranceTribalTribal HouseTrip HopTropical HouseUK FunkyUK GarageVaporwaveWitch HouseFolk, World & CountryAboriginalAfricanAndalusian ClassicalAppalachian MusicBangladeshi ClassicalBasque MusicBengali MusicBhangraBluegrassCajunCambodian 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