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I don’t see myself as sympathizing with him, he is more of an example of how not to be.Some people see him as a rogue businessman and that is not a common character trait to fill the presidency.The economy and the stock market have shown growth under his care however it is not a healthy growth because of a lack of environmental care.In a most awkward way he is the greatest inspiration for a mass public to instigate radical change in the way business is done. This change does not have to take decades; it can be performed in a matter of years, with youth and investors directing money in this direction it will happen cheaper, better and faster!People have templates of character and that is plural; not just one template in attributes that make a person who they are. I see pride and arrogance in myself of being able to do a job with less cost of materials and a more aesthetic result, even if it takes more time.Here is the “new” front porch addition to my house with a temporary wooden brace to the right to be replaced with metal. Yes, there is daylight showing between some of the pieces of 75 to 100 year old “bead board” that is making up the ceiling.The rough edges that are called tails will be cut off in a straight line. When covered with a metal roof system the daylight will not be there. The beams were bought new yet the cost of a tongue in groove ceiling is nearly equal to the price of the new beams and I salvaged the bead board that another person had stored in open air. Yes, it took more time to install used lumber however it was a labor of love to maintain architectural integrity.Now if some people are willing to do this for the sake of a home or building and it is done extensively throughout the world for heritage sites and other locations of favor, why can’t this be done for the planet and indeed it is. Pushing these principles further it could also be done for people in the alleviation of suffering and poverty, that is being accomplished more and more also because of the realization of profit through common opportunity.I like President Trumps bullheadedness and determination yet I think he is exercising the ancient rites of theologies that proliferate burning and consumption.We didn’t move out of the Stone Age because we ran out of Stones and we won’t move out of the fossil fuel era because we run out of corporations.The “circular economy” as described in William McDonough’s google talk above is a synergistic and collaborative market. Wall Street is most often described as a competitive market.In a collaborative market a circular economy could easily raise the Dow to 40,000 in just a matter of a few years for the reason that resources are better utilized and people being a part of that process are given greater opportunity through the innovative playing field. When everybody does better, everybody does better (and better).Biomimicry is a key feature of a green and sustainable planet, it is heightened through a circular economy.Former president Barack Obama will do some heavy eye rolling when President Trump is quoted as saying “I want you to help me make the earth pristine and great again.”I don’t find much value in describing what people think is the problem, I would much rather promote the solutions.Thank you for inquiring about our president.

I don’t know a lot about Tibetan history, so I went to seek out the wisdom of Wikipedia in this matter. I have chosen the Tibetan Empire, which existed in the 7th-9th centuries, to form the basis for this civilization.Here is a quick overview of the civilization:Architectural style: East AsianSpecialty: Infantry and MonksUnique Unit: Golden Arrow WarriorUnique Technologies:Nyingma (Castle Age)Tibetan Mail (Imperial Age)Wonder: Tradruk MonasteryImage Source: Tradruk MonasteryTeam Bonus: Blacksmith researches 80% faster.Civilization Bonuses:Monks move 25% fasterMan-at-arms, Long Swordsman, Two-handed Swordsman, and Champion upgrades cost 50% lessMonks cost 10% less in Castle Age and 20% less in the Imperial AgeGolden Arrow WarriorThe unique unit of this civilization is called, for want of a better name, the Golden Arrow Warrior. This is because, according to Wikipedia, the officers of the Tibetan Empire had a golden arrow to signify their position.The Tibetan Empire's officers were not employed full-time and were only called upon on an ad hoc basis. These warriors were designated by a golden arrow seven inches long which signified their office.Unit Type: InfantryTrained at: CastleTraining Time: 18 secondsCost: 55 Food, 30 GoldHit Points: 55 (65 Elite)Attack: 8 (11 Elite)Attack bonuses: +6 vs Monk, +3 (+5 Elite) vs Infantry, +2 (+3 Elite) vs Cavalry, +2 vs Standard BuildingRate of Fire: 2.03 (this is standard for infantry)Melee Armour: 3 (4 Elite)Pierce Armour: 1Armour Class: Infantry, Unique unitSpeed: 1.0 (the same speed as the Spearman line)Line of Sight: 5Upgrade to Elite Golden Arrow Warrior:Cost: 850 Food, 500 GoldTime: 60 secondsSee Age of Empire wiki for this style of unit template (and any information you need about the game): http://ageofempires.wikia.com/wiki/Age_of_Empires_Series_WikiThis unit would be effective against melee units such as infantry and cavalry, but not as effective as an Aztec Jaguar Warrior or a Spearman/Pikeman/Halberdier, respectively (so as not to take their niche), nor would it be as strong as a Teutonic Knight (but would compensate with their higher speed and lower cost, as well as strength against monks.They would also be effective against monks, and would be resistant to conversion (similar to Light Cavalry), since they would be a devoted officer corps that would not easily be converted to their enemy’s side.NyingmaAge: Castle AgeResearched at: CastleResearch Time: 35 secondsResearch Cost: 150 Food, 200 GoldEffect: Monks heal twice as fast, have +2 healing range and +1 conversion range.This is their first unique technology. Nyingma is an ancient Buddhist tradition from the time of the empire. This technology doesn’t have much to do with the tradition itself, it is just to give the Tibetan monks a boost.Nyingma - WikipediaTibetan MailAge: Imperial AgeResearched at: CastleResearch Time: 50 secondsResearch Cost: 400 Food, 350 GoldEffect: Infantry have +1 Armour, +1 Pierce Armour, and +3 Infantry Armour.The Tibetans apparently had extremely good chain mail.The men and horses all wear chain mail armor. Its workmanship is extremely fine. It envelops them completely, leaving openings only for the two eyes. Thus, strong bows and sharp swords cannot injure them.If you don’t know, Infantry Armour would reduce bonus damage done by units that do bonus damage against infantry (Cataphracts, Jaguar Warriors).The Team bonus (80% faster research at Blacksmith) would also be representative of their quality armour.The Civilization bonuses represent the importance of Tibetan Buddhism in the later stages of the empire (improved monk speed, cheaper monks) and the fact that swords were an apparent weapon of choice for the Tibetan soldiers (cheaper unit upgrades for Militia and onward).The men always use swords; when they are not at war they still go about carrying swords.Tech TreeNote: A lot of this will have no historical basis. If something isn’t mentioned, it is available to the Tibetans.Barracks: Everything except Eagle Scout-Elite Eagle Warrior.Archery Range: No Arbalests, no Hand Cannoneer, no Thumb Ring.Stable: No Hussar, no Paladin, no Camel/Heavy Camel or (Elite) Battle Elephant.Siege Workshop: No Siege Onager, no Heavy Scorpion, no Bombard Cannon.Castle: No Hoardings.Dock: No Heavy Demolition Ship, no Elite Cannon Galleon, no Dry Dock, no Shipwright.Monastery: Everything except Fervor (because the extra speed from the civilization bonus is good enough).Blacksmith: No Bracer.University: No Bombard Tower, no Siege Engineers, no Keep, no Heated Shot.Town Center: Everything!Mining Camp: Everything!Lumber Camp: No Two-Man Saw.Mill: Everything!Market: No Guilds.This may not be a balanced civilization, but I hope it isn’t remarkably unbalanced.All quotes (and most of the information) from: Tibetan Empire - WikipediaTLDR: The Tibetan civilization is a monk and infantry civilization, with faster, cheaper, and generally stronger monks, a unique infantry unit that is anti-monk and similar to a weaker, cheaper Teutonic Knight, and technologies to improve monk healing/range and infantry armour. They would have fairly poor foot archers, navy, and siege equipment.

From The Kid to Toy Story, cinema has given us thousands of indelible that entertain and stimulate children, and subdue the difficult ones. We all grew up with classics that have stuck with us: for some it was Pixar; others were weaned on the classics of Disney animation or Studio Ghibli's fantasical otherworlds. But what should you be treating your kids to first? Glad you asked because we've been weighing up this very question. Tears were shed and hair was pulled but eventually we came up with 50 of the finest kids' films in cinema. And, hey, we're all friends again now.50. Labyrinth (1986)Jim Henson understood that real fairy tales are rarely all sweetness and light, and while Labyrinth isn’t quite as grotesque as its predecessor The Dark Crystal, it’s no less startling. Ex-Python Terry Jones wrote the final iteration of the screenplay, injecting humour and momentum into the adventure. But at its core this is still the tale of a descent into an evil realm to rescue a stolen baby from monsters. And then there’s Bowie, of course. Eyes up here, guys.Buy Labyrinth49. Shrek 2 (2004)Shrek ushered in a new, daringly mature breed of animated adventures. Where Pixar evolved the traditional Disney model, DreamWorks roundly took the piss out of it, poking fun at fair maidens and brave sir knights with colourful aplomb. This first sequel is probably the series at its peak; among the fairy-tale parodies and pop culture references, it sees our favourite grumpy ogre confronting his greatest challenge – the in-laws.48. Despicable Me (2010)Crackpot animation from Universal, which made break-out stars of its little yellow freakazoids. The Minions stole the show – and the end credits, which are still among the best uses of 3D since it was forced on everyone in 2009 – but the first Despicable Me is also the surprisingly touching tale of Steve Carell’s supervillain Gru: learning to be nice again when lumbered with three wards from Miss Hattie’s Home For Girls. For all the frantic gags, it’s the soft centre that stays with you.47. Howl’s Moving Castle (2004)Spirited Away may be Studio Ghibli’s highest-profile effort, but for many, this is the peerless Japanese studio at the height of their powers. Among the menagerie of its typically surreal aberrations: a castle on legs, a talking fire, a turnip-headed living scarecrow, a carpet-rugged dog, a flying prince, and an obese witch. Another day at the office, then.46. Chitty Chitty Bang Bang (1968)Before they're ready for Goldfinger, here's some Gert Fröbe-starring, Ian Fleming-sourced magic that's more age appropriate for your little people than Sean Connery's seduction techniques. Like Top Gear on laughing gas, Fleming's flying car tale makes for an inventive, colourful, hammy and fun kids' caper. Altogether now! "Chitty Chitty Bang Bang, we love you."Buy Chitty Chitty Bang Bang45. Frozen (2013)It would have been remiss of us to leave Frozen, a film already permanently engraved in the minds of a generation of nippers, off this list. But we include it with a trigger warning. Parents the world over are still suffering the traumatic effects of PFSD (Post-Frozen Stress Disorder), the psychological side-effect of watching Disney’s icy fairy tale on repeat for months; many are now in padded rooms, straightjacketed, rocking gently back and forth, humming “Let It Go” to themselves. Spare a thought for them.44. Zootropolis (2016)Trust Disney to take a sharp and complex meditation on institutional racism and wrap it up in a fast-paced buddy-cop romp through a wild and wonderful animal society. All the deep stuff will go over kids’ heads until they’re older, but the story of bunny Judy Hopps and her time in the Zootropolis (or Zootopia outside the UK) Police Department is suitable for (almost) all ages. Smartly written, packed with wit, and with Pixar-levels of worldbuilding. Mind the occasional scary bit with really young ones.43. Toy Story (1995)The film that announced Pixar to the world as a force to be reckoned with, and computer animation as a serious storytelling device. Toy Story was the first ever entirely computer-generated film, but that’s almost the least notable of its achievements: it took the well-honed Disney fairy tale template and placed it into a recognisably realistic modern world, complete with a fierce wit and a bulging heart. This is no mere child’s plaything...42. The Muppet Movie (1979)The original and still the best, Jim Henson's first big-screen Muppetathon was an origin story long before Batman Begins and co got in on the act. Beginning with Kermit watching his own swamp-based origins on screen (meta much?), the Dark Frog embarks on a US road trip involving brainwashing, insta-grow pills, Dr. Teeth and bizarro/awesome cameos from Telly Savalas and Orson Welles. You can't explain the plot without being put on a psychiatric watch list, but your kids will love you for trying.Buy The Muppets Bumper 6 Movie Collection41. The Incredible Journey (1963)In reality, there's no way two dogs and a cat could get to the end of the street without mauling each other or being distracted by a bin, let alone across country, but, hey, that's the magic of Disney. Plus if this happened in real-life, its three fluffy heroes - Luath the Labrador Retriever, Bodger the Bull Terrier and Tao the Siamese cat - would basically break the internet. Inspiring and adorable in equal measure.40. Finding Nemo (2003)Pixar’s great strength was finding a story in unexpected places: a toy chest; an ant colony; a rat’s nest. In Finding Nemo, we find ourselves emotionally invested in a tiny clownfish with a dodgy fin. The heart-rending story, of a father learning to let go, sneaks its way in through a shoal of hilarious characters and setpieces. Pass the tartar sauce!39. Matilda (1996)Roald Dahl – arguably the greatest children’s author of them all – has earned somewhat patchy treatment on the big screen. But this adaptation, a story of an abused little girl who discovers telekinetic powers, is as faithful as they come, and venerated by children of a certain age. The infamous chocolate-eating scene is a slice of sloppy schadenfreude; the ultimate resolve between Matilda (Mara Wilson) and Miss Honey (Embeth Davidtz) gives the film its real sweetness.38. Wallace & Gromit: The Curse Of The Were-Rabbit (2005)Aardman's long-awaited big-screen outing for Wallace and Gromit is basically a Universal monster movie with added laughs and the studio's wonderfully English worldview. Alongside our old favourites, man (Wallace) and his much smarter best friend (Gromit), Ralph Fiennes and Helena Bonham Carter are simply spiffing as the posh types caught in a bunnypocalypse, and the visual gags land with dizzying regularity. If your kid doesn't enjoy this film, put them up for adoption.37. How To Train Your Dragon (2010)A classic tale of a boy and his dog, only the ‘dog’ breathes lightning and would happily devour a village. This loose adaptation of Cressida Cowell’s novels sees inept Viking Hiccup (Jay Baruchel) break with tradition to befriend (and train) an injured dragon. The story (friendships forged, prejudices set aside) is charmingly told but its Toothless that steals the show – DreamWorks’ wonky-tailed lizard proving as adorable a character as any Disney concocted.36. Moana (2016)If Moana hasn’t already inveigled its way into your home with its subtly subversive plotting, gorgeously vibrant animation and earworm songs then make way, make way for another contemporary Disney smash. The Mouse House’s first Polynesian princess is a hardy, headstrong hero, while Dwayne ‘The Rock’ Johnson brings maximum charm as shape-shifting semi-demi-mini-god Maui. Throw in a scene-stealing slapstick chicken, songs by Lin-Manuel ‘Hamilton’ Miranda, and a Bowie-inspired giant evil crustacean voiced by Flight Of The Conchords Jemaine Clement, and this is truly irresistible stuff.35. The Kid (1921)Want to introduce your wee'un to the joys of silent cinema but think they may be a bit young for all five-and-a-half hours of Abel Gance's Napoleon? Try Charlie Chaplin's heartfilled fable of the Little Tramp and the even littler scamp he befriends in one of cinema's most magical junior bromances.34. Beauty And The Beast (1991)It was, as the song went, a tale as old as time. But rarely have such tales been told so elegantly, so lavishly, with new advances in animation offering a sumptuous canvas of colours and characters (a singing teapot will never not be great). The story, too – typically Disney, fable-filled and fanciful, but rich in romance and poetry – was enough for it to earn the first Best Picture Oscar nomination for an animated film.33. Paddington (2014)The idea seemed improbable and the first trailer left a few unconvinced but, boy, was director Paul King's little bear a joy to behold when he arrived on the screen. For anyone who wants their kids to learn about things like home, finding a place in the world and the importance of always having a sandwich to hand, this is indispensible viewing. Try to gloss over the bit where Hugh Bonnevilledresses up as a cleaning lady, if you can.32. Oliver! (1968)There have been at least dozen adaptations of Charles Dickens’ classic novel about the orphan boy who wanted more. But few are as unforgettable as the toe-tapping exclamation-marked musical version from Lionel Bart and Carol Reed. Beautifully staged, perfectly cast, and with songs that lift the source text to a new plane, the original poster claimed it to be “much more than a musical”. We’d be inclined to agree.Buy Oliver!31. The Railway Children (1970)An ideal parental bonding experience, E. Nesbit's train tykes make a timeless big-screen trio. They're led by Bobbie (Jenny Agutter), a teen with the smarts of Hermione and the train safety awareness of Denzel Washington in Unstoppable, but even the girls' Yorkshire rail capers fade in comparison with the poignant beats and one of the most tear-duct-stirring endings in cinemas. Totes loco-motional.30. WALL-E (2008)800 years in the future, humanity has abandoned Earth, a planet now overwhelmed with pollution and rubbish. The only thing left: an adorable trash-compacting robot who has evolved long enough to fall in love. One of Pixar’s most ambitious projects (and for this studio, that’s saying something), WALL-E’s grand scale and intimate charm benefits from talents like Star Wars sound designer Ben Burtt and cinematographer supremo Roger Deakins.29. The Red Balloon (1956)The story of one boy and his self-aware balloon, this 34-minute gem is part adventure yarn, part romance that's backdropped by cobbled Parisian streets and has a heart the size of the Sacre Coeur. There's fantasy, truancy (you might want to skip that bit) and a bit where two balloons fall in the love. Trust us, it's magical.28. The Jungle Book (1967)Still the king of the swingers 50 years later, Disney's (first) take on Rudyard Kipling's novel is a pacy 78-minutes of jungular mayhem lit up by the songs of the Sherman Brothers, sassy dialogue and wonderful characters. It's so good, Disney would go on to reuse chunks of the cel animation in Robin Hood six years later.27. Home Alone (1990)What should an 8-year-old boy do when left alone and terrorised by burglars? The sensible thing would be to call the police and get the neighbours to help out. But this Chris Columbus/John Hughes classic offers an alternative option: extreme violence. Introducing Macaulay Culkin to an unsuspecting public, Home Alone’s curious blend of elaborate boobie traps and sentimental life lessons has ensured its place as an annual viewing appointment at Christmas.26. Coco (2018)If your young ones can handle its skeleton crew, Pixar’s latest non-sequel is yet another dazzlingly colourful adventure from the animation house. Set in Mexico around the Day of the Dead, the film follows youngster Miguel who dreams of being a famous guitarist – even though his family sees music as a curse. After a snafu leaves Miguel trapped in the underworld, it’s up to generations of his deceased relatives to help their descendent make his way back to the land of the living. Adults beware: you’ll want a full box of tissues on standby come the deeply emotional resolution. Another Pixar film destined to be remembered.25. The Nightmare Before Christmas (1993)The ultimate antidote to jolly Christmas cheer, this darkly brilliant stop-motion treat came from the demented mind of Tim Burton, years before he somewhat ran out of creative steam. The story of Jack Skellington, the gothic anti-hero of Halloween Town who finds a portal to Christmas Town, has become as beloved as the seasonal tales it seeks to caricature.24. The Goonies (1985)A generation shuffled their truffles for the love of Richard Donner’s caper, in which Cory Feldman, Josh Brolin and co. go in search of pirate treasure, facing competition from Robert Davi and Anne Ramsey. Producer Steven Spielberg’s fingerprints are on it too, but this is closer to Gremlins than E.T.: a reminder of a time when kids’ films were allowed to be a little bit scurrilous.23. Inside Out (2015)A movie that made us care about a nougat-filled elephant-cat hybrid, Inside Out came out just in time to silence those suggesting that Pixar had lost its critical edge. On paper at least, it sounds bonkers. Set inside the human mind with a character called Anger and that aforementioned nougat-flavoured frankenfriend, it sounds like a metaphysical jungle impenetrable to anyone without a PHd in psychology. But kids loved it, and yours will too.22. Time Bandits (1981)Directed by Terry Gilliam, who also co-wrote with Michael Palin, and featuring appearances by the latter and John Cleese, this is the closest thing you’ll get to a Monty Python movie for kids. It’s also a thrilling time-travel fantasy adventure (featuring a gang of dwarves on the run from God) that was unafraid to go ‘dark’ an entire generation before a kid called Harry received an invite to attend a magical boarding school.21. Kubo And The Two Strings (2016)Laika’s fourth animated film is perhaps its best effort yet – a grand, mythical and hugely inventive adventure bursting with imagination. It hinges on a classic quest narrative, sending the titular boy across feudal Japan to track down a magical suit of armour, with wonderful subtext on the power of storytelling and creativity. Then there’s the staggeringly ambitious stop-motion animation which sets an all-new standard for how detailed and epic the medium can look. Some dark and creepy moments thoroughly earn its PG rating, but what’s an adventure without a little danger?20. Up (2009)While grown-up will be blubbing their eyes out during the opening Married Life montage, smaller folk may be getting ready to revel in the antics of Russell, the ever-helpful boy scout, Doug, the benovelent but hugely dim talking dog, and cranky old Carl Fredricksen on their Amazonian adventure. Ready those Wilderness Explorer application forms now.19. Elf (2003)Without even really trying, Elf has become one of those films that has wormed its way into pop culture legend. There’s a certain breed of Elffan who, around Christmas time, will offer a stream of Elf quotes, without prompting. They’ll chirp “Smiling’s my favourite” with joy; shout “You sit on a throne of lies!” in anger; call themselves “Cotton-headed ninny-muggins” in sadness; and consider “candy, candy canes, candy corns and syrup” as the four main food groups. Son of a nutcracker, indeed!18. The Secret Of Kells (2009)Cartoon Saloon is like the Studio Ghibli of Ireland. Their 2015 effort, Song Of The Sea, offered a sumptuous illustrated picture-book, come to life. But for our money, this bewitching fantasy – about a little boy who lives at a medieval monastery – is their best work. Drawing on centuries of Irish mythology, it takes in illuminators, wolf-girls, deities of death, vikings and barbarians, via some of the most luscious hand-drawn animation committed to celluloid. Spellbinding stuff.17) Harry Potter – Series (2001 – 2011)The story of the Boy Who Lived is a generation-defining fantasy saga – and across eight films, directors Chris Columbus, Alfonso Cuaron, Mike Newell and David Yates did an admirable job of taking JK Rowling’s Wizarding World from page to screen. The series has adventure, friendship, and – of course – magic aplenty, and while the early films deal in charming technicolour whimsy, the tail end of the series is decidedly for older kids once Dark Lord Voldemort rises. If we had to pick just one it would be Cuaron’s Prisoner of Azkaban(2004), the tipping point between childhood adventure and dark YA fantasy, with a cracking time-twisting adventure, Gary Oldman as escaped murderer (or is he?) Sirius Black, and one of the series’ greatest creatures in Buckbeak the hippogriff.16. Pinocchio (1940)Everything about Pinocchio is memorable, etched into our collective consciousness as a paragon of classical Disney. Just like the work of its wood-carving patriarchal hero, Gepetto, there is a meticulousness and quality to this early Disney effort that is immutable, enduring, timeless. Offering hope to wooden boys everywhere, its impassioned wishing-upon-a-star denouement helped establish the now-unmistakable Disney DNA. No word of a lie.15. Spirited Away (2001)Howl's Moving Castle is almost as beloved and Princess Mononokehas a harder-edged brilliance, but this is peak Ghibli, a feast of outlandish imagination set in a netherworld that mutates and morphs almost as fast as the eyes can absorb it. Its ten-year-old heroine is the perfect guide for youngsters into a realm of witches, dieties and monsters.14. Aladdin (1992)On paper, Aladdin is Disney on auto-pilot: a princess who needs rescuing from a dashing hero, augmented with heartwarming songs and talking animals. What stands this one out from the crowd is Robin Williams’ Genie. A bundle of hyper-energy, anachronistic pop culture references and subversive winks to the grown-ups, the Genie added an extra dimension to Disney, and demonstrated a level of invention previously unseen. It offered, you could say, a whole new world.13. Babe (1995)Until they remake Gravity with Miss Piggy, this remains the greatest pig-based children's yarn in the canon. A delight from start to sheepdog-trial-set finish, it's heartwarming, clever and ingeniously conceived. It also spawned the greatest line of movie dialogue - "That'll do, Pig" - we've still had absolutely no opportunity to use in real life. Not yet, anyway.12. Paddington 2 (2017)How do you follow up a family film as quaint, wondrous and perfectly formed as Paddington? Pile on yet more charm, an even more emotional plot, and cast Hugh Grant in his best role since… well, possibly ever. Paddington 2 is as light as air, never once collapsing under the weight of its own whimsy – even as it hops from delightful prison scenes (really) to Grant’s nefarious actor Phoenix Buchanan in a variety of madcap disguises. A purely wonderful treat for all ages.11. Toy Story 3 (2010)Pixar occasionally field criticism for the quantity of sequels they produce. But when they’re this good, who’s complaining? The world’s greatest threequel saw Woody and the gang take on a melancholic note, as a grown-up Andy heads off to college and forgets about his beloved toys. The astonishing finale, in which these beloved characters confront and accept a fate of near-certain death, is practically unprecedented in a family-friendly film.10. The Iron Giant (1999)Adapted from Ted Hughes’ beloved children’s book – the title changed to avoid confusion with a certain Mr T. Stark – this enchanting story of a mysterious metal man who befriends a small boy practically bypassed mainstream audiences upon release, but has built up a small cult following over the years – particularly among fans of Brad Bird (who went on to direct The Incredibles). Released just as Pixar and its ilk rose to domination, it’s perhaps the last of the great traditionally-animated films; like its metal hero, caught between ages and technologies.9. Monsters, Inc. (2001)Children can get scared by the dark so what more clever or more reassuring idea than to disarm those fears with a funny and very, very clever story of industrial scarers dependent on the screams of little ones to power a city? Sully and Mike Wazowski, Monsters, Inc.'s scarer-in-chiefs, are so loveable and well-meaning than the whole process seems almost innocent. Everyone will sleep more soundly after watching this.8. The Princess Bride (1987)Rob Reiner's beloved classic offers up an alternative fairy tale realm in which nothing is quite as you'd expect, like a Walt Disney yarn filtered through a postmodern prism. William Goldman's script is playful and filled with quotable dialogue ("My name is Inigo Montoya. You killed my father. Prepare to die") and kids will love its zest, energy and rollicking sword fights. Stardust and others have aped it but the idea of anything matching it is, well, inconceivable.7. The Lego Movie (2014)When a feature-length narrative movie based on a set of toy plastic bricks was first announced, eyes narrowed; grumbles rumbled; the hue and cry of ‘cash-in!’ was raised. That The Lego Movie ranks so highly on this list is a testament to how much it surprised us all. It’s fast, shrewd, and furiously funny, with typical self-awareness from Phil Lord and Chris Miller; the ingenious final-act reveal transforms an already very good family-friendly film into something truly great.6. The Lion King (1994)The best Shakespeare film ever made? The Disney Renaissance of the 1990s reached its zenith with this stunning adaptation of Hamlet, recasting the tragic Danish prince as a precocious lion cub who just can’t wait to be king. All the elements come together in one joyous package: songs (from Sir Elton, no less) that will rattle around your memory long after the end credits; a voice cast (James Earl Jones’s booming baritones, a highlight) that elevates the animals into something human; and animation as soaring as the savannah itself.5. Toy Story 2 (1999)When has a sequel ever bested its original? The Godfather Part II was one exception. Terminator 2: Judgment Day managed it. And Pixar, with only their third feature film, somehow crafted a Better Sequel to join that rare, anomalous Better Sequel Club. 1995’s Toy Story was hardly a low bar – far from it – but the sequel finds the superlative animation studio hitting their golden era stride, with a tale as heartwarming and heartbreaking as anything they’ve ever done. You’ve always got a friend in them.4. Snow White And The Seven Dwarfs (1937)A small, non-unionised minority group is exploited by a passing royal who mistakes their humble abode for an Airbnb. Hardly a promising set-up for a fairy tale we grant you, but this one is a bit special. The songs are sparkling, the romance between Snow White and the prince is swoonsome and the dwarves get seriously rich, so it all works out nicely. Hi-ho!3. The Wizard of Oz (1939)Not just one of the greatest kids' films of all time, but one of the greatest movies full stop, show your children this and you'll be ticking off two boxes in one. There are many important life lessons - about heart and smarts and the loyalty of little canines - in between all the glorious songs, kaleidoscopic sets and a lot of Munchkin mayhem. Although if your little'uns want to know why it's okay for Dorothy to kill so many people, you're on your own.2. My Neighbour Totoro (1988)"I think that when children become three or four years old, they just need to see Totoro." So says Studio Ghibli founder Hayao Miyazaki. And he should know, because few filmmakers have a more intuitive grasp of what fires a child's imagination. In this case, it's a bittersweet story of loneliness defeated by the power of friendship, with the help of a big grey furry spirit and a magical Catbus.1. E.T. The Extra-Terrestrial (1982)It’s the story of a weird-looking alien with telekinetic powers and a penchant for Coors Lite who missed the last bus back to his home planet. It’s the story of a shy, lonely boy whose dysfunctional home life confronts the unknown. It’s a story of single parents and broken marriages, of suburban small-town America, of innocence lost and learnt again. It’s the quintessential Steven Spielberg film: joyously cinematic, entirely earnest, unapologetically optimistic, a starry-eyed 20th century fable. (It boasts the quintessential John Williams score, too, one that makes your heart swell and your goosebumps tremble.) It’s iconic. It’s timeless. It’s perfect, basically. It’s the obvious number one.