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I have hated on it because she is supposed to be stronger than the Avengers and is going to show up out of nowhere (always a bad piece of storytelling), thereby robbing the audience of seeing the characters they've had almost a decade with gain any satisfying closure.Several actors are retiring their roles after Endgame, and having Captain Marvel overshadow them is in poor taste. If she was going to be a major contributor to righting the wrongs of Infinity War, she should have met the team before now. Swooping in to steal the movie is just bullshit.And also. NOBODY IS ALLOWED TO BE STRONGER THAN THOR.So there. Hmph.

PREFACE: Kannada Cinema Industry, was based in MADRAS from 1950s to 1970.There was a lot of suffocation due to bias based on language, state, cultural difference and politics.So Kannada cinema decided to separate itself and based Bangalore for the Sandalwood industry in early 1970s. The complete independence of the transition took another generation.👍👍👍When I met RAJAN Sir (of RAJAN-NAGENDRA Fame) at his house in 2012, he told me the ideology of this new set up of Kannada Industry was not to compete with any other film industry but to create a unique Kannada Brand.✌️✌️✌️…………………………………………………………………………………………………………………….SUBJECT ELOBORATION:PLATINUM ERA-Films made b/w early 190s till early 1980s. GOLDEN ERAIn Kannada the Golden era was born with innovative movies made , that were based on mythology, novels, creative unique stories etc.❤️❤️❤️It was an era of superior direction with the mantle being handled by the Eite Directors like Puttanna Kanagal, Siddalingaiah, Dorai-Bhagwan, Suresh Heblikar, Girish Karnad, Shivram Karanth, Shankar Nag, T S Nagabharana, Sunil Kumar Desai etc till early 90s.👌👌👌There was tremendous excitement among movie fans appreciating an unparalleled talented league of independent actors in Kannada industry.💕💕💕The acting skills were predominantly dominated by the Kannada legends like Dr Rajkumar, Uday Kumar, Kalyan Kumar, Dr Vishnuvardhan, Narasimha Raju, Ashwath, Balakrishna, Srinath, Ambarish, Shankar Nag, Ananth Nag, Dwarakish, M P Shankar, Lokesh, Mysore Lokesh, Mukhyamantri Chandru as male actors while female actors including Pandari Bai, Leelavati, Mynawati, Saroja Devi, Kalpana, Bharathi Vishnuvardhan, Manjula, Jayanti, Lakshmi (and many others) controlled the acting calibre of the industry with tremendous acting skills and thus bringing in excellent box office collection from the early 60s till late 80s.🙂🙂🙂The Kannada Cinema was a emerging Brand and the movie would be shot across different parts of the state be it Sakleshpur, Hassan, Hampi, Brindavan Garden and other parts of Mysore, Gulbarga, Madikeri, Mangalore, Karwar, Udupi, Shimoga, Kolar, Tumkur, Chitradurga, Dharwad, Bangalore etc. Special mention of Kuduremukha, the Heaven of Karnataka.😊😊😊The movies that were made then, had little or negligible borrowing from the movies made by the neighboring states, be it in terms of artists or story of the movie or the ideology etc. Many movies based on Novels were super hits.😎😎😎B/w 1956–1996 can safely regarded as CULT ERA, when kannada movie songs were loved because they were melodious and heart melting. Just listen the songs of the era 1956 to 1996. They are mind blowing. 👌👌👌I am personally a die hard fan of Rajan-Nagendra, Ilayaraja, G K Venkatesh and Vijaya Bhaskar songs of that era. Like many Kannadigas I prefer to listen and maintain the song collection only of that era I.e till 1989.😍😍😍That was the era when there was poetic lyrics with lot of meaning hidden in each word under each lyrical line of every Kannada song. Those songs are still been admired across all generations even now. Those songs were the best in Kannada movie industry.😇😇😇The neighboring states then actually remade many Kannada movies, songs, scenes, comedy etc. Many cinema from neighbouring states used to be shot in Karnataka like KRS, Kudremukha, Jog falls, Hoganekkal Falls, Hampi, Talakadu, Coorg, etc. 🌲🌱🏵️🌹🌳🥀🌼🌵🌻🌺🍁🍀🌿🌾That time it was the Peak of Kannada Cinema and this was till late 80s.👑👑👑But commercially by volume, majority of the Kannada movies were above/below average grossers or flops and few financial disasters (Remember SHANTI-KRANTI………….Ravi Sir lost 40 Lakh those days).💫💫💫There started the pressure from the Distributors and the theater owners, who were losing money or wanted larger share of profits to compensate losses.😠😠😠The primary reason for the last point above was that “the KANNADA people were not CINEMA CRAZY” like in neighboring states. So even good movies had little attendance in theater, since people in Karnataka had better work to do, rather than spend time watching movies.😨😨😨I see few eye brows frowning…………..someone questioning me how come you dont call us Cinema Crazy. Some will say : We have bankrupted our rich family by pumping all the money going to theaters. Please read my answer to your question at the end.😳😳😳The Distributors, Financiers, theater owners all come from some link of political background. So you need to keep them happy. To keep them Happy you need to make movies they like and not what artists like or what audience like. Inspite of average to meager movie collections, somehow no one dared to change the KANNADA FILM ideology till early 90s.😩😩😩Somehow the wheels pulled the cart with few financiers, distributors and theater owners going bankrupt or shifting bases to more profitable areas in neighboring states.😧😧😧The issue started when the Sandalwood film industry Father Figure Dr Raj went into retirement in late 80s. Exactly at the same time, we lost a legend, our dearest Shankar Nag in 1990. By then we already had lost Puttanna Sir and the good creative talents of almost all yesteryear directors was almost over and they were fast aging. 😖😖😖In parallel, the older cine stars were also aging and they were in their last league of creative and innovative acting skills. They were swiftly being overtaken by the new generation of talent's.😦😦😦In between, every now and then the Madras film industry pulled few of our good talented artists and actors alike and we had good talent shifting bases to Chennai.🤧🤧🤧The ones who stuck in Sandalwood, i.e the newer generation actors/artists who were equally talented and energetic, continued. But the scope of creativity was reduced to be negligible or nil in some cases. The new breed of artists had to compromise on poor quality since the major issue was that they had not seen the Kannada cinema artists struggle in Chennai (from 1950 till 1970). So professionally they were not bound by the ideology of Uniqueness of Kannada film industry. For them survival was important. So started the next era.😬😬😬Next Era:This is the time (around starting 90s to mid 90s) when producers, distributors, theater owners started pushing the demand for higher share. The one and only way to do it was, to copy films from other languages (which are hit and the expectation was that such movies will also be hit in Kannada).😰😰😰So from then on you will see almost all movies borrowing on concept or blindly copying from other film industry. During initial few years, this was very true and few movies copied from other film industry released in Karnataka gave good collection. Take Ramachari for example. Almost all Ravichandran movies thereafter were Tamil or Telugu cinema copies. 😏😏😏In the next decade with all this going on and on, the Kannada Industry was losing its shine. It was being considered as ordinary by neighboring states and thus, our actors and artists, lost value in the eyes of our own people and in the eyes of neighboring film industries.😔😔😔The reason for the point above was that, in the Kannada film industry the talents were suppressed by politics of other state financiers and distributor's.💤💤💤So rarely you would see, movies made with unique ideas like how Suresh Heblikar or Girish Karnad or Upendra or Girish Kasarvalli or Sunil Kumar Desai, made their movies or how movies like Janumada Jodi was made by T S Nagabharana or take even Nagamandala.😑😑😑Movie goers want to see creative movies and not simply copied movies or same repeated formulas of already released movies (like crap love stories with hatred incited by society to separate them or the violence shown beyond proportion).😶😶😶Remember, the industry is controlled by money minded people who wanted only MONEY, else they will not finance the movie. Such people are business minded and not artists. So they rarely cared what kind of movies are made. So good fans also started avoiding Kannada movies.😟😟😟If someone is spending 300–500 rupee on a movie (plus another 200–300 for shopping the double priced food in the theaters and another 200–300 rupee on transport cost to the theatre), one expects creative level of cinema that draws genuine audience.👨‍👨‍👧‍👧👨‍👨‍👧‍👧👨‍👨‍👧‍👧Not just the audience who bunk classes and sit in theater to kill time or the jollu parties, who pick some random girl and do nonsense sitting in the last seats. Below see my friends reaction at a Jollu party (who swore that he went to theater with the intention to see a movie and not to do jollu business in back seat of the theater).👇👇👇SILVER ERA-Comedy films b/w early 1980s till early 2000s.💝💝💝You remember, in 80s and 90s Kannada industry had very good comedy films acted by Shankar Nag, Ananth Nag, Kashinath, Ramesh Bhat, Mukhya Mantri Chandru, Umashree, Sihi-Kahi Chandru, Doddanna, Bank Janardhan, Sathyabhama, Tennis Krishna, Biradar, Mimicry Dayanand, Mysore Ramanand, M S Umesh, Honavalli Krishna etc. 👌👌👌Even today, one appreciates the best comedy films like Nodi Swamy Navirudu Heege, Parameshi Prema Prasanga, Love Madi Nodu, Anantana Avantara, Ajagajantara, Golmal Radhakrishna, Ondu Cinema Kathe, Ganeshana Maduve, Gowri Ganesha, Ganesha Subramanya, Bombat Hendti, Hentige helbedi, Yaarigu Helbedi, SSSSH, Tarle Nann Maga, Super Nanna Maga, Love Training, Hendati Yendare Heegirabeku, Hello Yama, Chor Guru Chandal Shishya, Meese Hotta Gandasige Demandappo Demandu, Mari Kannu Hori Myaage, Jeeboomba etc.👏👏👏……………………………………………………………………………………………………………………………………..**Those Happy days when Audience in the theater reacted something like this after seeing Kannada Comedy movies and later discussing the scenes with their friends. See below this kind of REACTION. Those days the laugh was uncontrollable due to Very good comedy movies in Kannada cinema**MUNK ERA (Read Junk)-Comedy films b/w early early 2000s late 2015.💔💔💔Coming to the next era. Barring few movies, this was an era, full of movies copied from other film industry and in many cases scene by scene.From 2000 onwards, Sadhu Kokila started replicating Vadivelu or Vivek or Brahmanandam comedy and for next 15 years he (and other comedy artists like Tennis Krishna, Bank Janardhan or Doddanna) were simply copying comedy scene by scene from either Tamil cinema or Telugu or Hindi Cinema. 🙀🙀🙀This happens because the artists do not have control and are forced to do. Another reason is the movies itself would be frame to frame copy from another film industry.🕵️🕵️🕵️There is another scenario where dubbed movies cannot be released in Karnataka due to artists losing the opportunity of remake of other state cinema…………..Thanks to Shashank Manjunath for bringing this valid point👏👏👏In parallel there is another psychology. If someone creates one movie and if it is super hit, then keep on creating many such movies till the collections deplete and then seek the next opportunity for another such super hit movie.🤢🤢🤢Towel/Kerchief Shruti’s Weeping Era in 90s…by count there must be more than 50 movies where all the story is based on women torture and Shruti portraying the women.Tiger Prabhakar K-anglish era-Between early 90s till his death, Tiger acted in more than 50 movies as hero. But it was not the same Tiger if the 80s.Ravi mama era- Again 90s was Ravi mama era of blind copying of tamil movies. The only positive points used to be heroines, bed scenes and Hamsalekha songs.Rowdy era- OM was a unique movie. It was first movie, to start Rowdyism as main subject. Soon the next 20 years you see every alternate movie being connected with rowdyism or so.Police story movies if the 90s- After Sangliana, released in 1988 (which was the first super hit police movie) a new era began that of police oriented movies. The next 10 years almost every second movie in 90s had subject oriented with police, the political leader (usually Sudheer or Mukhyamantri Chandru or Doddanna), the same dirty politics and added comedy is, the hero who is police (be it constable or a Strict Inspector or a DIG or a Commissioner of Police, etc) will dance with heroines in park.🕺💃🕺💃🕺💃Sai Kumar Era- How can one forget that 90s era when people would have their ears bleeding, listening to Sai Kumar police oriented movie dialogues, which he used to deliver non stop for 30 minutes. When he starts his dialogue, people in the theater leave towards outside to smoke a cigarette, then they will go to loo, then come out and smoke another cigarette and then spend lots of time leisurely roaming the theater premises, do little bit of shopping and then when back still the end 1–2 minute dialogue is there.🐉🐉🐉Love movie Era- Another example…………Take Mungaru Male………….after this movie almost next ten years similar movies………….people simply got bored. How many times people will see the same stories twisted and turned.💆💆💆It looked funny. No one wants to take his family to such crapish movies. People just laughed at such movies.😵😵😵Literally speaking these type of movies simply were avoided by majority of kind heart Kannada people.🤦🤦🤦Other issuesTill late 90s Kannada Cinema was neutral and the stories of the movies focused across different parts of Karnataka be it coastal Karnataka or western ghats or North Karnataka and of course Bangalore-Mysore belt.🤝🤝🤝Good times were those.Around 2000 or so, the cinema predominantly focuses only Bangalore-Mysore belt. Majority of the films focus Bangalore-Mandya belt and its issues.😢😢😢So collection drops across other districts since people got bored with same stories, poor songs, poor action, poor dialogues etc.💔💔💔The biggest contributors for diminishing box office margin are the Kannada Cinema viewers themselves, who are willing to travel 100 km into neighboring state and watch a childish crap movie, rather than spend half that amount and see a worth watching Kannada movie in Karnataka.🐒🐒🐒In neighboring film industry the lack of analytical coefficient of the fans is a plus point, due to which there the industry is still prospering inspite of mindless contents. There the audience is least bothered what movie content is. There only star power, cast-ism, nepotism etc counts.🦁🦁🦁FUNNY ERA OF CRAP CINEMAMajority of the commercial movies across all languages can easily be classified as BANE to one's IQ. Funny crappy brain melting stories and songs below.LOVE STORY MOVIES WITH SONGS IN PARKS: Love stories where 2 lovers love at first sight or at second sight (or at 30x40 site or even at 40x60 site). Few romantic songs, few envying friends, bad parents, religion or caste problem and the whole village fighting to seperate them then they run away etc etc. Finally either both are killed or others agree to their marriage. 😑😑😑 Do not miss the songs in the parks.Stardom dominated movies: Old hero (👴👴👴 being wigged to look like this 👱👱👱), wearing gaudy bright ugly colored and funny pattern dress dancing with a heroine in her 20s, almost his grand daughter age. You would have seen them singing and dancing with Jhingalala music and funny dance steps, that fit gym exercise more than be classifiable as dance.🤦🤦🤦 And then you are irritated because of too many songs, than meaningful movie content.🙍🙍🙍Bigamy or love triangle movies: Hero (who is aged 50), has 2 heroines both in their early 20s. Story, either hero marrying both the heroines or glycerine love triangle or love sacrifice one heroine dies. The story is designed to justify all this…..🙊🙊🙊BIGAMY PARTIALITY: Bigamy is acceptable for hero only and not for heroine. I bet, you would have never seen a movie with 1 heroine married simultaneously to 2 Hero (both uncle aged), but one hero can marry any number of heroines. Partiality…..🙈🙈🙈HERO-HEROINE RATIO : There is fixed ratio like 1 hero : 1 heroine, 2 hero : 2 heroine and multiples of it thereafter. Then you have changing ratio where 1 hero and 2 or 3 heroine. But the ratio will always have 1 hero and the count of heroine can be changing from one to many. 😉😉😉Hero-Heroine kind of stories……first clash then love kind of story: Hero is humble uneducated village farmer. Heroine is from rich family wearing modern dress and is highly educated, due to which she is arrogant. Meanwhile one can observe, that the Hero is also equally arrogant but the story has justification on that and so he is not guilty whereas she is. The hero makes impossible things and the heroine suddenly becomes Sati Savitri wearing saree or chudidar (discarding her modern dress like Bikini or her trousers and her jeans on OLX 😜😜😜). Then what, find some park and then songs ………..…dik Chan dikchik Chan.👫👫👫Good hero bad villian story: One hard heart Villain. His only goal in life is always related to the hero and his surrounding people and doing injustice to the poor hero. The Hero endures all the injustice for entire movie time of 2–3 hours and at the end of the movie, the hero kills the villian or the villian surrenders with change in heart.🤒🤒🤒Police based movies: Then you have police based movies. In the whole city (yes entire city of 50 lakh plus citizens) there is only 1 inspector who is the hero and only 1 villian who is the criminal. The 2–3 hour movie, simply revolves these characters (and their relatives and their chamchas). And at the end, there will be hero-villian fight. Then, villian is killed and the movie message is that “all bad things in the world have ended”.🤥🤥🤥Family drama : The family drama movies which looks more like circus buffoons delivering funny glycerin dialogues, rather than genuine skilled acting team.🙈🙈🙈Hard working concept with Truth prevail kind of story: In another story, hero is the son of a hard working humble father. The whole world does injustice to these two. In between you may find a female character who will be either the mother or daughter in law and they are portrayed as either bad lady, Kaikai or a Sati Savitri. Few emotional songs. Hero wins finally, all due to his hard work, intelligence and the idiotic view of the fans.🛀🛀🛀Hero portrayed as Vishwamitra: Then you have beautiful WAMPs in between who dress to seduce the aged UNCLE, the Hero. She will sing crazy songs, dance exposing her body but the Hero (who is like the great Vishwamitra) does not care a damn about her. In between the movie, she will die trying to save the Hero. The hero then tells few glorious dialogues and thanks her for her sacrifice, after which she dies.👹👹👹Incarnation Stories: Then you have incarnation movies. Hero and heroine meet, in every life and sing same songs across different Januma (with same lyrics and same musical instruments played on the background). Another twist is, one of them is a ghost and sings a repeat last januma song while the other lover keeps following towards some graveyard or funnily lighted old dilapiliated Mahal. The comedy here is, the hero and heroine look same like previous life has voice same and sing exactly same songs from last januma👻👻👻Snake-human movies: Then you have snake oriented movies where either hero or heroine is snake and few haunting crap songs. Unbelievable childish animated scenes.🐍🐍🐍Dacoit movies: Another category of hero oriented dacoit movies. Hero is dacoit and has his struggles due to which he became dacoit. The heroine is desperate for him, few songs here and there. At the end, then hero will win (after killing the villian) and politely surrenders (voluntarily) to police and the court pardons him.😼😼😼Court scene scenes/movies: Then you have the court scenes with a common judge (who has acted in similar court oriented roles across many movies with similar stories), with hero playing the role of a brilliant lawyer or he plays the role of the guilty standing in as criminal. Then few twists and turns in the courtroom and few lengthy dialogues. Finally hero is the winner and the law of the country, changed to suit the hero.🙈🙈🙈Detective/James Bond type of movies: Subject being either India vs Pakistan or some other country. Story will be like, someone has created a secret formula that will wipe the whole country or make invisibility. The hero is a secret agent trying to save the country. In between during all the action scenes hero gets benefits and others are the losers. He finally kills, the villian and his entire team single handedly. In between few ding dong songs.💆💆💆……………………………………………………………………………………………………………………….AUDIENCE REACTION: The Audience wept, really wept and tears flowed non stop in the theater. Few frustrated people even went bald, since they took their anger on their hair (head hair I meant, please don't think something else😜😜😜). Some even went out and kicked the street dogs purely out of frustration .🐺🐺🐺People who were genuine cinema lovers at heart, scream at these movies Like below and keep asking“where is creativity???”. 🐒🐒🐒These fans are telling “we have been seeing these type of movies from last 40 years”. Why again and again same type of movies……“why is our patience being tested repeatedly. Do we not deserve better kind of innovative movies”.🤦🤦🤦……………………………………………………………………………………………………………………….SCENES OF MOVIES WHICH ARE -BEYOND THE MIND/SENSES OF THE VIEWER.You might have had a hearty laugh seeing few scenes over YouTube of movies made by the neighboring film industry (few from our industry also, but majorly copied due to producer insistence).🙇🙇🙇Breaking prison iron rod since heroines Taali is struck.😲😲😲Ride a bike over a train and then jump in front of the train, then go under the train and then climb over it, then stop the engine.🤦🤦🤦With prayer and pointing finger of the hero, the train (where villain is standing) moves backwards.😖😖😖With one hit, the villian flies in air without gravity and hits the wall. He is struck on the wall and not fallen to ground, till the hero finishes few dialogues.😫😫😫Ride bike over series of cars as if it was a highway😭😭😭controls ferocious dogs with eye rays (4 dogs were there initially, after ray emission only 3 dogs are there) 🐒🐒🐒Kill villian through electric shock that burns villian but does nothing to hero,🦉🦉🦉Physically move inside the computer wire and reach the villians bank account and empty it plus broadcast the scene over TV directly to villian.💆💆💆Jump erect from a building with walking stick and land safely.🤦🤦🤦Flying to tight security area in Pakistan with glider from South Indian City..🛐🛐🛐Hero jumping from a building with air filled plastic covers (similar handy plastic food covers wrapped by SWIGGY or ZOMATO, when you order food at home) and landing safely almost 10 floors. Please don't try at home.😜😜😜Jumping from a tall building using just an umbrella and landing safe few hundred metres.☔☔☔Using just a Sword rebound the bullets back to the shooter and kill him⚡⚡⚡Hero just swiping his moustache and one of the henchman of the Villian flies away in air.😠😠😠Lift the chamchas of the villian in air and then hit them to ground resulting in, either they breaking the hard ground and go below the ground or they bounce in the air, like a ball sometimes twisting and turning without gravity.🏐🏐🏐Hold tsunami with bare hands.🌫️🌫️🌫️Play volleyball flying in the air and then rotate the ball on middle finger,🌪️🌪️🌪️Spit a bullet to switch off a time-bomb🔥🔥🔥Shoot the wheel nut of an aeroplane🛬🛬🛬capable to give current shock back to transformers,🌀🌀🌀use Chicken cock to kill a 7 feet villian,🐓🐓🐓kick just one villian and you see a bunch of villian's are flying in the air,🦅🦅🦅Riding a horse and then skidding the horse below a lorry,🐎🐎🐎Tractors are being wheeled as if it was a bike🚜🚜🚜Car or auto or truck lifted with bare hands🚗🚚🚙🚟Cars flying in air when hero hits one bullet in the ground and the hero is sitting over its bonnet and giving pose to 2 Aunties.😸😸😸Funny childish crap Dance without gravity and pathetic childish dancing steps🕺🕺🕺Another biggest joke is a character (who is North Indian or a Sardar Sikh or a foreigner or a Pakistan person or a USA person or Saudi Arabian person) in the movie can speak the local language with perfect local accent which sometimes is even better than the accent of the hero.😱😱😱………………………………………………………………………………………………………………………………….Come on man, give audience a break, what are these directors and actors trying to prove???.😣😣😣Do we need to tolerate all this on the name of entertainment???😼😼😼AUDIENCE REACTION IN THEATER:Seeing SUCH CRAP SCENES in the theater, the audience shed tears as if they would be weeping sitting in a funeral (Actually such cinema is the funeral of their brain). Few MOVIE GOERs like me, even went to COMA to escape this torture.🛌🛌🛌…………………………………………………………………………For FURTHER PROOF (on more torture cinema gives)/: Please watch these following moviesAll Prabhakar 90s KANGLISH movies (Special mention Mister Mahesh Kumar, Arjun-Abhimanyu, etc),All Towel-Shruti crying movies (except few like Gowri Ganesha),All Shruti Husband Mahendar directed moviesAll Joe Simon direction Movies (Special mention Thimmarayi (1999) & Yuva Shakti (1997)),All A R Babu (Mohd Ghouse) directed Movies Special Mention All his Movies,All Sai Kumar police movies (Special mention vulgar dialogues),All Devaraj police Movies (Special mention all his police movies in 90s),All Praveen Naik directed movies (Special mention Z, Jehad etc)All Malashree lady hero movies (Special mention vulgar dialogues), Special mention ShaktiAll Kerchief-Radhika crying movies,Kashinath movies post 2000 era-till his death (Like Nari munidare……parari, Aaaha nanna tangi maduve, Baduku jataka bandi etc).………………………………………………………………………….Please do not forget to watch some Special Kannada movies likeThanikhe (1994) the ultimate Gulzaar Khan movie with great songs.Aaha (1998)Z (1999)Make-Up (2002)Nage Habba (2006),Manmatha (2007),Putani Force A2Z (2007),Preeti yaake bhoomi mele (2007),Kodagana Koli nungitta (2007)Chaitrada Chandrama (2008)Nee Tata Naa Birla (2008)Mr Romeo (2010)Aithalakadi (2010)Tharle Nanna Maklu (2016)Movies by H Venkat…you know H right.……………………………………………………………Now “What is Cinema Crazy ???”.Once I had visited a TOWN in the neighboring state of Karnataka and after finishing my work, I went to watch a movie of that state language not because I wanted to but because I was getting bored in the new place.It was evening 6–9 show. After around 30 minutes the power goes off and generator was not functional. The hall had just one emergency light near one exit point and in all other places it is pitch dark.Only few of them, like me got up to shout and the majority were not bothered. Result deaf ears from theater staff and this continued for half an hour or so.😪😪😪Meanwhile majority of the viewers were keeping them busy gossiping about their personal life or discussing about the film. Like me no one is concerned about refund. 🤐🤐🤐After waiting for half an hour I came out and I was perplexed to see that I was the only one in the queue line, asking for refund. 😋😋😋The Ticket guy and his friend were speaking funny about me and then laughing at me while returning my money………….Then I did not understand why.🐒🐒🐒Later my friend from that town told me that, the viewers will continue to sit there in the theater for next 2 hours gossiping till the issue resolves. 🤦🤦🤦Once the issue gets rectified, they will continue seeing the movie. They will not come out like me for refund.🐼🐼🐼He told me that he had once seen packed houseful audiences sitting in cinema hall for over 5 hours when there was no power, with the expectation of watching the movie. But they rarely will bother refund.🦉🦉🦉In Karnataka, People would have been LAUGHING at me, had I continued to sit in the dark theater for 2 or 5 hours waiting for the movie to start. Unlike in our neighbouring states, at least our people understand that this is basics.😹😹😹During my visits to few customers houses (on official work) in that town, I saw huge photos of cinema stars in the houses of these customers and not a single house was an exception. In Many houses there was no photos of parents or other elders. 🤷🤷🤷Even more SHOCKING is that, in few houses I see a small photo of God tucked somewhere in between the huge photos of cine stars.🤧🤧🤧Almost all my customers have decent education and their children are studying in Engg or MBBS, in good colleges. So they cannot be termed as illiterates.😟😟😟My friend told me this is worship and inside my senses were……👇👇👇Hope that clarifies the word CINEMA CRAZY.…………………………………………………………………………So when next time your reaction when someone comes screaming to tell you that he/she saw a movie and starts explaining the story, you are like 👇👇👇…………………………………………………………………………During last 40 years (barring few handful of good movies) 90% of the movies have been made with stories from old movies, the stories twisted and turned here and there.😫😫😫Why will some one watch the same crap and that too after shelling huge amount of money, when they are worthless.😚😚😚In Karnataka at least lately, such movies are categorized as immature and funny by movie fans. 😝😝😝So today, one is better off avoiding such crap films altogether.😏😏😏Thanks and Cheers. Good Luck.💞💞💞………………………………………………………………………

Bollywood is an industry for film and music-making. It is one of the prominent industry which attracts the youth and generate employments. Generally in Bollywood, we only focus on the producer, director, music director, lyrics, and actors. But on the back screen, there are so many crew members are there who are the key players to successfully make a movie. Now, what are the secrets of Bollywood?Talent stealing - In Bollywood, some actor suddenly becomes directors. Some of the examples are there where they got awards and recognition. But the reality is the Asst. Director is the real man behind the direction. He is the man who is doing all needful like creativity, direction, and casting. Most of the time these secrets are not coming to the limelight. People think that the actor is directed in the movie. In Taare Zameen par the controversy between Amol and Amir was the example of talent stealing in Bollywood.Dummy Producer - It is a naked truth that in Bollywood most of the producers are dummy. It means the original investors and producers are not ready to show their money as they are investing their black money or in some cases they don't want to come to limelight as a film producer. Diamond merchant Bharat shah who is involved in money laundering case of worth 2000 crores.Casting couch - Casting couch means soliciting sexual favor from applicants in exchange for a job. It is the most common open secrets of Bollywood. Generally, people perceived that only female actor is targeted by the producer or other crews. But the fact is anyone who is working as an actor or choreography or makeup artist, support staff in music compose and some time for a spot guy post.Blackmailing - It is the commonly used formula to harass newcomers by lead actors and producers. Some examples like discourage new actors or actresses by the senior actors and directors to blackmail them for sexual favor and reduction in their remuneration. The same happens in Music, Choreography, and other section of the movie-making. Some times the newcomers in the fear of losing the project or acute shortage of money to meet daily needs, they are ready to remove their name from the list of the contributors.Ad industry as a bridge - Advertisement industry is the bridge for them to reach or meet sports persons and industrialists. This bridge helps them to settle once their career becomes unstable due to the domination of newcomers. We have examples like Virat - Anuska, Siddhart - Deepika, Anil - Tina, Raj - Shilpa and so many others who came to interact with each other due to advertisement.Secretary roles - Every actor or artist must have a secretary to maintain the public relation with others. It is the secretary who bargains the remuneration and fixes other activities to do aper from the movies. Other activities include the rumor of dating the actor who is working in the movie. Example - Karthik - Sara Ali, Ranveer - Anuska, Ranveer - Deepika and so many other bogus artificial dating rumors.Controversy - Sometimes for movie promotion, he directors and producers ask the lead actors to create controversy to promote the movie release. We have examples of movies who were doing very good collection like Padmavat and also disaster like Chhappak.Less use of Digital payment and bank transaction - Most of the remuneration is paid by cash and very less amount is paid by cheque or NEFT or IMPS. In their job agreement of directors, actors, and other crews the amount mentioned is very less, whereas the actual amount different and it is higher than the agreed amount. It is helping them to hide their actual income so that they no need to pay the income tax. Bollywood is an industry that supports the govt by providing employment generation and tax. But this kind of cash transaction reduced the actual tax amount to the govt.