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Okay, so I’m pretty familiar with this conservative media shit, okay? Breitbart, the Blaze, Focus on the Family, the Daily Wire, etc., I grew up with that stuff, but I had never heard of Conservapedia before. That’s probably a good thing too because I was looking into it, and oh my god, this is the most hilarious shit I have ever read. I had to literally research and make sure this was not a satire site like the Onion or something, because it sounded like a Steven Colbert sketch mocking conservatives. But according to Conservapedia itself: “There are no liberal satires in conservapedia because the editors correct them. Conservapedia is the most reliable and accurate resource for unbiased perspective on all topics covered.”Maybe I’m tripping, but “reliable and accurate resources” with “unbiased perspectives” don’t often compile lists such as Worst Liberal Movies and Greatest Conservative Movies as if you can document the “many superb conservative films” and “the more outrageous examples” of the “attempt to normalize and aggrandize amoral lifestyles and liberal bias” with any amount of objectivity. Reading these pages alone caused me fits of laughter at the hypersensitivity of these poor people. Furthermore, it seems that most of what determines if a film is “conservative” or “liberal” is completely arbitrary. For instance, The Birth of a Nation, The Passion of the Christ, It’s a Wonderful Life, and Bad Santa are classified as liberal films, the last one because “this insult to the sacred holiday of Christmas features gratuitous coarse language, sexual escapades, and drunkenness”. On the other hand, A Christmas Story, A Dog’s Purpose, Ferris Bueller’s Day Off and Black Panther are obviously conservative films? I’m so confused.So because I’m a little bit too deep into sadomasochism at this point, let’s look at some of their explanations for what makes a movie conservative or liberal.American Psycho is apparently “the most anti-American film you’ll ever see because it attempts to pass an investment banker off as a secret serial killer”. Damn, we passionate about our investment bankers.The Big Lebowski is liberal propaganda because it “glorifies drug abuse, laziness, and nihilism”Django Unchained is a bad liberal movie because of “graphic violence and the n-word”. Aren’t these the same people that go into a triggered tizzy if someone even mentions censoring the n-word in versions of Huckleberry Finn used in schools?Get Out is a “racist horror comedy-drama” because it discourages “American ideals such as interacial and intercultural integration”The Odd Life of Timothy Green is bad because “despite an overly schmaltzy pro-family sentiment, this film showcases terrible parenting”. It’s a recurring theme throughout this article that if a movie “showcases” anything that conservatives do not wish to exist, it is liberal propaganda.Brave is bad because Merida “demonstrates poor family values” by refusing to marry, which makes it a “feminist propaganda piece”The Hunchback of Notre Dame which was “released during liberal maniac Michael Eisner’s reign of terror at Disney”, the film supposedly “does everything in its power to persecute Christians”. I guess Conservapedia missed the whole “God Help the Outcasts” song explicitly promoting sincere Christianity.Beauty and the Beast is essentially feminist propaganda because of “Belle being unwilling to hold the role of housewife for Gaston or raising children, and later her blaming the titular Beast for her fleeing the castle despite most of the events leading up to and after that event being largely her fault and the story framing that as being a good thing she did.” Umm, she was kind of like kidnapped? I don’t think it’s too far fetched to say that trying to run away wasn’t a horrible moral decision. Plus, Conservapedia seems to have a big problem with any woman being depicted in media as anything but a housewife. “On that note, due to Beast being unwilling to even defend himself, let alone the castle servants, when the mob arrived to kill him until Belle had arrived at the last second, which had been the result of Belle's attempts at civilizing Beast, it gives the implication that the ideal male in the film is not allowed to get angry or act violently even in self-defense unless a woman was physically present.” Dude, he was depressed. It’s not that deep. He doesn’t fight back to defend Belle so that argument doesn’t make sense. “Similarly, the only three females in the film who are implicitly supportive of marriage and Christianity are demeaned, depicted as dumb blondes with the script and credits explicitly referring to them derogatorily as "the bimbettes.” How exactly are they shown to be “implicitly supportive of marriage and Christianity”? I thought both of those things were often at a contrast with sleazy women. Unless they all wanted to be in a polyamourous Mormon relationship with Gaston, I feel like the “Bimbettes'' having any sort of devotion to Christianity and marriage is doubtful.Chicken Run -“Produced by Jeffrey Katzenberg, this vegan propaganda film compares a chicken farm to the Holocaust. The main villain of the movie is a capitalist who wants to make chicken pies. The film also promotes elements of feminism and anti-Americanism. On other hand the main villain of the movie is also a feminist as well as she called her husband's ancestors "poor worthless nothings".” It’s really not that deep.The Passion of the Christ - “Downplays the Resurrection and strength of Christianity and omits powerful angels; instead exaggerates triumph of evil; film had little lasting effect on public or its producer; portrayed nails as through the hands rather than through the wrists as depicted by the Shroud of Turin and confirmed by modern science.” Damn.It’s a Wonderful Life - “It also falsely teaches that humanism is what makes life worthwhile; marginalizes faith with a cartoonish depiction and demonizes capitalism as sadistic and greedy.” It demonizes being rich and greedy as being rich and greedy.Fargo - “It remains debatable whether she is a feminist or feminine protagonist.” It could be both, you know.Jaws - “Anti-environmentalism film, the heroes are police chief Brody, WWII vet Quint and Marine Biologist Hooper who team up to take on a monstrous, man-eating great white shark. However, there is a part where (despite the warning) the Mayor keeps the beaches open for the sake of money, which some may say is an anti-capitalism statement.” You do know that if you mention that being greedy enough to risk people’s death is part of capitalism, most people are going to be turned off by capitalism, right?Gnomeo and Juliet - “This disturbing love story contains a joke that could be interpreted as passing off bestiality (in this case, with a garden gnome, which is normally an inanimate object) as funny.” How can anyone write something this stupid with a straight face?The Princess and the Frog - “Liberals praised this film for featuring Disney's first African American princess but ignored the fact that it insults Christianity with Louisiana Voodoo, even replacing the traditional role of the fairy godmother with a blind voodoo priestess.” Showing other religions is an insult to Christianity. “On top of that, The Princess and the Frog is said to have stolen much of its plot from great conservative film The Little Mermaid.” No, it stole its plot from a Brothers Grimm fairy tale called The Frog Prince. But as The Little Mermaid also stole several parts of its plot from a Hans Christian Anderson fairy tale, it’s easy to see how you could get them confused. “That being said, however, it does depict traditional femininity in a positive light in the form of the side character Charlotte LeBoeuf…” I wouldn’t exactly call that a positive light. “and is the first Disney animated feature film to have a positive depiction of traditional marriage since The Little Mermaid two decades prior.” Conservapedia has less imagination than a 4-year-old girl as they can’t handle marriage and happily ever after only being implied, they literally have to see it on the screen to verify that it really took place. “It's also debatable as to whether it promotes feminism, as aside from Charlotte LeBoeuf being depicted in a positive light overall as noted above, it implies at one point that Tiana achieving her dreams of being a CEO is ultimately a negative due to the main villain Dr. Facilier using that to tempt her into aiding him.” Pretty sure that is not the point of the movie.WALL-E - “The movie shows the dangers of big government (BNL), however it is also anti-capitalist and pro-environmentalism as BNL is a corporation.” If there’s anything I’ve learned from this page, it is that caring about the environment, saving animals, or not wanting the earth to be a literal garbage dump is going to get you a big thumbs down from Conservapedia.The Rescuers - “The villain in this movie is a capitalist pawn shop owner, who wants a rare diamond to make her rich, to add insult to injury they're Southerners.” Again, Conservapedia, greedy is not synonymous with capitalist. Your confusion between the two worries me about your support for capitalism. “On the other hand, the main villain is also a feminist, and the main human protagonist is shown praying for not only herself (even she has been kidnapped) but for all the kids in the orphanage (who have not been kidnapped).” Ah yes, she follows the two core tenets of feminist philosophy: owning alligators and enslaving children. (On another note: it’s been a long time since I’ve seen this movie: why the fuck does this bitch need to kidnap a child to go in a hole to get a diamond? Couldn’t she have someone else do it? Why this kid specifically?)The Twilight Saga - “Starred by anti-military liberal Kristen Stewart and glorifies vampires”. You know vampires, those socialists and dangerous enemies of democracy.Okay, so now that we’ve weeded out some of the movies that Conservapedia just cannot stand - what the fuck is left? Well, actually there are some movies which just perfectly capture the heart of conservatism such as:Ace Ventura: Pet Detective - “Hero Ace Ventura is an animal lover, but not an animal rights activist, and prefers conservation. In addition in recent years, liberals have criticized this movie under claims of it "attacking" the LGBT community, as the main villain is a gender-confused man who pretended to be a "woman". Ventura literally freaks out when he realized he really made out with a man, as does everyone else later when they find out the truth. Ventura also calls him by his biological gender.”Chitty Chitty Bang Bang - “Set in 1910s England and loosely based upon the epic children's novel by Ian Fleming (the creator of the James Bond franchise), widower inventor Caractacus Potts raises money to buy and repair an old race car, then takes his children and new love interest for a picnic on the beach. There, he tells them an epic tale about going on a mission to defend the car from a villainous king and queen who have outlawed children in the fictitious country of Vulgaria, and the story comes to life on screen. The film celebrates family unity, portrays a capitalistic entity (the candy empire owned by the father of Truly Scrumptious, Potts' love interest) in a positive light.” But does it though? They literally have dogs come into the shop and eat all the candy? Plus marriage is never shown or mentioned between Atticus Potts and Truly Scrumptious and the only married couple are depicted as evil, so I’m pretty sure this movie is just another example of Hollywood’s anti-family crusade.Citizen Kane - “Voted by film critics to be the greatest film ever made, its innovations shaped the entire movie industry. Conservative for its unflattering exposure of mainstream media moguls and the fall of an arrogant man.” But he’s a capitalist though. Come on, Conservapedia, this movie is literally about how getting rich and powerful made a man miserable and mean. Are you really going to let that slide?Delivery Man - “Republican actor Vince Vaughn portrays a delivery man who finds out that he is the biological father to 533 children. Realizing the importance of family, he learns how to be a father figure and take on more responsibilities.” Damn, what happened to the Republican principle of honoring marriage and not being a hoe though?Ferris Bueller’s Day Off - “A cool teen in Chicago plays hooky with his girlfriend, his best friend, and a vintage Ferrari restored by his best friend's unseen, car-obsessed father. The film shows how teenagers can have fun without drugs, alcohol, or tobacco;”. It shows teens that they can have fun without drugs, alcohol, and tobacco as long as they skip school, lie to their parents, steal a car, and trick various other people into allowing them to go places they are not supposed to. Also, you have to be able to lip sync. “and the main character is faithful to his girlfriend, likely choosing abstinence.” What? Did we watch the same movie? Ferris is literally flirting with other girls five seconds after telling his girlfriend he’s going to marry her. And what makes you think he’s abstinent? My man, Ferris Bueller gets laid, okay? “In a clear anti-socialist statement, Ferris says that "I'm not European, I don't plan on being European. So who gives a crap if they're socialists? They could be fascist anarchists, it still doesn't change the fact that I don't own a car. Not that I condone fascism." Since the movie mocks the liberal public education system, Ferris even directly states that he is not socialist and will never be such.” I don’t think that’s the clear and convincing anti-socialist PSA that you want it to be, Conservapedia.Ford vs. Ferrari - “One of the best films of 2019 was also one of its most conservative. A classic example of a "guy movie", this fact based racing drama has a pro-family and pro-America message. It also portrays capitalism in a positive light.” It was mediocre and cliched. You obviously didn’t watch too many films in 2019, Conservapedia.Gladiator - “It is the sort of uncompromising movie experience guaranteed to send pacifists and lily-livered liberals running for the exits.” Yes, obviously all the lily-livered liberals hate this movie, unlike all those brave, bold conservatives who wrote this article who were not at all triggered by American Psycho, Django Unchained, or Beauty and the Beast.Gone With the Wind - “This American cinema classic celebrates traditional man-and-woman relationships...” Is marital rape and attempted cheating what Conservapedia thinks traditional man-and-woman relationships should look like? “...as well as a strongly feminine heroine who is the antithesis of a modern feminist” I love that Conservapedia flat out admits that the ideal anti-feminist woman is a whiny, racist brat, who literally throws temper tantrums when she doesn’t get what she wants and tries to break up other peoples’ relationships because she is too selfish to care about anyone but herself. Great. You guys can have her.The Greatest Showman - “Based on the true story of P. T. Barnum this musical celebrates the American Dream, as he helped build and create his own circus. Besides from that there various Christian values as well, such as the redemptive themes shown, the faithfulness, and being pro-marriage and pro-family. In addition it also promotes the idea of treating everyone with respect and dignity.” The film is full-on revisionist history, so I’m not really shocked that Conservapedia favors it. I am a bit surprised that with all their abilities to squeeze political values out of innocuous scenarios, they didn’t pick up on the pretty obvious pro-LGBT undertones in this movie, with the constant messages of unapologetic self-acceptance and support of people and relationships different from you, including women with beards.The Lion King - “Scar is a model liberal because, once he becomes ruler, he favors Communistic/fascistic big government, pushes liberal values, and lets their Pride Lands territory fall to ruin. In addition, when rallying up the Hyenas to aid him in killing Mufasa, he vows that they will never starve under his rule, mirroring what various Communist and other leftist insurgents often vow when trying to get people to aid them in taking over a government....At several points in the film, Scar delusively believes he is still a very good king, even claiming "I'm ten times the king Mufasa was!", which is similar to liberal delusions of their own skills in governing (i.e., Obama's later claim that he would have "won" reelection into a third term if he was able to run again, despite never being legally qualified to run in the first place, not to mention his being legally barred from running for a third term even if he were legally qualified to run in the first place per the Twenty-Second Amendment to the United States Constitution)” I really don’t know what to say to this.The Little Mermaid - “An adaptation of Hans Christian Anderson's fairy tale of the same name, it was about a mermaid strives to become a traditional female human, following the patriarchal system of society. It also promotes the concept of assimilation, as the mermaid: Ariel when becoming human intended to adopt the culture of the humans upon doing so. The film centers around conservative Christian values and contains an anti-feminism theme. Ariel is shown to be the antithesis of a modern feminist.” I mean she leaves her entire life behind, metaphorically sells her soul to the devil, and literally gives up her voice in an attempt to impress a guy she’s never even had a conservation with, so yeah. “On a similar note, it also has an implicit anti-homosexuality theme, as Ursula's overall design was derived largely from the infamous drag queen Divine.” That’s what makes her cool. “Despite being set under the sea, it also features an anti-Environmentalism and anti-racism message, as the characters (namely King Triton) who pushed anti-human sentiments turned out to be wrong in their negative views on humans.” They are like literally eating Ariel’s friends and King Triton’s subjects though. Ariel is a disloyal hoe. “It also shows a perfect allegory towards liberalism's deceit and cheating to ensure success and its unwillingness to keep its word, as well as the promotion of character integrity and doing things fair and square, as when Ariel seemed to have failed at gaining Eric's love, she makes absolutely no attempt at stopping the marriage until after learning that his "bride", Vanessa (in reality, Ursula in disguise), had in fact brainwashed Prince Eric and that he didn't choose to marry her, with it being implied that Ursula violated her end of the deal when she did that action, and even when she does in fact fail, Ariel makes absolutely no effort to resist Ursula's dragging her away.” That’s one hell of a stretched out sentence to make a stretch of a point.Indiana Jones - “During the Great Depression, archaeologist and adventurer Dr. Henry "Indiana" Jones searches the world for artifacts of untold power and, along the way, combats some of America's most infamous enemies, in particular Nazis. The first and third films contain Christian themes since they are centered around the Ark of the Covenant and the Holy Grail, respectively; while the second film condemns paganism due to its main villain being a pagan priest.” Dude, in Indiana Jones world, Hindu gods somehow coexist with the Judaic one, who apparently lives in a box and only comes out once in a while to smite people. You thought The Passion of the Christ was sacrilegious, but you’re okay with this? At this point, I’m highly offended that you are not highly offended at this blasphemy, Conservapedia.Jurassic World - “In addition, there was at least one implicit anti-feminist message in the film, as after the boss's secretary was brutally killed by dinosaurs, Owen indicated that she ultimately deserved her death due to her not acting like a mother.” Wow. I mean I knew Conservapedia didn’t exactly like nontraditional women, but I didn’t realize that they wanted them to die.October Sky - “Four high school boys from a rural coal mining town, inspired by Sputnik, set out to build their own rockets and become rocket scientists.” Isn’t this also a movie that showcases a dad that’s a total douchebag but supposedly a Christian?Saw - “The franchise contains an anti-nihilist message, with the antagonist, John Kramer, also known as "the Jigsaw Killer," wishing for his victims to survive the "games" in which he places them, ultimately emerging with a better appreciation for their lives. For example, Saw condemns the adultery committed by Dr. Lawrence Gordon. Saw III focuses on the value of forgiveness, John having Jeff Denlon complete three tests involving the three people whom he blamed for the death of his young son. Saw IV contains a very strong message of letting go and letting people find salvation and redemption for themselves, an allusion to biblical passages about the subject.” So violence = bad, torturing people to try to make them more forgiving = okay?Willy Wonka and the Chocolate Factory - “Showing the importance of having character. Willy Wonka gives each of the kids on tour an Everlasting Gobstopper, which is a potential goldmine, given that a rival spy had earlier offered each of the kids money in exchange for handing over this new invention. Also, every single kid, except Charlie, misbehaves in such a way that injures or deforms them in some way. The film also promotes capitalism, with Wonka being such a successful business leader in the world of candy. In addition, this film is surely to annoy liberals, who want to ban chocolate candy and sweets.” Yes, as we all know, the secret agenda of liberals is to get into positions of power so they can outlaw Snickers and Laffy Taffy.Okay, I think that’s enough brain death for today. The people involved in this site are obviously low hanging fruit and to be honest, I don’t think they represent mainstream conservatism or what most conservatives think in any way. I think it’s more likely just a wiki controlled by a small group of very radical and hysterical fundamentalist Christians of the type that are scared of vaccines and think Trump is God’s anointed. They lack humor and introspection because they’re too scared to think critically about things that don’t align perfectly with their beliefs. While they boil away in their stew of irrational sensitivity, the rest of us can laugh and enjoy movies like It’s a Wonderful Life or The Gladiator without decrying them as “horrible” or “propaganda” just because they may sometimes present concepts that are not always agreed with.Peace. V

Actress Jennifer Lawrence poses for photographers upon arrival at the premiere of the film 'Red Sparrow' in London, Monday, Feb. 19, 2018. (Photo by Joel C Ryan/Invision/AP)By John Serba | [email protected] Oscars are nigh, and with it, one of the strongest batches of best actress nominees in recent memory: Saoirse Ronan (“Lady Bird”), Sally Hawkins (“The Shape of Water”), Margot Robbie (“I, Tonya”), Meryl Streep (“The Post”) and Frances McDormand (“Three Billboards Outside Ebbing, Missouri”). In acknowledgment and celebration of that, here’s a ranked list of the 25 best working actresses in Hollywood – and 15 runners-up for good measure.25. Penelope CruzShe emerged as a teenager in “Jamon Jamon” and Oscar-winning Spanish dramedy “Belle Epoque,” then quickly became director Pedro Almodovar’s muse: “All About My Mother,” “Broken Embraces” and “Volver.” Ohhhhhh, “Volver” – I pause to slowly exhale, because she’s a femme-tornado here, and while the story involves ghosts casually mingling with the living, the most supernatural thing in the movie must be Cruz’s performance, which is candid, bold and seductive. She was shoehorned into American films with middling success, although turns in “Blow,” “All the Pretty Horses” and, especially, “Vicky Cristina Barcelona,” stand out. One of her future roles is in “Love Child,” directed by Todd Solondz, a pairing of filmmaker and actress that raises one eyebrow, and then the other eyebrow, and just might be Cruz’s return to form.24. Sally HawkinsIf not for “The Shape of Water,” Hawkins might be an outsider looking in at this list. I’m not sure who else could play a mute woman who falls in love with an amphibious man-fish, and not make it feel alienating to the audience. Such a thing requires almost superhuman warmth, empathy and humanity, to emphasize the love from within a strange thing – and we are strange things, sitting in the audience, feeling her own heartache and unspoken tragedy. She emerged previously in “Happy-Go-Lucky,” playing a flighty free spirit taking driving lessons from a tightly wound Eddie Marsan; she’s the most lovable, sympathetic dingbat I’ve ever experienced in film, an example of character immersion of significant distinction. She’s also the best lightly kooky mom ever in the “Paddington” movies, which delightfully dovetail with her effortless tonal presence.23. Helena Bonham CarterAn auspicious debut it was, as the cherubic and witty Lucy Honeychurch in “A Room with a View,” rendering the film the most lively and lovely of all buttoned-up British period pieces. From there, it was Henry James (“The Wings of the Dove”) and Shakespeare (“Hamlet”) and E.M. Forster (“Howards End”) and Chuck Palahniuk (“Fight Club”), and one of these marks a shift. Hm. Which could it be?Carter’s Marla in “Fight Club” scuzzed up a career of prim propriety, and it was delectable, ugly and gloriously warped. It ushered in the second half of her career, rife with oddities, primarily as the most interesting performances in husband Tim Burton’s films, be they good or bad: “Sweeney Todd,” “Big Fish,” “Dark Shadows,” “Alice in Wonderland,” even “Planet of the Apes,” where she was the standout among so much monkeying around. She’s also the “Harry Potter” Character Most Deserving a Spinoff Movie or Three, the tantalizingly deranged Bellatrix Lestrange. I love HBC without measure, and anticipate another eccentric performance in the upcoming “Ocean’s 8.”22. Octavia SpencerSpencer is the mistress of the weed-whacker one-liner, able to cut down whatever’s in front of her with razor precision. When her eyes widen, it’s either in wonder, or foreshadowing a withering takedown. Her most famous KO came when she delivered that pie full of you-know-what to Bryce Dallas Howard in “The Help,” and walked off with an Oscar, ending a long career of bit roles here and there. She’s exceptional in “Fruitvale Station” and “Snowpiercer,” and is brilliant as a weary, but resilient NASA computer programmer in “Hidden Figures.” Most recently, with “The Shape of Water,” she showed us that a comic-relief role doesn’t need to be thankless, and in fact can be absolutely necessary. She’s one of the funniest people in film, and makes it look so effortless.21. Rachel WeiszMost know Weisz from two “Mummy” movies, and possibly for winning an Oscar thanks to a gripping performance in “The Constant Gardener.” But she’s quietly put together an impressively diverse filmography: “About a Boy,” “Runaway Jury,” “The Fountain,” “The Brothers Bloom”; recently, she’s provided significant supporting turns in overlooked films such as “The Light Between Oceans” and “Youth,” and deftly walked the line between dramatic heartbreak and oddball comedy in “The Lobster.” Her work is terribly underrated. Is it too late to give her a Dern-ish role in the next “Star Wars”?20. Jessica ChastainOf all actresses emerging in the last decade, Chastain is one of the best at finding the sweet spot between prestige work and mainstream accessibility. Supporting work in “The Debt,” “Take Shelter” and “The Tree of Life” established her talent, preceding her Oscar-nominated role in “The Help,” in which she showed nuance when the film literally put poop in the pie. Since then, she anchored “Zero Dark Thirty” with her credibility, and wasn’t given her due for the unfairly scorned “Crimson Peak.” And her confidence and detailed character work shined in 2017’s “Molly’s Game,” supported by a rich Aaron Sorkin script.19. Sigourney WeaverShe was, is, and always will be Ripley, an all-time-great cinema icon of feminine toughness. If you are a massive, hissing, slime-drooling queen creature with a little mouth inside your bigger mouth, you will not get between Sigourney and her surrogate daughter. You will eat the cold and unforgiving void, you b----. Of course, there’s also “Ghostbusters,” “Working Girl,” “Gorillas in the Mist,” “The Ice Storm,” “Galaxy Quest” and probably a dozen other career highlights (let’s say “Avatar” is one, considering she’s currently shooting foursequels). She’s also a recent recipient of a Great Performance in a Movie Nobody Saw award, playing a tough-love grandmother who softens under the weight of her daughter’s cancer treatments in “A Monster Calls.”18. Charlize TheronShe won an Oscar playing a real-life serial killer in “Monster,” and simmered with righteous feminist fury in “Mad Max: Fury Road.” But Theron’s best performance is so terribly overlooked, all of you who skipped it – too many of you – should be incarcerated: “Young Adult.” Her characterization of a delusional woman trying to worm her way back into the life of her now-married-with-children ex-boyfriend is so exquisitely modulated, it breaks our hearts and makes us laugh at precisely the same time. And let’s not overlook the gritty “North Country,” or a kickass cold-steel action turn in “Atomic Blonde,” or her recurring role on TV’s “Arrested Development” (all together now: “Mr. F!”), which is one of the funniest things of the 21stcentury, on any screen, big or small.17. Emily BluntAs the embattled personal assistant to a viciously Streeping Meryl Streep in “The Devil Wears Prada,” Blunt was a revelation, vicious but vulnerable, the movie’s unheralded champion. Yes, I said that, and I mean it, and I’ll stand by it. She was the best thing by far in sci-fi films “The Adjustment Bureau” and “Looper,” as well as the musical “Into the Woods.” She overshadows Tom Cruise’s charisma playing a tough-as-nails superheroic alien-eradicator in “Edge of Tomorrow.” She shows a knack for light comedy in “The Five-Year Engagement.”She’s a naive FBI agent in a shadowy black-ops unit in “Sicario,” providing a wide-eyed avenue for our own confusion and frustration with what happens outside the gaze of mainstream international law enforcement. She’s also sneakily brilliant in the soapy trash of “The Girl on the Train,” where she lets loose and gets wild and intense, and renders a very dumb movie quite riveting at times. Next, Blunt will play Mary Poppins in a sequel we didn’t really ask for, until we found out Blunt is playing Mary Poppins, and now, hey, maybe we want it.16. Laura Linney“You Can Count On Me”: it’s Linney’s greatest performance among many great performances, as well as a mantra for her career. “The Truman Show” was her true breakthrough, and she’s extraordinary in “Kinsey,” “The Squid and the Whale,” “The Savages” and “Mystic River,” which showcase an actress of vibrant character. She makes less-memorable projects more so – “Nocturnal Animals,” “Hyde Park on Hudson” and, curiously, amusingly, “Teenage Mutant Ninja Turtles: Out of the Shadows,” in which she doesn’t deliver her lines with a straight face, and it’s the perfectly timed elbow in the ribs we need to remind us we’re watching a movie about turtles that are also teenagers that happen to be ninjas.But back to “You Can Count On Me,” in which her single mother’s viciously kempt life is upended by the arrival of her just as viciously unkempt brother played by Mark Ruffalo, who goes toe-to-toe with Kinney in nuance and commitment to character – the film proves she’s a talent to be treasured.15. Helen MirrenShe sure seems born to play the effing Queen, or color the sprawling ensemble in a fastidious period drama like “Gosford Park,” or anchor countless Shakespeare adaptations. But I love how a silly thing like “RED” gets damn serious when Helen Mirren shows up neatly coiffed in a designer dress and hauling around a machine gun the size of Florida. “The Debt,” “The Last Station,” “The Queen”; “Calendar Girls,” “Trumbo,” “Hitchcock,” and, sure, why not, “The Fate of the Furious” – she brings dramatic heft to all of it. She really is great as the effing Queen, which scored her an Oscar, and I love her as The Wife in “The Cook, the Thief, His Wife and Her Lover,” the sympathetic face of one of the scariest and most grotesque films I’ve ever seen. P.S. Don’t judge her because she was in “Caligula.”14. Greta GerwigFew people in movies are funnier than Gerwig, who balances elevated wit with an almost-tactile emotional realism. “Frances Ha,” “Mistress America” and “20thCentury Women” are Gerwig at her best; her work in “Greenberg” and “Maggie’s Plan” is almost as brilliant. And her distinctive affectations are all over writing/directing effort “Lady Bird,” even though she’s behind the camera. If she ever sells out to play a superhero, I’ll eat the moon on a low-fat Ritz cracker.13. Julianne MooreI first noticed her in 1993’s “Short Cuts,” and not just because she’s the focal point of an utterly fearless nude scene. It’s frankly shocking Moore didn’t win an Oscar for more than two decades after that, in 2015 for playing an academic afflicted with Alzheimer’s in “Still Alice” – she could’ve, should’ve, won several times before, for two Todd Haynes films, “Safe” and “Far From Heaven,” her greatest, most empathetic and complex performances. Or for playing a veteran porn star in “Boogie Nights,” or for Annette Bening’s foil in “The Kids are All Right,” or for enduring supporting turns in “Children of Men” or “The Hours” or “Magnolia” or “A Single Man.” Moore’s career is surely among Hollywood’s most prolific – she sure seems game for any challenge, be it silly or substantial – and even in lesser films such as “Crazy, Stupid, Love.”, “The Shipping News” or “Chloe,” she provides a credible dramatic foundation for the rest of the cast.Oh, and she’s also Maude Lebowski in “The Big Lebowski,” in which she exercises her great comedic and satirical chops. It’s not the kind of character who inspires the gifting of statuettes, but for the rest of the wide, open world outside that bubble, it’s probably her greatest performance.12. Laura DernDern wedged her way into my heart as the wonderfully loony Bonnie-type to Nicolas Cage’s Clyde-type in “Wild at Heart” – and never left. Few could so seamlessly merge from David Lynch to “Jurassic Park” like she did, a testament to her versatility. She’s just as wild in Alexander Payne’s satirical shredder “Citizen Ruth” (which you probably haven’t seen – time to correct that). A relatively quiet period in the 2000s preceded a recent flurry of strong roles in “The Fault in Our Stars,” “Certain Women,” “Wilson” and an obscurity called “Star Wars: The Last Jedi.” And her recent TV work in “Twin Peaks” and “Big Little Lies” is as strong as anything she did for the big screen.11. Michelle WilliamsHit TV series “Dawson’s Creek” made her famous, but it never reflected her true interest. So Williams never looked back, challenging herself with roles in which she radiated truth and sincerity. The biggest was “Brokeback Mountain,” the first of her four Oscar nominations; the second was “Blue Valentine,” the third was “My Week with Marilyn” and the fourth, “Manchester by the Sea.” (Yes, her Marilyn Monroe is absolutely magnetic.) Her resume only gets richer from there: her work with director Kelly Reichardt yielded great authenticity in “Wendy and Lucy,” “Meek’s Cutoff” and “Certain Women.” For my money, her work in Sarah Polley’s “Take This Waltz” is her most endearing and complex. She has softened for the occasional mainstream picture, lending grace to otherwise graceless stuff such as “The Greatest Showman” and “Oz the Great and Powerful.”10. Saoirse RonanExhibit A: “Atonement”; at 13, she found the place between childhood and adolescence that’s often a cliché in movies, but made it intense and a little haunted. Exhibit B: “Brooklyn”; in a movie that’s smart, sweet, funny and quietly assertive, she’s all of these things at once, effortlessly so, and creates a lovely, lovely character. Exhibit C: “Lady Bird,” the funniest coming-of-age comedy in a long time (OK, 2016’s “The Edge of Seventeen” is just as funny), stars her as high-school senior who’s awkward and rebellious in all the least obvious ways, and her timing for comedy and capacity for pathos are astonishing. I can’t come up with arguments why she shouldn’t win/have won Oscars for all these. She’s also brilliant in “The Grand Budapest Hotel,” fiercely committed in “Hanna” and charismatic in the otherwise maligned “The Lovely Bones.” She’s 24. What have you done lately?9. Amy AdamsA dozen years since she stole our hearts in “Junebug” and landed her first Oscar nomination, Adams has added four more Academy nods: “American Hustle,” “The Master,” “The Fighter,” “Doubt.” I’ll correct the glaring inadequacies in that track record by giving her the Oscar for “The Master” – she’s terrifying as the true person of power in that story – and adding nominations for “Arrival,” one of the most glaring snubs of the last decade, and “Enchanted,” in which she’s a delightfully un-self-aware Disney princess naif. Few of her generation are so talented.8. Lupita Nyong'oHer breakthrough was unforgettable: As Patsey, the horribly abused slave in “12 Years a Slave,” she ripped our hearts out, and won probably the most deserving Oscar of the last decade. Too many overlooked her extraordinary turn in “Queen of Katwe” as an impoverished mother protecting her children on the streets of Uganda – a role that deserved an Oscar. And she recently proved her mettle in mainstream fare with a significant role in “Black Panther,” one of the most important, credible and thematically complex blockbusters in recent memory. Nyong'o has made the most of every moment she's on screen. Few have such a bright career ahead.7. Jennifer LawrenceFrankly, her most high-profile stuff is the least of Lawrence’s work, and she’s still pretty great – the “X-Men” movies criminally underuse her, and she made sure we still cared what happened to Katniss in “The Hunger Games,” even when the final two movies fell apart around her. She very much deserved becoming everyone’s favorite actress after earning an Oscar nod for “Winter’s Bone,” and winning one for “Silver Linings Playbook.” Her “science oven” bit in “American Hustle” is one of the funniest scenes of the last decade. And she recently challenged herself mightily in the love-it-or-hate-it psychological horror nightmare “Mother!” (note: I loved it, and she had a lot to do with me loving it).6. Viola DavisDavis is one of the new greats, a powerhouse channeling righteous sincerity into her roles. She toiled thanklessly for years before she stole scenes out from under Meryl Streep and Philip Seymour Hoffman in “Doubt.” Then she was the earnest heart of “The Help.” Both earned her Oscar nods, but she wouldn’t win until “Fences” cast her as the long-suffering wife of Denzel Washington’s impossible, philandering garbage man – a performance blending exasperation and love like few others. She’s currently attached to a Harriet Tubman biography, which isn’t even in production yet; can we buy our tickets now anyway?5. Frances McDormand“Fargo":I could stop right there and move on and you’d all nod your heads in agreement. It’s the single greatest performance by any living creature in the last half-century of film, and if that seems like hyperbole, think again. My police work on this case is indelible there, Lou. Her other work with the Coen Bros. (she’s married to Joel) is smaller, supporting, and nearly as brilliant: “The Man Who Wasn’t There,” “Hail, Caesar!,” “Burn After Reading,” “Raising Arizona” and, of course, “Blood Simple.” Outside that hallowed canon are significant turns in “Mississippi Burning,” “Laurel Canyon,” “Short Cuts,” “Wonder Boys,” “Almost Famous,” “Moonrise Kingdom” and TV’s “Olive Kitteredge” (I know, it’s the small screen, but the miniseries is essentially four short films, meticulously directed by Lisa Cholodenko). And her utterly dominant performance in “Three Billboards Outside Ebbing, Missouri” is a poignant portrait of grief and anger for our times.4. Tilda SwintonWhether it’s a mega-budget studio tentpole or an arthouse indie, Swinton makes any movie she’s in at least 32 percent weirder. That’s a fact supported by science and things. Well, in the last decade, at least. Also early in her career, before she was internationally famous, although the projects themselves were also weird.It’s during that last decade, since she won an Oscar for playing a very, very quietly sociopathic corporate suit in “Michael Clayton,” that she’s really let the strange loose: The garishly garbed and made-up head of a future-world food manufacturer – and her twin! – in “Okja.” Or grandiose grotesques in “The Grand Budapest Hotel” and “Snowpiercer,” the latter showcasing her scene-stealing at its funniest, craziest and most committed.And yet, her sincerity is on its own performative plane too, as the mother of a budding young psychopath in “We Need to Talk about Kevin,” as a Bowiesque androgynous rock star vacationing with troublesome old friends in “A Bigger Splash,” and as an unfulfilled showpiece wife and mother in “I Am Love” (the latter two directed by Luca Guadagnino); these are her three most significant works. She’s even commanding as the White Witch in “The Chronicles of Narnia” and as a magickal guru in “Doctor Strange.” Next, she’ll star in Guadagnino’s “Suspiria” remake. The role ultimately doesn’t matter for Swinton – she’s unpredictable and enthralling regardless. We should look forward to her future works with great interest.3. Meryl StreepOf course we love Streep. Who doesn’t love Streep? The Academy loves Streep – she has 21 Oscar nominations, give or take several hundred, and three wins, give or take a dozen. “Kramer vs. Kramer,” “Sophie’s Choice,” “The Deer Hunter,” “Out of Africa,” “The River Wild,” “The Bridges of Madison County.” I know a list of titles isn’t a sentence, but they are when they’re Streep movies.Her best films to my eye are “Postcards from the Edge” and “Adaptation.” Her most recent nomination, “The Post,” is her best work of the past 15 years. Even her voiceover work in “Fantastic Mr. Fox” is dialed in tight for comedy. And don’t ever, ever forget: the dingo took her baby.Streep is often guilty of something I call Streeping, in which she plays big and goes over the top, frequently with crazy, finely tuned accents: “The Devil Wears Prada,” “Julie and Julia,” “Doubt,” “August: Osage County,” “Florence Foster Jenkins.” Then again, tell me she still isn’t great when she’s Streeping, which is simultaneously infuriating and entertaining and kind of bewildering in its multifaceted display of talent. There is no one like Streep, and there will never be another one like Streep.2. Kate WinsletFour of Winslet’s first five roles are as follows: “Sense and Sensibility” (Austen), “Jude” (Hardy), “Hamlet” (Shakespeare) and “Heavenly Creatures,” in which she plays an obsessive, murderous teen. Then came “Titanic,” in which she found a way to make us fall in love with her despite being required to recite James Cameron’s cornball dialogue. Her subsequent work in the few years after the boat sank was offbeat, must-see stuff despite their ambition sometimes outsizing the final product: “Hideous Kinky,” “Holy Smoke,” “Quills,” “Iris.”Then she made “Eternal Sunshine of the Spotless Mind,” her greatest performance and role, funny and heartbreaking, idiosyncratic and so, so humane. She anchors the tragedy in “Finding Neverland,” hones incisive satire in “Little Children,” is luminescent in glossy comedy “The Holiday.” She goes deep and dark in “The Reader” (which earned her an Oscar, on her sixth nomination), and finds a different shade of deep and dark in “Revolutionary Road.” Todd Haynes’ TV miniseries “Mildred Pierce” is five-and-a-half remarkable hours of Emmy, SAG and Golden Globe-winning Winslet work. She loses herself in character in “Steve Jobs” and brandishes a mean needle in “The Dressmaker.”All of this speaks for itself, doesn’t it?1. Cate BlanchettHow many tours-de-force can a person have? One can’t imagine any other actress commanding the screen in “Carol,” “Blue Jasmine,” “Elizabeth” and “The Curious Case of Benjamin Button” like Blanchett. She gave new shades of nastiness and complexity to the evil stepmother in 2015’s “Cinderella.” She’s ruthless as the villain in underrated action movie “Hanna.” She’s the most riveting of all iterations of Bob Dylan in “I’m Not There.” She does much, much more than an impression of Katherine Hepburn in “The Aviator.” She brings an eerie, ethereal presence to the “Lord of the Rings” and “Hobbit” films as the elf queen Galadriel. She’s extraordinary as the foil to Judi Dench in “Notes on a Scandal.” I even enjoyed her turn as a nasty Nazi in “Indiana Jones and the Kingdom of the Crystal Skull” and as a scenery-chewing villain in “Thor: Raganarok” – silly movies made better by her presence. I could go on. It’s hard to argue that she isn’t the best in the business.The next 15:Annette BeningYou no doubt didn’t see “20thCentury Women.” Hardly anyone did. Go watch it, and tell me Bening doesn’t make it look easy. While you’re at it, revisit “The Kids are All Right.” And “The Grifters.” And recognize how she takes a relatively thankless role in “Open Range” and makes it deeper, richer. Don’t forget, her vicious self is still the best thing about “American Beauty,” which otherwise hasn’t aged well.Mary J. BligeThe superstar soul singer has a limited acting resume – a Tyler Perry movie, a small part in “Rock of Ages,” a handful of TV bit parts – but blossomed mightily in “Mudbound,” earning an Oscar nomination. More Mary in movies, please.Sandra BullockBullock is a warm, agreeable screen presence even in a career full of formulaic films (“A Time to Kill,” “The Proposal,” etc.). Recently, she tackled her most challenging role in “Gravity,” and was never funnier than in “The Heat” – two projects that boosted her credibility. Anchoring the upcoming “Ocean’s 8” seems like a perfect fit.Judi DenchIf you want some command presence, Dench is your go-to star. Her Oscar was earned with only eight minutes of screen time as Queen Elizabeth in “Shakespeare in Love,” which speaks significantly of her ability to make the most of only a few lines. I prefer her rich, complex work in “Philomena,” which is a rare leading role for Dench – she’s likely the greatest character actress, memorable in so many supporting parts in so many movies, it’s impossible to list them all, from “A Room With a View” to the recent remake of “Murder on the Orient Express,” with many stops along the way as M in the James Bond franchise.Salma HayekHer passion project, playing artist Frida Kahlo in “Frida,” is a tremendous work. Early roles in “Desperado” and “From Dusk Till Dawn” are terrific, and has shown a recent knack for stealing scenes in comedies (“The Hitman’s Bodyguard,” and she was uproariously funny on TV’s “30 Rock”).Taraji P. HensonShe’s not an above-the-title superstar, although she should be – her grace and quiet charisma guaranteed “Hidden Figures” was a creative success, and she’s unforgettable in “Hustle and Flow.” She earned an Oscar nod for strong supporting work in “The Curious Case of Benjamin Button.” It seems as if Henson hasn’t earned the acclaim she deserves.Scarlett JohanssonJohansson is such a movie star in the classical sense, it’s easy to forget how great an actress she was, so early in her career: “Lost in Translation,” “Girl with the Pearl Earring,” “Ghost World,” “The Man Who Wasn’t There.” “Match Point” and “Vicky Christina Barcelona” only boosted her credibility. Of course, now she’s the superhero Black Widow, which overshadows everything, including her greatest work: as a terrifying, man-eating alien in “Under the Skin,” and as the voice – just the voice! – of an artificially intelligent computer in “Her.”Brie LarsonShe won a well-deserved Oscar for some grueling, intense work in “Room,” but the microbudget indie “Short Term 12” is so alive, so real, thanks to her performance. Other highlights? She’s funny in “Scott Pilgrim vs. the World” and buoyant in “21 Jump Street” and hopefully will bring significant femme cred to the Marvel Cinematic Universe when she headlines “Captain Marvel.”Carey MulliganShe knocked us out as a nightclub songstress in “Shame,” was viciously funny in “Inside Llewyn Davis,” was a vital, warm presence in “Drive” and carried great dramatic weight in “Never Let Me Go” and “Mudbound.” But “An Education” is her triumph, her turn as a teen dating an older gentleman in 1960s London landing her an Oscar nomination – which should have been an Oscar win.Natalie Portman“Black Swan” – hold on – yes – I just checked – it’s still terrifying. It’s destined to be her creative high point, eclipsing her extraordinary work in “Closer” and “V for Vendetta,” and as a youngster in “Beautiful Girls” and “Leon: The Professional.” Her projects have been uneven the past several years, although her take on Jackie Kennedy in “Jackie” and some gritty work in “Annihilation” show an upward trend.Margot RobbieShe was a wrecking ball in “The Wolf of Wall Street,” which is as audacious a breakthrough as any star has ever enjoyed. She turned cracked corn into popcorn as Jane in “The Legend of Tarzan,” was far stronger than her material in “Whiskey Tango Foxtrot," and was formidable in "Suicide Squad" despite every other aspect of the movie being a fright. And of course, she’s an Oscar nominee now, taking a vivid, trashy turn in “I, Tonya,” and anyone who can make Tonya Harding sympathetic is a person of significant talent.Emma StoneStone is a bright, bright talent, never looking back after being effervescent in a small role in “Superbad.” Playing Billie Jean King in “Battle of the Sexes” might be her heftiest role yet, she anchored “The Help” and, of course, won an easy Oscar for “La La Land.” But “Easy A” is her best, a true lost gem.Marisa TomeiTomei might not be on this list if I hadn’t recently re-watched “My Cousin Vinny,” which made her the least-respected Oscar winner ever. Truth: she’s wonderful in the movie, so effortlessly funny and vibrant, doing everything we don’t expect her to do. She’s also great in “The Wrestler” – her grittiest, richest role – “Slums of Beverly Hills,” “Cyrus,” “Before the Devil Knows You’re Dead” and “The Lincoln Lawyer.” She has a surprisingly strong body of work.Naomi Watts“Mulholland Drive” was an unforgettable breakthrough for Watts, who would later gain mainstream fame for the horror hit “The Ring.” But film aficionados recognize how she never backs down from a difficult role: “21 Grams,” “King Kong,” “Eastern Promises,” “The Impossible.”Reese WitherspoonFew movie stars enjoy roles perfectly suited to their skill sets, but Witherspoon has at least three: June Carter Cash in “Walk the Line,” Elle Woods in “Legally Blonde” and her funniest and most finely tuned character to date, Tracy Flick in “Election.” The unforgettable, indefatigable Tracy Flick. The utmost Tracy Flick. You get the picture. Also, I’d be doing her a disservice by not mentioning “Wild” or “Mud” or “Pleasantville,” which exhibit the range she so rarely gets recognized for.Honorable mention: Daisy RidleyA strong argument can be made that Ridley is the pivot point for the most astronomically important, pop-culturally relevant franchise in the current cinema: “Murder on the Orient Express.” Joking! But seriously, the new “Star Wars” trilogy hinges on us investing ourselves in the story of Rey, the badass scavenger who becomes a badass Jedi, a character Ridley endows with the conviction and sincerity – and occasional on-point comedic timing – crucial to the movies’ success. So far, so good for her career. Her only other significant part so far was an underwritten supporting turn in “Orient,” so we’ll see if she has the right stuff when she tackles Shakespeare later this year in “Ophelia” – she has the titular role!

Yes! Like no one else before him and hopefully none after.He's more than a mediocre businessman and not a mannered person. He filled 6 times for bankruptcy and managed to survive by cutting jobs, destroying lifes and walking on corpses."I have used the laws of this country just like the greatest people that you read about every day in business have used the laws of this country, the chapter laws, to do a great job for my company, my employees, myself and my family,” Trump said in August 2015.The New York Times, which conducted an analysis of regulatory reviews, court records, and security filings, found otherwise, however. It reported in 2016 that Trump "put up little of his own money, shifted personal debts to the casinos and collected millions of dollars in salary, bonuses, and other payments.""The burden of his failures," according to the newspaper, "fell on investors and others who had bet on his business acumen."Examples:The Plaza Casino was one of two Trump casinos in Atlantic City to enter bankruptcy in March 1992. The other was the Castle Hotel & Casino. The 39-story, 612-room Plaza opened on the Atlantic City boardwalk in May 1984 after Trump struck a deal to build the casino with Harrah’s Entertainment. Trump Plaza closed in September 2014, putting more than 1,000 people out of work.Trump ran his campaign in the most unconventional of ways, insulting large swaths of potential voters and shunning the traditional support from his own political party.He's embarrassing himself ALL THE TIME!Two weeks after Hurricane Maria on the island of Puerto Rico, the US president goes on the spot: "I hate to say that to you, Puerto Rico, but you destabilize our budget," he says in front of local authorities, going so far as to compare the number of deaths between two disasters: "If you take a real disaster, like Katrina, who has hundreds and hundreds of deaths, and you look at what happened spent here [in Puerto Rico], with only sixteen dead against thousands, you can be very proud. " Before leaving the island, the American president even plays basketball with rolls of paper towels, then launches to a hurricane victim: "Have fun!” before continuing his visit ...The day he telephoned the widow of Sergeant David Johnson, killed on 4 October in Nigeria. "The president told me that [my husband] knew what he enrolled for, but it hurts," says ABC News's Myeshia Johnson. It made me cry. I was angry because of the tone of his voice and the way he said it. He did not remember my husband's name ... " Trump then contradicts the version given by the widow on Twitter, but Myeshia Johnson reiterates her remarks in a new interview.Even with children, Donald Trump is uncomfortable. During the traditional invitation of children disguised for Halloween at the White House, he tells a little girl, "The good news is that you do not have a weight problem. "Another remark full of finesse ... It turns out that the guests were children of journalists, profession very little appreciated by the American president. "How does the press treat you? Trump asks jokingly, for the reporters present: "You did a good job with these kids. With them, not with me ... "Donald Trump receives Lebanese Prime Minister Saad Hariri at the White House. Already little praised for his geopolitical expertise, the US president castigates Hezbollah before Hariri: "A threat to the Lebanese state, the Lebanese people and the entire region," he said. Problem: Hezbollah, or "Party of God", has eight of its members in the Lebanese government ... Clearly ignoring this "detail", Trump adds a layer: "Lebanon was in the front line in the fight against the State Islamic, Al Qaeda and Hezbollah. "At a rally in Florida, the US president takes Sweden as an example, to argue his anti-immigration speech. "Look what's happening in Germany, look at what happened last night in Sweden. […] Sweden. Who would have believed it ? Sweden ! He insists in front of his audience. Uh ... The hint is completely fake. Supposedly in crusade against the fake news, Donald Trump does not hesitate to make some…fake news.Peter Alexander, a reporter for NBC, corrects the US president in a press conference at the White House. Donald Trump has just claimed to have won the biggest victory in the electoral college since Ronald Reagan, with 306 votes in his favor. "Barack Obama got 365 votes, and George H. Bush 426! [...] How can Americans trust you if you give yourself false information? ", Replies the journalist. The answer of the president? "I do not know, they gave me this info. In fact, I even saw it somewhere, but in any case it was a big win. "In a television interview with Fox Business, Donald Trump talks about his interview with his Chinese counterpart Xi Jinping. "It was during the dessert. We ate the most beautiful piece of chocolate cake we've ever seen, "says the US president, before revealing to the Chinese leader how he ordered an attack on a military base in Syria. "I said, Mr. Speaker, let me explain something to you. We have just fired 59 missiles towards Iraq ... " Only the journalist interrupts her: "Towards Syria? The President of the United States corrects himself immediately: "Yes, in the direction of Syria! Oops. Never seen before.At the NATO meeting, Donald Trump does not hesitate to show his bad manners in front of his European counterparts. At the time of the traditional family photo, he bluntly dismissed Montenegro's Prime Minister Dusko Markovic without even glancing at him. A diplomatic practice for the least unconventional.Namibia? Zambia? Gambia? But what country does Donald Trump refer to, when he congratulates the "Nambia" for the quality of its health system, on September 20th? If one can first think that his tongue has forked, it is not. Trump repeats the error several times. This episode is reminiscent of the US President's speech to his Colombian counterpart when he promises to invest in the cocaine war: "The United States will help Colombia in its strategy to eliminate drug trafficking networks, illegal financing and cocoa cultivation as cocaine production are far too important. The coca leaves and the cocoa beans are not quite the same, however ...Even before his election, Trump already vehemently criticized the German Chancellor, particularly on her migration policy. After their interview, the two leaders pose in front of the cameras and photographers in the Oval Office, as the diplomatic tradition requires. "Do you want to shake hands? "Asks Angela Merkel, following the requests supported by photographers present a few meters. The American president ignores it superbly. It will later pretend not to have heard it, but the image, it goes around the world.You want more? He has insulted brown people, black people, Muslim people, Jewish people. He has insulted women. He has insulted the grieving parents of a dead soldier. He has mocked a disabled person and expressed admiration for dictators. He has ham-handedly pandered to a politically critical portion of the population by posting to social media a picture of gringo Tex-Mex captioning it, “I love hispanics!” He has suggested he could shoot somebody and not lose votes. He has openly talked about the possibility of the assassination of his opponent. Twice. And these are just the insults, not the demonstrable falsehoods.And you still want more? Here are 37 more of his gaffes:1. “When Mexico sends its people, they’re not sending their best. They’re not sending you. They’re not sending you. They’re sending people that have lots of problems, and they’re bringing those problems with us. They’re bringing drugs. They’re bringing crime. They’re rapists. And some, I assume, are good people.” June 16, 2015, announcement speech.2. “He’s not a war hero. He was a war hero because he was captured. I like people who weren’t captured.” July 17, 2015, Family Leadership Summit in Iowa. Trump was referring to Senator John McCain, a former Navy pilot who was tortured during his five-and-a-half years as a POW during the Vietnam war.3. “You could see there was blood coming out of her eyes, blood coming out of her wherever.” August 7, 2015, CNN interview about Megyn Kelly, one of Fox News’ moderators in the first Republican debate.4. “Well I really watch the shows. You really see a lot of great, you know, when you watch your show and all of the other shows, and you have the generals and you have certain people that you like.” August 16, 2015, interview on NBC’s “Meet the Press,” trying to name his foreign policy advisors.5. “Look at that face! Would anyone vote for that? Can you imagine that, the face of our next president?!” September 9, 2015, in Rolling Stone, talking about GOP candidate Carly Fiorina.6. “It has not been easy for me ... My father gave me a small loan of a million dollars.” October 26, 2015, on NBC’s “TODAY” show.7. “@mygreenhippo #BenCarson is now leading in the #polls in #Iowa. Too much #Monsanto in the #corn creates issues in the brain? #Trump #GOP.” October 22, 2015, retweet by @realDonaldTrump.Story Continued Below8. “I want to know who are the soldiers carrying suitcases with $50 million? How stupid are we? I wouldn’t be surprised if those soldiers, if the cash didn’t get there.” October 1, 2015, speech in Keene, New Hampshire, suggesting U.S. soldiers embezzled cash intended for disbursement to officials in Iraq and Afghanistan.9. “Now the poor guy, you ought to see this guy. ‘Ah, I don’t know what I said! I don’t remember!’” November 24, 2015, physically mocks New York Times reporter Serge Kovaleski, who has a congenital condition called arthrogryposis that affects his joints.10. “I think, for me, nuclear is just the power, the devastation is very important to me.” December 15, 2015, answering a debate question about his priority in the “nuclear triad,” the three ways (air, land and sea) that nuclear missiles can be launched.11. “The other thing with the terrorists is you have to take out their families, when you get these terrorists, you have to take out their families. They care about their lives, don’t kid yourself. When they say they don’t care about their lives, you have to take out their families,” December 2, 2015, interview on “Fox & Friends.”12 a. “Is there anyone in this room who doesn’t renegotiate deals? Probably 99 percent of you. Probably more than any room I've ever spoken in.”12 b. “I’m a negotiator like you folks were negotiators.”12 c. “You’re not going to support me because I don’t want your money,” December 3, 2015, speaking at the Republican Jewish Coalition.13. “Donald J. Trump is calling for a total and complete shutdown of Muslims entering the United States until our country’s representatives can figure out what is going on.” December 7, 2015, reading from a statement by the Trump campaign.14. “Two Corinthians, right? Two Corinthians 3:17, that’s the whole ballgame. Where the spirit of the Lord—right?—is, there is liberty!” February 18, 2016, speech at Liberty University, citing the book of the Bible that Christians call “Second Corinthians.”15. “So if you see somebody getting ready to throw a tomato, knock the crap out of ’em, would you? Seriously. Okay? Just knock the hell — I promise you, I will pay for the legal fees. I promise. I promise.” February 1, 2016, rally in Cedar Rapids, Iowa.16. “If and when the Vatican is attacked by ISIS, which as everyone knows is ISIS’s ultimate trophy, I can promise you that the Pope would have only wished and prayed that Donald Trump would have been President because this would not have happened. … For a religious leader to question a person’s faith is disgraceful. I am proud to be a Christian and as President I will not allow Christianity to be consistently attacked and weakened, unlike what is happening now, with our current President. No leader, especially a religious leader, should have the right to question another man’s religion or faith.” February 18, 2016. Press release from the Trump campaign.17. “Well, just so you understand, I don't know anything about David Duke, okay? I don't know anything about what you’re even talking about with white supremacy or white supremacists. So, I don't know.” February 28, 2016 on CNN, asked if he’ll disavow the endorsement of former Ku Klux Klan leader David Duke.18. “Lyin' Ted Cruz just used a picture of Melania from a G.Q. shoot in his ad. Be careful, Lyin' Ted, or I will spill the beans on your wife!” March 22, 2016, tweet from @realDonaldTrump.19. “The answer is that there has to be some form of punishment.” March 30, 2016, at an MSNBC town hall meeting in Green Bay, Wisconsin, discussing what should happen to women who procure illegal abortions.20. “It's not like, gee whiz, nobody has them. So, North Korea has nukes. Japan has a problem with that. I mean, they have a big problem with that. Maybe they would in fact be better off if they defend themselves from North Korea … Including with nukes, yes, including with nukes," April 3, 2016, interview with Chris Wallace on Fox.21. “I was down there, and I watched our police and our firemen, down on 7-Eleven, down at the World Trade Center, right after it came down. And I saw the greatest people I’ve ever seen in action.” April 18, 2016, speech in Buffalo, New York, misidentifying the 9/11 attacks.22. “His father was with Lee Harvey Oswald prior to Oswald’s being — you know, shot. I mean, the whole thing is ridiculous. What is this, right prior to his being shot, and nobody even brings it up. They don’t even talk about that. That was reported, and nobody talks about it. I mean, what was he doing — what was he doing with Lee Harvey Oswald shortly before the death? Before the shooting? It’s horrible.” May 3, 2016, interview with Fox News, repeating unsubstantiated allegations that Ted Cruz’s father was involved in the assassination of John F. Kennedy.23. “Happy #CincoDeMayo! The best taco bowls are made in Trump Tower Grill. I love Hispanics!” May 5, 2016, tweet by @realDonaldTrump.24. “And rape.” May 19, 2016, Fox News interview with Sean Hannity, in which Trump alleges that Bill Clinton committed rape as well as other sexual offenses.25. “The judge was appointed by Barack Obama, federal judge. Frankly, he should recuse himself because he’s given us ruling after ruling after ruling, negative, negative, negative. What happens is the judge, who happens to be, we believe, Mexican, which is great. I think that’s fine.” May 27, 2016, rally in San Diego, in which he criticizes Indiana-born Judge Gonzalo Curiel, who, on the basis of his Mexican ancestry, Trump alleges cannot judge fairly in a lawsuit related to Trump University.26. “Look at my African American over here!” June 3, 2016, rally in Redding, California.27. “Just arrived in Scotland. Place is going wild over the vote. They took their country back, just like we will take America back. No games!” June 24, 2016, tweet by @realDonaldTrump from Scotland.28. “He was a bad guy—really bad guy. But you know what? He did well? He killed terrorists. He did that so good. They didn’t read them the rights. They didn’t talk. They were terrorists. Over. Today, Iraq is Harvard for terrorism.” July 5, 2016.29. “Russia, if you’re listening, I hope you’re able to find the 30,000 emails that are missing. I think you will probably be rewarded mightily by our press. Let's see if that happens." July 27, 2016, at news conference in Doral, Florida, encouraging Russia to hack into Hillary Clinton’s emails.30. “If you look at his wife, she was standing there. She had nothing to say. She probably—maybe she wasn't allowed to have anything to say.” July 30, 2016, interview with ABC News, referring to Khizr Khan and his wife Ghazala, parents of a Muslim U.S. soldier killed in Iraq. At the Democratic National Convention, Khizr Khan criticized Trump for his anti-constitutional ban on Muslims.31. “It’s against two NFL games. I got a letter from the NFL saying ‘This is ridiculous.’” July 30, 2016, in an interview with ABC about the presidential debate schedule. The NFL categorically denied sending such a letter.32. “He’s not going into Ukraine, OK? Just so you understand. He’s not going to go into Ukraine, alright? You can mark it down and you can put it down, you can take it anywhere you want.” July 30, 2016, interview on ABC, referring to Russian President Vladimir Putin, whose 2014 annexation of Crimea proved that he was already in Ukraine.33. “I would like to think she would find another career or find another company if that was the case. I don’t think she would allow herself to be subjected to that.” August 1, 2016, interview in USA Today, discussing how he would expect his daughter Ivanka to handle sexual harassment in the workplace.2016Donald Trump’s Greatest Self-ContradictionsBy MICHAEL KRUSE and NOAH WEILAND2016Donald Trump’s Week of Misrepresentations, Exaggerations and Half-TruthsBy KYLE CHENEY, ISAAC ARNSDORF, DANIEL LIPPMAN, DANIEL STRAUSS and BRENT GRIFFITHS34. “I always wanted to get the Purple Heart. This was much easier.” August 2, 2016, at a rally in Ashburn, Virginia where a supporter presented him with a copy of a medal the veteran had been awarded in Iraq. The Purple Heart is awarded to members of U.S. military who are injured or killed while serving.35. “If [Hillary Clinton] gets to pick her judges, nothing you can do folks. Although the Second Amendment people, maybe there is, I don’t know.” August 9, 2016, at a rally in Wilmington, North Carolina. Many read his remark as a suggestion that opponents of Clinton should take up arms against her if she’s elected president.36. “ISIS is honoring President Obama. He is the founder of ISIS. He founded ISIS. And I would say the co-founder would be crooked Hillary Clinton.” August 10, 2016, interview on ABC News.37. “You’re living in poverty, your schools are no good, you have no jobs, 58 percent of your youth is unemployed. What the hell do you have to lose?" August 19, 2016, at a rally in Dimondale, Michigan, explaining why African Americans should vote for him.You want THAT to be YOUR president?