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The list of movies made before the 1960’s that could be made today is much shorter. It’s often not age but that cultural sensitivities are so different. Take musicals. One of my favorites is 7 Brides for 7 Brothers, which is notable for a cast made of real dancers (4 plus a gymnast, so only 2 men who weren’t dancers first, including Jacques d’Amboise from the New York City Ballet, where he was a favorite of George Balanchine). The dance sequences are astounding, including the barn raising scene:Problem is the story is about a bunch of brothers who kidnap the young women from town and take them up to their mountain ranch where they are locked in for the winter. And it ends ‘happily’ because a baby cries - the oldest brother’s wife’s baby - and all the abducted girls claim it as theirs to save the men they now of course love from being hanged. Can you imagine? It’s based on the Rape of the Sabine Women mythology of Ancient Rome, as filtered through a short story by Stephen Vincent Benét called The Sobbin’ Women, which is turned into a song as well. 1954 was a very long time ago culturally.Oddly, if you go back to pre-Code days, meaning pre-imposed censorship, a movie like Gold Diggers of 1933, with actresses and singers struggling to make it, with a show barely able to get money together to open in the Depression, might be more modern than the decades of musicals that came after. What can you say about an opening shot of Ginger Rogers singing We’re In The Money in a ‘dress’ made of gold coins? That kind of knowing joke wasn’t much allowed under the Code. Pre-code movies were more adult than the country could handle.I think it would be possible to make Citizen Kane: extremely rich man’s egotism, success, etc. We’ve done many versions of my favorite movie, The Best Years of Our Lives, but that movie only works because it was after the great conflict of WWII, while all the later versions are about the negatives of Vietnam, etc., like Coming Home. That is of course why Casablanca works: it’s a cartoon set in the great moral conflict that underlay the war. We no longer have such simplistic villains outside of some sci-fi. Thing is: Nazi Germany really was so bad they really actually fit the cartoon villain caricature, from black comedy to horror film.You could make Double Indemnity today. I think half the TV movies are some form of betrayal/murder plot, so you could say it’s the template for modern garbage drama. Down to the Real Housewives making betrayal into a social form for achieving fame.But Gone With The Wind? Lawrence of Arabia? No way. The Searchers? Can you imagine ‘cowboy and indian’ movies? The entire genre could not exist.Hitchock could work today. The 39 Steps is the template for every spy/adventure movie. I sometimes think that modern movies take The 39 Steps, filter that through the 70’s realism of the chase scenes in The French Connection, and convert that all to CGI.It’s A Wonderful Life is one of the templates for all those re-imagined life stories, including the cornball ones.You could definitely make Sunset Boulevard. That’s yet another template for modern stories.

Yes, that is perfectly normal.In fact, that is normal for not just a software company but any company in general. The IP warranties and indemnities in the employment contract have become standard and come by default in most employment contract templates.Irrespective of the nature or quality of the contract document itself, companies are increasingly becoming aware of IP rights and have started asserting their rights over IP and seek to protect prospective generation thereof.

Yes and No. Dropbox is an amazing tool, but it's not a document management system. It's cloud storage.Useful for back office stuff or templates. Client information would need to be approved by whoever gives data assurance in the practise. For shared data then you possibly need to look at something proprietary that's acceptable to professional indemnity insurer.