Prewriting: Fill & Download for Free

Already provided in good form by Wikipedia: Prewriting.Personally, I just call the whole lot "planning and research."

If you are going to write a report , then you have to choose a topic that you enjoy. Then follow the format given below:Select the topic that you enjoy .Understand the topic.Research on your topic ,make sure your online sources are reputable.Then prewrite the report, come up with a thesis assessment.Writing your report:Write an introduction, introduce your topic and thesis statement.write the body paragraph that supports your thesis.Support your topic sentence.Write a conclusion.Format your report.This is how you can write your report.( I am new in quora. Plz upvote to make me motivated)

That’s a good question, and the answer goes right to the heart of why people watch escapist fantasies to begin with.The Last Jedi drove a philosophical wedge between the producers and reviewers in Hollywood and the core fanbase. Star Wars is ultimately high fantasy in space, not a space opera, and to write or enjoy good high fantasy, a part of you must believe in a clockwork universe with predictable causes and effects. The tropes powering the genre, such as prophecies, foreshadowing, Chekov’s Guns, and even basic things like character development don’t work, otherwise.This is why many of the seminal works of high fantasy feature such detailed prewriting and plotting. The Wheel of Time is the example of this to the umpteenth degree.Postmodernism is fundamentally a denial of the clockwork universe. If you are a staunch postmodernist, the detailed cause and effect cycles high fantasy relies on will drive you nuts. I suppose the most accurate way to describe this is that a Postmodernist doesn’t believe such logical connections are particularly knowable, so writing such connections into the story is pointless.Most Postmodernists are not articulate enough to express this that clearly.Conversely, the core fandom of Star Wars are interested in Escapist fantasy. Why? Because it is a clockwork universe you can understand.This is part of a longstanding tension between content producers and content consumers, by the way. Remember Eragon? The book was passed on many times because editors felt it had “gangling prose” and told a predictable story. These are perfectly true criticisms, but when the author self-published it, it became a best-seller, anyway. The reason? The rules were relatively easy to understand, and thus excellent escapist fiction, even if a bit bare-boned.Eventually Knopf would pick up the book, but that was after it was already a best-seller. This should have been taken as a warning about how radically different mainstream consumer tastes are than professional ones…but it wasn’t.There’s more to it than The Last Jedi was a Postmodern deconstruction of Star Wars, however. We’ve had Postmodern deconstructions of Star Wars before, and far from being disasters…they’re actually quite popular. KotoR 2 subverted the concepts of good and evil, and is still to this day a linchpin in the discussion of morality in Star Wars. And that is despite the obvious shoestring budget on a game which basically hasn’t aged well.Here, we return to The Last Jedi; while a few well-executed genre subversions tend to improve a work, Rian Johnson went overkill and added way too many. Rey’s parents are “nobodies” (something which Abrams would eventually soft-retcon), Luke is an angry old hermit in self-imposed exile, the leadership of the Resistance is effectively incompetent, Snoke dies an ignoble death…the list is punishingly long.This is not a symptom of bad writing; it’s what caused the writing to go bad.Had Johnson opted to stick with one or at most two of these subversions he could have kept the quality high, by focusing the screen time needed to develop them, but as he added more and more that became less and less practical. In the final cut we have, the only one which gets any significant screen time is Luke as an angry hermit…because it was necessary for Rey’s training. The rest are cut to the absolute bare minimum screen time to make way for two filler subplots; the mutiny and Canto Bight.The writing in Last Jedi is objectively abysmal…but that wasn’t what divided the fanbase. No, that was the defense, “it’s a subversion.” Entertainment producers and movie reviewers accepted that defense, often because they aren’t particularly comfortable in clockwork universe fiction. Franchise fans wanting escapist fantasy did not because it was more about destroying and devaluing the Star Wars experience than providing them with any even tangentially related experience; it’s a bunch of Not-Star-Wars moments and a chase subplot combined with two filler arcs.