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I write straight from memory on the formats according to the general run of things in my editorial and publishing experience of over 35+ years:—(All images via Quora image search)Typeset material for printingThis is IRRELEVANT for the author to understand or get involved in.The book designer and the productionists handle this part of the process. There is great VARIABILITY in the typefaces used and various other typesetting specifications.For the ‘average’ paperback, the design starts with choosing a SERIF typeface for the bodytext — set at “12pt on 14pt leading” for the particular line width. This usually comes to around 250–300 words per typeset page.Please, not like this mess…Manuscript for submissionIf the publishing house hasn’t set a submission format, then usually the following generic specification is applied:—Standard-sized typing paper such as:—either the international A4 (297 mm × 210 mm)or the North American LS (8½ × 11 inches: 215.9 × 279.4 mm)‘Standard’ typeface such as 12pt Times New Roman or pica CourierTop and bottom margins at 2 or 2½ inches (51 mm or 63.5 mm)Left and right margins at minimum 1 inch (25.4 mm)Double linespacing throughout — or at least 1½ linespacesParagraphing in one of three ways:—EITHER indented 5 character spaces on any fixed-pitched typeface (Courier)OR indented ½ inch (13 mm) on any proportional typeface (Times)OR one full linespace between paragraphs (‘block’ style) regardless of bodytext linespacingAll pages numbered consecutively with the very first sheet as “1.”The first sheet (‘cover sheet’) is numbered “1” and gives information (see below)All manuscripts to be in looseleaf form (i.e. no binding)All typing to be in black inkAll handwritten amendments to be in pencil (preferred) or black ink — RED ink is absolutely bannedUse a rubberband to hold the loose leaves togetherThat’s about it.COVER SHEETThe very first sheet is always numbered “1” or “1/[total number of sheets]” and gives identifying information:—Internal reference numbersAuthor’s full name — surname first, then foremansTitle of work — or working titlePlace and date of manuscript — not necessarily the submission dateAuthor’s or agent’s contact details (optional)The very first sheet should appear like this:—Our ref B17056Your refMANUSCRIPTAuthor: SMITH, John AlanTitle: For Whom the Typewriter ClacksDate: London, 02 June 2017Contact:John A. Smithc/o Michael BubblesThe Bubbles Literary Agency Ltd12 Anywhere StreetANYTOWN AN3 7WNTelephone (+123) 123–4567Email: mbubbles@bubblescomAuthor’s telephone (+123 890–1234Author’s email: jas@emailcomThat’s really about it.Thanks for the A2A.

I construct my work with intent. The intentionality is generally to first express something, a character, a thought, to capture some issue or thought or ideal in my head and transfer it to paper. I think to myself sometimes of a person doing something, saying something and I want to almost capture that lightning, that energy and get it to paper.Free, the NovelAlso I often dream novels whole sale, from soup to nuts, and I have like this whole wispy story line—-I’m working on a novel now, Free, that came to me in a dream Monday, July 6th, about a young man whose father wants to kill him—-the whole novel—-I know how it ends and why his father wants to kill him. I literally have that already, which isn’t as unusual for me as it sounds. I have a special notebook that is just from “Dream Ideas” that I keep nearby to scribble down whole tales and stories.Tuesday I wake up, later in the afternoon—-I try to get a solid 12 hours from Monday to Tuesday and I generally don’t open my eyes when I wake up, instead I lay and listen and breathe and shift slightly and allow whatever was dreaming, happening, thinking to continue. I often don’t know where I am, when I am, occasionally who I am, as I simply hold the dreams. Then I’ll jot down an idea.This time though instead I turned on my laptop and started typing up the first chapter—-I knew it would be Free talking to his mother, her reminding him of this death threat, impending attack from his father. That was maybe 5–7 pages, a few thousand words. Then I pulled up a template file for a 6x9 book and I did all of the file housekeeping and transference because it was a full book. I wrote a general one page outline of the story line, adjusted font sizes, headers, footers then wrote chapter 2, another few thousand words. Then I saw chapter 3 and wrote it, another few thousand pages. I have decided on 10 chapters and after some adjusting and fonts and legal stuff that goes into a book, I have about 70 pages—-Saturday, July 11th when I went back in and added another few hundred or thousand words—-I don’t word count like that—-to chapter 2.Hush & Stay With Me the NovelsHush existed for years, expanded from a novella over several years. Stay With Me was in a folder and I pulled it out, ready to tackle what originally was simply a gay love story about two young men from dysfunctional backgrounds. I began revising and writing them both at the same time intensely, each acting as a break from the other.I generally write to points or to chapters/ideas.The protagonist Steven, in Hush, from the Marketing Editor’s advice after reading the manuscript draft, had to be increased to truly stand forth as the protagonist. I hand write 80% of my work first so I got a purple 150 notebook and I delved into finding his back story with more complexity than what he’d briefly mentioned.Each chunk, sitting in class, at work, on subways, in restaurants, day by day for a few months was probably a few thousand words a day. I also don’t mandatorily schedule each and every day there must be a writing output. I write about 3–5 days a week, something. Generally in totality when I’ve looked at productions—-about 100,000 words a week, on average. By that I mean there are times when it’s 10k a week and then others where I’ll burn through months at a time, and do 10,000 words or more, a day. Which if you look at my blog posts, articles and essays—-isn’t difficult—-though I use this as limbering up exercises—-doing this means that when I turn back to a project—-I’m clean—-very little detritus or dust or extra stuff.Now yes, I do hard, vicious edits, sometimes whole pages of stuff—-generally what’s on the page doesn’t match the flavor of the lightning, I sense in the overall essence of the project.Stay With Me, I had 125 pages I’d written several years ago and when I turned back to it, what I did was I started writing it just using the character’s names, the basic relationship connection but this time I expanded it into a love triangle, into one character having secret relationships, hiding the breadth of his sexuality. That “secret” gave fuel to how did Christina his girlfriend react and feel, how did he, Stavros react and feel and how did his male lover, Kirk react and feel?What that did was gave me 3 distinct characters and ideas, feelings, conflicts to explore..In the hand writing pads, which is Draft 1–4 or so of 12 Drafts of a manuscript, —-about 600+ handwritten pages—-it gives some dimension to the characters.That dimensionality informs, just as Steven in Hush did—-what needs to be created to explore the character.This gives each writing session a point, a purpose, an intent.Okay, so one day I’m writing on the Christina pad about her relationship with her family, that’s all I’m exploring. What the pads do is they give a direct focus to how much of this should become, a hard ,limitation to the writing point, a boundary so that I don’t drone on and on. The limitation of pages on a pad forces me to get to the point, to find the point.Yes, some of the scenes, pads, are out of what will become the eventual book-scene sequence because I then break up 50 handwritten pages of Christina, type it up to 35 typed pages, and liberally disperse throughout the a manuscript template. (Yes, Free is an odd exception to directly type, I did the same with Tranny and liked the experimentation so I’m trying it again.)The next stage beyond the daily writing is I start to move into “bursts” of writing on a project. Stay With Me, published in eBook and paperback, and available on Amazon, Barnes and Noble and elsewhere,is 265,000 words. I know that, generally by the end for publishing/printing costs purposes.How Do I Determine The Size A Large Book Should Be?In the writing I start to get a sense of the book’s size. Hush kept expanding—-one because there were so many characters—-at least a dozen living in this building and in order to expand Steven, I had to expand/connect others and make them deeper and then I had to increase him more to be the protagonist so his getting bigger made others bigger and that meant that he then had to increase again.Hush moved, was typed, I would be able to track in a different way than others as my publishing process started officially in 2013 but Hush was in it’s 9th Draft prior to that—-I simply put it down because I’d worked it over so much, I was not exactly sick of it but I didn’t want to tinker with it to the point of destruction. I try to come back to work with substantial steps and increases in my own ability and then stop and walk away when the maturity I possess is not adequate to move it to the next phase.That process is unique to bigger projects (over 400 pages).I hand wrote 75 pages of Hush (when it was cornily titled The World Today).Then it got typed up to 125 pages and submitted as part of collection of short stories that eventually all got published and then separated out as two collections of short stories so far—-Escapades, is the title for both collections..Ronald Sukenick, the late great write and publisher, suggests TWT was a novel, as he publishes short stories from Escapades,.I went back and rewrote TWT to about 350+ pages, the infusion of other pads and such.Then the marketing editor and another rewrite to about 400+ pages with infused purple notebook.This is where in about the 8th draft I break it down to Index Cards of scene by scene construction.Officially re-titled Hush and expanded to 500 pages. This is about the 9th draft and it’s hand written, typed up and then edited on several levels (grammar, plot, layout) and then printed out as bound manuscripts; then edited upon again, hand writing pads of additional material, typed and infused and re-printed.The first book form manuscript printed out was when it was 500+ pages, right before I started working on Stay With Me in about 2016..Each of the above steps is about 6 months to 1 year of work—-so on average of Hush, 100 pages a year, typed, 200 pages hand written.Stay With Me never got to printed manuscript bound form because it happened post 2013 and post 2017 when I did a publishing company revamping to processes following Michael Gerber’s outlines in The E Myth. I explored and adopted his suggestions because of the large amount of books——50–75 I published from 2013 to 2017 and then having to deal with reissues, discontinuings, new books, etc.. I needed a process and Gerber taught me how to establish a process for everything I do.I have binders, white, small to medium (I would like to ultimately do Final Production binders, the 1 inch ones, to head a bankers box that contains all the drafts, proofs, notes, research, etc..)But now I have binders for Publishing with an 8 Step Process —-the template book design, computer file creation, etc. are part of the steps. The idea is that with a written down process you can both delegate out and track where you’re at in a production. I have the same for my TV show, for Videos, for Business Development, etc.. When people wonder how I produce so much—-this is how.Yes, there are even Production Binders for this blog/essay.This will be copied into a cataloged File System by date and topic.Then it wile be flagged/tagged for “other uses”.Some of these I record as video blogs—-vlogs, podcasts,I develop into TV show episodes,I edit and drop into ongoing./about to be produced-published manuscripts, teaching curriculum/lessonsand then redistributed throughout my website, another couple of blog sites, pushed through social medium platforms where useful and appropriateand finally, I have plans to just compile some of these into topic specific books.The truth is that the production time is the least amount of time, it’s the management of one’s work that, before, and even with a system, is time consuming. Which is why I needed a system like Gerber’s.Stay With Me took from about 2017 to 2019 to complete, edit, type up, edit again (12 Drafts, at least 6 -9 full Proof copies for cover evaluation) then publishing of the eBook in 2019 and the paperback in mid-2020 (due to the COVID virus throwing off printers physical plant presence and paper costs.)I hand wrote 125 pages of Stay With Me (when it was originally titled Stay. Market research showed that Stay With Me tested higher for sales and the song from The Rose sung by Better Midler is Stay (With Me).).Then it got typed up to 125 pages and put in a folder on a shelf.A few years later I was looking for a side fiction project to do while breaking from Hush after having published the 75+ other non-fiction books and collections and I think Tranny. Tranny a book about a trans person triggered wanting to re-explore Stay With Me but in a deeper/relationship oriented way.Kicking around thoughts and ideas, and frankly, having matured since I’d originally written it, pushed me to start writing it.I went back and wrote 12 Legal Pads, plot, characters, expanding, expanding, expanding. Each pad takes about a week and half to fill up and then about 1–3 days to type up. I try to just straight type it and not “fix” it as I’m typing to save my fixes for when I have it all “together” in typed form. That’s never quite possible so what could be a few weeks of typing, turned into a whole summer as I wrote, typed, edited, wrote, typed, edited and finally finished, Summer 2017.Then editing submission. It was about 450+ pages to 500 pages at this point and it came back with so many edit errors, questions, points, problems, blah blah blah. I thought I was mentally handicapped there were so many errors.Editing is a three Point Process.Edit Level 1 is grammar and misspellings. Manuscripts are rife with these. But Stay Wit Me is written in English, some French, some Greek, some Turkish and some Spanish, because of different ethnicities of the characters so I have to control/super correct those parts/language as best as possible and at the same time structure the story so that even if you don’t understand the language, the scene around it explains their general meaning.Edit Level 2 is the physical lay out of the novel itself. I progressively found that the writing of the novel played with a multiverse theme and therefore multi-possibilities within the characters, within their relationships so the overall structure of the novel had to make this accessible for the reader. Instead of standard Chapter 1, 2, 3 and so on, it’s designed as 5 Parts with Sub Chapters (Sub realities/portions) Chapter 1.1, Chapter 1.2, Chapter 1.3, Chapter 1.4, then Chapter 0.0—-a reality completely outside of a normal one with the same character; then 4 sections just for sex/sexuality play—-Un, Deux, Trois, Quartre—-as the characters experience one/self, two partners, menage e trois-three people, polyamory.Edit Level 3 is story/theme maintenance. It’s like building a multi-tiered cake with a thousand people working on the recipe and icing and the external structure and occasionally replacing slices with newly baked slices or sometimes whole new cake portions/tins/levels. While it sounds like it’s a lot of input, actually so much input can topple the cake. The way that I handle this is I use a very didactic methodology of viewing each scene s a step, a set up for the next or a character point.Kind of like the mundanity of reading Heidegger. Ste, set up, step 2 made from the set up of Step 1 and then Step 3 is the set up from Step 2 which is the set up of Step 1. Step, step, step. It can sound in this dissection difficult but by making sure each section, scene, chapter has a relevant point I try to treat the overall novel as the most important scenes that the reader/audience needs to see to understand their lives, the story. I try to diligently exorcise any extraneous bits and pieces. If someone’s favorite color is red then something, a gift, a sweater, a memory must show up with the color red or we don’t need to know the characters favorite color is red.Officially expanded to 500 pages.This is about the 8th draft and then I break it down to Index Cards of scene by scene construction. (It takes about 2 hours to jot down each scene to an Index card and then for order’s sake, I tape the to blank pages in a binder and use tabs to delineate chapters.)Editing and re-integration at least 6 more printed proof copies (also book covers are being tried out on each successive copy) times at the same time of the above;and it’s hand written, typed up and then edited on the 3 levels again (grammar, plot, layout) and then printed out as bound manuscripts (or as a Proof copy—book form)then edited upon again—-3 Levels, more additions from hand writing pads, typed and infused and re-printed.Generally the Index cards help me maintain arrangement and continuity of scenes and what to slash out/delete entirely. Multiple characters with multiple lives doesn’t mean that there isn’t a overarching timeline so if one person gets married the other has to know and that has to coincide correctly in their timeline and so on. That can be difficult because it demands (the Index cards help here a lot) that I rearrange when something is said, done, happens to hold the multiple people’s lives/timelines so that interrelated characters are able to be followed by the reader like a split screen in a film. This arrangement, similar to a musical composition can take a week but the days are generally spread out over say 2 months—-some days I’m just working on arrangements in editing.I didn’t do bound copies of this one, Stay With Me, simplifying the Proofing process per the Gerber Process revamping of 2017.Each of the above steps is about 2–3 months to 1 year of work—-so on average of Stay With Me, 300+ pages a year, typed, 600 pages hand written.Final and Complete Breakdown of 785 Page novel, 265,000 words12 Drafts of each manuscript to Final for Sale eBook/paperback copy At the Final file stage, the 2 diverge as they might have differing layout concerns. An eBook is easier but what you envision and do as a digital file, an E Book compatible file and a printable file for a paperback, generally mean multiple file versions or simplifying the general file so that it can cross all three stages and 1 file remains as the master static file. That, as simple as it sounds, can take a couple of days.GraphicsStay With Me has 2 graphics near the front pages, 29 separate pages just for Chapter Headers which are technically graphics then an added in portion of Myriad, a 12 book upcoming series I’m working on—-but a small element from the multiverse of Stay With me is answered in the Myriad chapter, so it was fun to put in; then as a final addendum I put in two short non-fiction glossary chapters explaining some of the mental health issues that are apparent in several of the characters and what to do if you, as a reader/friend/lover are going through this stuff, then Author Bio Page, Business contact page and branding logos—-all of that is literally about 50 pages and has to be constantly adjusted to the overall manuscript-story’s physical parameters; it also has to be in a font and sizes that make it clearly different than the story text but not some weird insertion.Pages to Time to WorkSo on average you could multiply that to be 6000 pages handwritten/typed/index cardedThen I would divide it by say 24 monthsWhich is 250 pages a month—-divided again to say 10 pages a day on average (250 words on average to page after edits, etc.)Which bears out because I wrote Tranny in hard typing over the course of about 6–8 weeks to Final for sale copy, but my mother died in the middle so I slowed down, it was closer to ready after 4–6 weeks.How Do I Make the Time?I don’t watch TV.I was not put here on Earth by my creator just to mindlessly indulge and absorb the creativity and varying levels of genius and dreck from others.If you want to write a book then you have to get serious about what time is and consider how many episodes of SOMEONE ELSES CREATION you’ve guzzled down. Then look around—-none of the people, none of the Avengers, JK Rowling, Jennifer Lawrence—-none of them are guzzling down YOUR work. Hint hint.I go to the movies about twice a year, I like the movies, I enjoy double or even triple features and yes, I sneak in food.I have Netflix, and Amazon and I’m on the fence about dropping Hulu.I watch stuff—I was just watching about whether Jesus is real, African Civilizations, The Atom, Searching for God with Morgan Freeman, Knives Out (meh…), Extraction (ideolgie!!!—-they yell that in French theaters when the film is so laden with bs that it is essentially propaganda)—-I often cut off fiction movies in the middle or take weeks to watch them—-I am grateful that streaming allows me to just stop a film and come back to it weeks later. I don’t sit through bad entertainment.My huge indulgence was Viola Davis in 16 episodes of How To Get Away With Murder because she’s motherfucking bringing the fire when she works. I waited the whole season, avoiding it almost entirely—-easy—-until it was streaming on Netflix (which got Hulu axed) to watch the last season. I’ll probably buy the DVDs. The seasons gave excellent writing lessons on high caliber, intricate plotting and good dialogue.One candy show a year.I read 5 books a week.When you’re a savage with your entertainment attention, it’s easier to read more, absorb more and faster, because there’s literally less debris of other peoples good bad and indifferent ideas in my head.Right now, I’m reading two books on designing financial statements because of the intricacy of publishing and taxes was pressing my education in finance;One Million Followers to boost social media platform follower—-I’m already doing some of what he prescribes.Dude, You’re A Fag!—II’m working on a textbook about young males10 Wealth Pillars, 4 Stages of Wealth Building and a few others on real estate, Kevin O’Leary’s books—I read one now I’ve bought the other two—-I tend to sweep through an author’s entire body of work.I’m finishing a Peter Hamilton book—-Great North Road, science fiction—-long, intricate, good characterization though this one suffers from his desire to drag out the book itself—-building tension became tedium.If you’re serious, you’ll slowly chip away at everything that isn’t your writing and your speed/output will increase. It’s all about application of Ericsson's outliers concepts.Stay With Me, Chapter 1 (<<yet another free sample of the work!).0#KylePhoenix#TheKylePhoenixShow

History of librariesFrom Wikipedia, the free encyclopediaThe history of libraries began with the first efforts to organize collections of documents. Topics of interest include accessibility of the collection, acquisition of materials, arrangement and finding tools, the book trade, the influence of the physical properties of the different writing materials, language distribution, role in education, rates of literacy, budgets, staffing, libraries for specially targeted audiences, architectural merit, patterns of usage, and the role of libraries in a nation's cultural heritage, and the role of government, church or private sponsorship. Since the 1960s issues of computerization and digitization come to the fore.Library history is the academic discipline devoted to the study of the history of libraries; it is a subfield of library science and of history.The first libraries consisted of archives of the earliest form of writing – the clay tablets in cuneiform script discovered in temple rooms in Sumer,[1][2] some dating back to 2600 BC.[3] About an inch thick, tablets came in various shapes and sizes. Mud like clay was placed in the wooden frames, and the surface was smoothed for writing and allowed to dry until damp. After being inscribed, the clay dried in the sun, or for a harder finish, was baked in a kiln. For storage, tablets could be stacked on edge, side by side, the contents described by a title written on the edge that faced out and was readily seen. The first libraries appeared five thousand years ago in Southwest Asia's Fertile Crescent, the area that ran from Mesopotamia to the Nile in Africa. Known as the cradle of civilization, the Fertile Crescent was the birthplace of writing, sometime before three thousand BC. (Murray, Stuart A.P.) These archives, which mainly consisted of the records of commercial transactions or inventories, mark the end of prehistory and the start of history.[4][5]Things were much the same in the government and temple records on papyrus of Ancient Egypt.[2] The earliest discovered private archives were kept at Ugarit; besides correspondence and inventories, texts of myths may have been standardized practice-texts for teaching new scribes. There is also evidence of libraries at Nippur about 1900 BC and those at Nineveh about 700 BC showing a library classification system.[6]Over 30,000 clay tablets from the Library of Ashurbanipal have been discovered at Nineveh,[7] providing modern scholars with an amazing wealth of Mesopotamian literary, religious and administrative work. Among the findings were the Enuma Elish, also known as the Epic of Creation,[8] which depicts a traditional Babylonian view of creation, the Epic of Gilgamesh,[9] a large selection of "omen texts" including Enuma Anu Enlil which "contained omens dealing with the moon, its visibility, eclipses, and conjunction with planets and fixed stars, the sun, its corona, spots, and eclipses, the weather, namely lightning, thunder, and clouds, and the planets and their visibility, appearance, and stations",[10] and astronomic/astrological texts, as well as standard lists used by scribes and scholars such as word lists, bilingual vocabularies, lists of signs and synonyms, and lists of medical diagnoses.Philosopher Laozi was keeper of books in the earliest library in China, which belonged to the Imperial Zhou dynasty.[11] Also, evidence of catalogues found in some destroyed ancient libraries illustrates the presence of librarians.[11]Classical period[edit]Artistic rendering of the Library of Alexandria, based on some archaeological evidenceThe Library of Alexandria, in Egypt, was the largest and most significant great library of the ancient world.[12] It flourished under the patronage of the Ptolemaic dynasty and functioned as a major center of scholarship from its construction in the 3rd century BC until the Roman conquest of Egypt in 30 BC. The library was conceived and opened either during the reign of Ptolemy I Soter (323–283 BC) or during the reign of his son Ptolemy II (283–246 BC).[13] An early organization system was in effect at Alexandria.[13]The Library of Celsus in Ephesus, Anatolia, now part of Selçuk, Turkey was built in honor of the Roman Senator Tiberius Julius Celsus Polemaeanus[14][15] (completed in AD 135) by Celsus' son, Gaius Julius Aquila (consul, 110). The library was built to store 12,000 scrolls and to serve as a monumental tomb for Celsus. The library's ruins were hidden under debris of the city of Ephesus that was deserted in early Middle Ages. In 1903, Austrian excavations led to this hidden heap of rubble that had collapsed during an earthquake. The donator's son built the library to honor his father's memory and construction began around 113 or 114. Presently, visitors only see the remains of the library's facade.[16]Private or personal libraries made up of written books (as opposed to the state or institutional records kept in archives) appeared in classical Greece in the 5th century BC. The celebrated book collectors of Hellenistic Antiquity were listed in the late 2nd century in Deipnosophistae. All these libraries were Greek; the cultivated Hellenized diners in Deipnosophistae pass over the libraries of Rome in silence. By the time of Augustus there were public libraries near the forums of Rome: there were libraries in the Porticus Octaviae near the Theatre of Marcellus, in the temple of Apollo Palatinus, and in the Ulpian Library in the Forum of Trajan. The state archives were kept in a structure on the slope between the Roman Forum and the Capitoline Hill.Private libraries appeared during the late republic: Seneca inveighed against libraries fitted out for show by illiterate owners who scarcely read their titles in the course of a lifetime, but displayed the scrolls in bookcases (armaria) of citrus wood inlaid with ivory that ran right to the ceiling: "by now, like bathrooms and hot water, a library is got up as standard equipment for a fine house (domus).[17] Libraries were amenities suited to a villa, such as Cicero's at Tusculum, Maecenas's several villas, or Pliny the Younger's, all described in surviving letters. At the Villa of the Papyri at Herculaneum, apparently the villa of Caesar's father-in-law, the Greek library has been partly preserved in volcanic ash; archaeologists speculate that a Latin library, kept separate from the Greek one, may await discovery at the site.Remains of the Library of Celsus at EphesusIn the West, the first public libraries were established under the Roman Empire as each succeeding emperor strove to open one or many which outshone that of his predecessor. Rome's first public library was established by Asinius Pollio. Pollio was a lieutenant of Julius Caesar and one of his most ardent supporters. After his military victory in Illyria, Pollio felt he had enough fame and fortune to create what Julius Caesar had sought for a long time: a public library to increase the prestige of Rome and rival the one in Alexandria.[18] Pollios's library, the Anla Libertatis,[19] which was housed in the Atrium Libertatis, was centrally located near the Forum Romanum. It was the first to employ an architectural design that separated works into Greek and Latin. All subsequent Roman public libraries will have this design.[20] At the conclusion of Rome's civil wars following the death of Marcus Antonius in 30 BC, the Emperor Augustus sought to reconstruct many of Rome's damaged buildings. During this construction, Augustus created two more public libraries. The first was the library of the Temple of Apollo on the Palatine, often called the Palatine library, and the second was the library of the Porticus of Octaviae.[21]Two more libraries were added by the Emperor Tiberius on Palatine Hill and one by Vespasian after 70. Vespasian's library was constructed in the Forum of Vespasian, also known as the Forum of Peace, and became one of Rome's principal libraries. The Bibliotheca Pacis was built along the traditional model and had two large halls with rooms for Greek and Latin libraries containing the works of Galen and Lucius Aelius.[22] One of the best preserved was the ancient Ulpian Library built by the Emperor Trajan. Completed in 112/113 AD, the Ulpian Library was part of Trajan's Forum built on the Capitoline Hill. Trajan's Column separated the Greek and Latin rooms which faced each other.[23] The structure was approximately fifty feet high with the peak of the roof reaching almost seventy feet.[24]Unlike the Greek libraries, readers had direct access to the scrolls, which were kept on shelves built into the walls of a large room. Reading or copying was normally done in the room itself. The surviving records give only a few instances of lending features. Most of the large Roman baths were also cultural centres, built from the start with a library, a two-room arrangement with one room for Greek and one for Latin texts.Libraries were filled with parchment scrolls as at Library of Pergamum and on papyrus scrolls as at Alexandria: the export of prepared writing materials was a staple of commerce. There were a few institutional or royal libraries which were open to an educated public (such as the Serapeum collection of the Library of Alexandria, once the largest library in the ancient world),[13] but on the whole collections were private. In those rare cases where it was possible for a scholar to consult library books there seems to have been no direct access to the stacks. In all recorded cases the books were kept in a relatively small room where the staff went to get them for the readers, who had to consult them in an adjoining hall or covered walkway.In 213 BC during the reign of Emperor Qin Shi Huang most books were ordered destroyed. The Han Dynasty (202 BC – 220 AD) reversed this policy for replacement copies, and created three imperial libraries. Liu Xin a curator of the imperial library was the first to establish a library classification system and the first book notation system. The seven Epitomes would be created as the cataloging system started by Liu Xiang and finished by his son Liu Xin. The title of the Seven Epitomes seems to suggest its classification to have seven classes. In fact, it comprised six main classes and 38 divisions or subclasses. Preceding the six classes was the Collective Epitome - thus the title Seven Epitomes.[25] At this time the library catalog was written on scrolls of fine silk and stored in silk bags. Important new technological innovations include the use of paper and block printing.[26][27] Wood-block printing, facilitated the large-scale reproduction of classic Buddhist texts which were avidly collected in many private libraries that flourished during the T'ang Dynasty (618–906 AD).The Ming Dynasty in 1407 founded the imperial library, the Wen Yuan Pavilion. It also sponsored the massive compilation of the Yongle Encyclopedia, containing 11,000 volumes including copies of over 7000 books. It was soon destroyed, but similar very large compilations appeared in 1725 and 1772.Late Antiquity[edit]Malatestiana Library of Cesena, the first European civic library[28]During the Late Antiquity and Middle Ages periods, there was no Rome of the kind that ruled the Mediterranean for centuries and spawned the culture that produced twenty-eight public libraries in the urbs Roma.[29] The empire had been divided then later re-united again under Constantine the Great who moved the capital of the Roman Empire in 330 AD to the city of Byzantium which was renamed Constantinople.[30] The Roman intellectual culture that flourished in ancient times was undergoing a transformation as the academic world moved from laymen to Christian clergy.[31] As the West crumbled, books and libraries flourished and flowed east toward the Byzantine Empire.[32] There, four different types of libraries were established: imperial, patriarchal, monastic, and private.[33] Each had its own purpose and, as a result, their survival varied.Christianity was a new force in Europe and many of the faithful saw Hellenistic culture as pagan. As such, many classical Greek works, written on scrolls, were left to decay as only Christian texts were thought fit for preservation in a codex, the progenitor of the modern book.[34] In the East, however, this was not the case as many of these classical Greek and Roman texts were copied.[35]In Byzantium, much of this work devoted to preserving Hellenistic thought in codex form was performed in scriptoriums by monks.[36] While monastic library scriptoriums flourished throughout the East and West, the rules governing them were generally the same.[37] Barren and sun-lit rooms (because candles were a source of fire) were major features of the scriptorium that was both a model of production and monastic piety.[38] Monks scribbled away for hours a day, interrupted only by meals and prayers.[39] With such production, medieval monasteries began to accumulate large libraries. These libraries were devoted solely to the education of the monks and were seen as essential to their spiritual development.[40] Although most of these texts that were produced were Christian in nature, many monastic leaders saw common virtues in the Greek classics. As a result, many of these Greek works were copied, and thus saved, in monastic scriptoriums.[41]When Europe passed into the Dark Ages, Byzantine scriptoriums laboriously preserved Greco-Roman classics. As a result, Byzantium revived Classical models of education and libraries.[42] The Imperial Library of Constantinople was an important depository of ancient knowledge. Constantine himself wanted such a library but his short rule denied him the ability to see his vision to fruition. His son Constantius II made this dream a reality and created an imperial library in a portico of the royal palace.[43] He ruled for 24 years and accelerated the development of the library and the intellectual culture that came with such a vast accumulation of books.[44]Constantius II appointed Themistius, a pagan philosopher and teacher, as chief architect of this library building program. Themistius set about a bold program to create an imperial public library that would be the centerpiece of the new intellectual capital of Constantinople.[45] Classical authors such as Plato, Aristotle, Demosthenes, Isocrates, Thucydides, Homer, and Zeno were sought. Themeistius hired calligraphers and craftsman to produce the actual codices. He also appointed educators and created a university-like school centered around the library.[46]After the death of Constantius II, Julian the Apostate, a bibliophile intellectual, ruled briefly for less than three years. Despite this, he had a profound impact on the imperial library and sought both Christian and pagan books for its collections.[43] Later, the Emperor Valens hired Greek and Latin scribes full-time with from the royal treasury to copy and repair manuscripts.[47]At its height in the 5th century, the Imperial Library of Constantinople had 120,000 volumes and was the largest library in Europe.[48] A fire in 477 consumed the entire library but it was rebuilt only to be burned again in 726, 1204, and in 1453 when Constantinople fell to the Ottoman Turks.[49]Patriarchal libraries fared no better, and sometimes worse, than the Imperial Library. The Library of the Patriarchate of Constantinople was founded most likely during the reign of Constantine the Great in the 4th century.[50] As a theological library, it was known to have employed a library classification system.[51] It also served as a repository of several ecumenical councils such as the Council of Nicea, Council of Ephesus, and the Council of Chalcedon. The library, which employed a librarian and assistants, may have been originally located in the Patriarch's official residence before it was moved to the Thomaites Triclinus in the 7th century. While much is not known about the actual library itself, it is known that many of its contents were subject to destruction as religious in-fighting ultimately resulted in book burnings.[52]During this period, small private libraries existed. Many of these were owned by church members and the aristocracy.[53] Teachers also were known to have small personal libraries as well as wealthy bibliophiles who could afford the highly ornate books of the period.[54]Thus, in the 6th century, at the close of the Classical period, the great libraries of the Mediterranean world remained those of Constantinople and Alexandria. Cassiodorus, minister to Theodoric, established a monastery at Vivarium in the toe of Italy (modern Calabria) with a library where he attempted to bring Greek learning to Latin readers and preserve texts both sacred and secular for future generations. As its unofficial librarian, Cassiodorus not only collected as many manuscripts as he could, he also wrote treatises aimed at instructing his monks in the proper uses of reading and methods for copying texts accurately. In the end, however, the library at Vivarium was dispersed and lost within a century.Through Origen and especially the scholarly presbyter Pamphilus of Caesarea, an avid collector of books of Scripture, the theological school of Caesarea won a reputation for having the most extensive ecclesiastical library of the time, containing more than 30,000 manuscripts: Gregory Nazianzus, Basil the Great, Jerome and others came and studied there.Islamic landsInside a Qur'anic Library in Chinguetti, MauritaniaThe first libraries in Muslim lands were not necessarily for the public, but they contained much knowledge. The need for the preservation of the Quran, the Muslim Holy Book, and the Traditions of the Muhammad, the Prophet of Islam is what led to the collection of writings in the Muslim world. Where traditions and history used to be oral, the need to preserve the words of the Quran necessitated a method of preserving the words by some means other than orally. Mosques that were the center of everything in an Muslim societies day-to-day life became also libraries that stored and preserved all knowledge, from the Quran to books on religion, philosophy and science. "Under the Abbasids, Muslims formed the vanguard of civilization. The Abbasids were influenced by the Quran and Hadith such as, "the ink of scholar is equal to the blood of martyr,[55] "stressing the value of knowledge." With the passion of the Caliphs to establish centers of knowledge, the Muslim world quickly began to have different centers that housed libraries which contained encyclopedias, translations, commentaries and treatises written by Muslim philosophers, scholars and scientists. With the discovery of paper, the Muslim world quickly began to progress in its development of libraries, and "libraries (royal, public, specialised, private) had become common and bookmen (authors, translators, copiers, illuminators, librarians, booksellers' collectors) from all classes and sections of society, of all nationalities and ethnic backgrounds, vied with each other in the production and distribution of books.[56]"By the 8th century first Iranians and then Arabs had imported the craft of papermaking from China, with a paper mill already at work in Baghdad in 794. By the 9th century public libraries started to appear in many Islamic cities. They were called "halls of Science" or dar al-'ilm. They were each endowed by Islamic sects with the purpose of representing their tenets as well as promoting the dissemination of secular knowledge. In Baghdad, the library was known as the House of Wisdom.[57] It also was a university where numerous scholars and copyists translated works from other nations into Arabic. he 9th-century Abbasid Caliph al-Mutawakkil of Iraq, ordered the construction of a "zawiyat qurra" – an enclosure for readers which was "lavishly furnished and equipped". In Shiraz Adhud al-Daula (d. 983) set up a library, described by the medieval historian, al-Muqaddasi, as "a complex of buildings surrounded by gardens with lakes and waterways. The buildings were topped with domes, and comprised an upper and a lower story with a total, according to the chief official, of 360 rooms.... In each department, catalogues were placed on a shelf... the rooms were furnished with carpets".[58] The libraries often employed translators and copyists in large numbers, in order to render into Arabic the bulk of the available Persian, Greek, Roman and Sanskrit non-fiction and the classics of literature.It should also be noted that Islamic states in Africa began to see a rapid development in education from the 11th century. Libraries of particular importance would include that of Timbuktu, which held many manuscripts that were important for over 600 years in the Ghanan, Mali and Songhai empires. One of the most notable authors was Ahmad Baba who wrote over 40 manuscripts – widely considered as being one of the most influential scholars from Timbuktu. Many of the manuscripts and buildings were destroyed by the Arab-European invasion in 1591 and writers, such as Ahmad Baba were taken into captivity.[59] Despite this and the poor preservation conditions as many as 700,000 manuscripts still survive today.[60]This flowering of Islamic learning ceased centuries later when learning began declining in the Islamic world, after many of these libraries were destroyed by Mongol invasions. Others were victim of wars and religious strife in the Islamic world. However, a few examples of these medieval libraries, such as the libraries of Chinguetti in West Africa, remain intact and relatively unchanged. Another ancient library from this period which is still operational and expanding is the Central Library of Astan Quds Razavi in the Iranian city of Mashhad, which has been operating for more than six centuries.The contents of these Islamic libraries were copied by Christian monks in Muslim/Christian border areas, particularly Spain and Sicily. From there they eventually made their way into other parts of Christian Europe. These copies joined works that had been preserved directly by Christian monks from Greek and Roman originals, as well as copies Western Christian monks made of Byzantine works. The resulting conglomerate libraries are the basis of every modern library today.AsiaThe spread of religion and philosophy in South and East Asia spurred the development of writing and books. Chinese emperors were very supportive of this culture. Chinese printing and papermaking, which predate Western development, gave birth to a thriving book culture in East Asia.[61] Several Asian religious and philosophical movements are responsible for stimulating learning, printing and book collecting: Buddhism, Confucianism, Daoism, and Jainism.[61] Jainism, a major faith of the Indian subcontinent, had a tradition of religious, scientific, and cultural scholarship. Early practitioners of the faith not only produced scriptural writing the first century BC, but also established some of Asia's earliest libraries.[61] Mainly housed in temples, these libraries later became known as "Jain Knowledge Warehouses" and is responsible for the preservation of hundreds of thousands handwritten manuscripts. The invention of paper in China allowed the Chinese to create an early form of printing (stone-rubbing). Writings the sixth-century philosopher, Confucius, were originally inscribed on stone tablets. To achieve this early form of printing the Chinese would push soft paper onto the stone, apply ink to the back of the sheet, resulting in a black background with white letters.[61] The Chinese also employed inked carved woodblock to produce printed materials. One the major Buddhist cannons, the Tripitaka, was published in 5,000 volumes using more than 130,000 individual woodblocks.[61] In the eleventh century movable type was developed in China and Koreans established the first foundry for producing movable type. In spite of these developments, woodblock printing remained the norm in China, Korea, and Japan. Each ruler in China compiled its own official written archives. Every emperor decided which philosophical texts, which accounts of history, which rituals of faith, and what poetry and literature would be permitted in the empire; oftentimes chronicling their own version of the previous ruler's history. Confucian and Buddhist writings that were brought to Korea and Japan are directly responsible for the continued development of book publishing and library building in East Asia.[61]Buddhist scriptures, educational materials, and histories were stored in libraries in pre-modern Southeast Asia. In Burma, a royal library called the Pitakataik was legendarily founded by King Anawrahta;[62] in the 18th century, British envoy Michael Symes, on visiting this library, wrote that "it is not improbable that his Birman majesty may possess a more numerous library than any potentate, from the banks of the Danube to the borders of China". In Thailand libraries called ho trai were built throughout the country, usually on stilts above a pond to prevent bugs from eating at the books.European Middle AgesMerton College LibraryIn the Early Middle Ages, monastery libraries developed, such as the important one at the Abbey of Montecassino in Italy.[63] Books were usually chained to the shelves, reflecting the fact that manuscripts, which were created via the labour-intensive process of hand copying, were valuable possessions.[64]Despite this protectiveness, many libraries loaned books if provided with security deposits (usually money or a book of equal value). Lending was a means by which books could be copied and spread. In 1212 the council of Paris condemned those monasteries that still forbade loaning books, reminding them that lending is "one of the chief works of mercy."[65] The early libraries located in monastic cloisters and associated with scriptoria were collections of lecterns with books chained to them. Shelves built above and between back-to-back lecterns were the beginning of bookpresses. The chain was attached at the fore-edge of a book rather than to its spine. Book presses came to be arranged in carrels (perpendicular to the walls and therefore to the windows) in order to maximize lighting, with low bookcases in front of the windows. This "stall system" (i.e. fixed bookcases perpendicular to exterior walls pierced by closely spaced windows) was characteristic of English institutional libraries. In European libraries, bookcases were arranged parallel to and against the walls. This "wall system" was first introduced on a large scale in Spain's El Escorial.Also, in Eastern Christianity monastery libraries kept important manuscripts. The most important of them were the ones in the monasteries of Mount Athos for Orthodox Christians, and the library of the Saint Catherine's Monastery in the Sinai Peninsula, Egypt for the Coptic Church.RenaissanceReading room of the Laurentian LibraryFrom the 15th century in central and northern Italy, libraries of humanists and their enlightened patrons provided a nucleus around which an "academy" of scholars congregated in each Italian city of consequence. Malatesta Novello, lord of Cesena, founded the Malatestiana Library. Cosimo de Medici in Florence established his own collection, which formed the basis of the Laurentian Library.[66] In Rome, the papal collections were brought together by Pope Nicholas V, in separate Greek and Latin libraries, and housed by Pope Sixtus IV, who consigned the Bibliotheca Apostolica Vaticana to the care of his librarian, the humanist Bartolomeo Platina in February 1475.[67]Also the Hungarian Bibliotheca Corviniana was one of the first and largest Renaissance Greek-Latin library, established by Matthias Corvinus, King of Hungary between 1458 and 1490. In 1490, the library consisted of about 3,000 codices or "Corvinae". Beatrix of Aragon Queen of Hungary encouraged his work with the Bibliotheca Corviniana. Lots of Corvinaes made in Florence and inspired Lorenzo Medici to found his own Greek-Latin library. The Turkish invasion of Hungary in the 16th century destroyed the codices.In the 16th century Sixtus V bisected Bramante's Cortile del Belvedere with a cross-wing to house the Apostolic Library in suitable magnificence. The 16th and 17th centuries saw other privately endowed libraries assembled in Rome: the Vallicelliana, formed from the books of Saint Filippo Neri, with other distinguished libraries such as that of Cesare Baronio, the Biblioteca Angelica founded by the Augustinian Angelo Rocca, which was the only truly public library in Counter-Reformation Rome; the Biblioteca Alessandrina with which Pope Alexander VII endowed the University of Rome; the Biblioteca Casanatense of the Cardinal Girolamo Casanate; and finally the Biblioteca Corsiniana founded by the bibliophile Clement XII Corsini and his nephew Cardinal Neri Corsini, still housed in Palazzo Corsini in via della Lungara. The Republic of Venice patronized the foundation of the Biblioteca Marciana, based on the library of Cardinal Basilios Bessarion. In Milan Cardinal Federico Borromeo founded the Biblioteca Ambrosiana.This trend soon spread outside of Italy, for example Louis III, Elector Palatine founded the Bibliotheca Palatina of Heidelberg.These libraries don't have as many volumes as the modern libraries. However, they keep many valuable manuscripts of Greek, Latin and Biblical works. After the invention of the printing press, many Renaissance libraries began to collect printed texts as well as valuable manuscripts. This shift in collection materials took place within a hundred-year period- from 1550 to 1650- where the collection of texts shifted between luxury collectibles to printed texts filled with useful information. The transition of collections during the Renaissance was not just a shift exclusively from manuscripts to printed texts, although this did categorize the shift, but from books as expensive luxury artifacts both in print and in manuscript form to an expenditure on multiple copies of printed texts which held valuable, intellectual practicality.[68] This shift can be seen as one from a textually aesthetic point of view to one where texts held intellectual usefulness. One example is the library at the Ducal Palace in Urbino, Italy. The collection of the Ducal Palace library of Urbino is evidence of two different economies of collecting: luxury and intellectual. The older library served to collect texts which served primarily to memorialize the history of the Duke of Urbino's relations and show his magnificence, while the new library served primarily as an information retrieval system for contemporary scholars to research with and discuss.[69] In addition to manuscripts and information based texts, the Ducal library also housed what we would consider now as archival materials. This included a collection of Renaissance newsletter manuscripts, diplomatic, engineering, military, and other political and moral documents.[70]Tianyi Chamber, founded in 1561 by Fan Qin during the Ming Dynasty, is the oldest existing library in China. In its heyday it boasted a collection of 70,000 volumes of antique booEnlightenment era libraries[edit]Thomas Bodley founded the Bodleian Library in 1602 as an early public library.The 17th and 18th centuries include what is known as a golden age of libraries;[71] during this some of the more important libraries were founded in Europe. Francis Trigge Chained Library of St. Wulfram's Church, Grantham, Lincolnshire was founded in 1598 by the rector of nearby Welbourne.[72] Thomas Bodley founded the Bodleian Library, which was open to the "whole republic of the learned", Norwich City library was established in 1608[73] and the British Library was established in 1753. Chetham's Library in Manchester, which claims to be the oldest public library in the English-speaking world, opened in 1653.[74] Other early town libraries of the UK include those of Ipswich (1612), Bristol (founded in 1613 and opened in 1615), and Leicester (1632). Shrewsbury School also opened its library to townsfolk.[75]The Bibliothèque Mazarine was initially the personal library of cardinal Mazarin (1602–1661), who was a great bibliophile. His first library, arranged by his librarian, Gabriel Naudé, was dispersed when he had to flee Paris during the Fronde. He then began a second library with what was left of the first, assisted by the successor to Naudé, François de La Poterie. At his death he bequeathed his library, which he had opened to scholars since 1643, to the Collège des Quatre-Nations which he had founded in 1661. The Bibliothèque Sainte-Geneviève was also founded in Paris, the Austrian National Library in Vienna, the National Central Library in Florence, the Prussian State Library in Berlin, the Załuski Library in Warsaw and the M.E. Saltykov-Shchedrin State Public Library in St Petersburg.[76]But this golden age was not just some prosaic period of great expansion to the number and accessibility of the libraries of Europe; it was also a period of great conflict. The Reformation did not just inspire a redistribution of power but also a redistribution of wealth and knowledge. While the Thirty Years War (1618–1648) decimated the population of Europe (from 21 million at the beginning of the conflict to 13 million by the end) it also aided in the redistribution of this wealth and knowledge.[61]:116Often the plunder of this conflict included the recovery of books from looted monasteries and libraries.[61]:116 Given the large cost associated with the creation of the codex it should come as little surprise that books would be seen as a prize of both pecuniary and scholastic wealth, enough that a Bavarian noble sent the captured contents of the Palatine Library of Heidelberg to the Vatican as a trophy to the Pope.[61]:118–119 On the other side of the conflict, King Gustavus Adolphus of Sweden specifically targeted Jesuit schools and seminaries and had wagon loads of loot (seized books and manuscripts) returned to the libraries of his home.[61]:118 Large volumes of books changed hands during the Thirty Years War and eventually found their way across Europe where new libraries sprang up to house these redistributed treasures.In addition to stores of knowledge being shuffled around as spoils of war, the printing press created economies of scale that allowed for the exchange of books to become more commonplace.[61]:119–120 Book fairs were the most merchants most common choice of sale and catalogs were their most common choice of organization.[61]:120The collectors of this period helped shape the 'form' of libraries. We can see echoes of many of their innovations in the tropes of today's libraries. As noted previously, influenced by the ideals of Gabriel Naude, Cardinal Jules Mazarin proclaimed his library "open to everybody without exception".[61]:122 Also, possibly inspiring a trope, Sir Robert Bruce Cotton organized his library with the placement of busts of ancient Romans at the tops of his shelves and cataloged his contents alphanumerically based on the name of the shelf (bust) and the books physical position on the shelf (by number of books preceding it).[61]:123–124At the start of the 18th century, libraries were becoming increasingly public and were more frequently lending libraries. The 18th century saw the switch from closed parochial libraries to lending libraries. Before this time, public libraries were parochial in nature and libraries frequently chained their books to desks.[77] Libraries also were not uniformly open to the public.[78]Even though the British Museum existed at this time and contained over 50,000 books, the national library was not open to the public, or even to a majority of the population. Access to the Museum depended on passes, of which there was sometimes a waiting period of three to four weeks. Moreover, the library was not open to browsing. Once a pass to the library had been issued, the reader was taken on a tour of the library. Many readers complained that the tour was much too short.[79]Subscription librariesMain article: Subscription libraryThe British Museum was established in 1751 and had a library containing over 50,000 books.At the start of the 19th century, there were virtually no public libraries in the sense in which we now understand the term i.e. libraries provided from public funds and freely accessible to all.[80] Only one important library in Britain, namely Chetham's Library in Manchester, was fully and freely accessible to the public.[80] However, there had come into being a whole network of library provision on a private or institutional basis.The increase in secular literature at this time encouraged the spread of lending libraries, especially the commercial subscription libraries. Many small, private book clubs evolved into subscription libraries, charging high annual fees or requiring subscribing members to purchase shares in the libraries. The materials available to subscribers tended to focus on particular subject areas, such as biography, history, philosophy, theology, and travel, rather than works of fiction, particularly the novel.Unlike a public library, access was often restricted to members. Some of the earliest such institutions were founded in late 17th century England, such as Chetham's Library in 1653, Innerpeffray Library in 1680 and Thomas Plume's Library in 1704. In the American colonies, the Library Company of Philadelphia was started in 1731 by Benjamin Franklin in Philadelphia, PA.The increasing production and demand for fiction promoted by commercial markets led to the rise of circulating libraries, which met a need that subscription libraries did not fulfil. William Bathoe claimed that his commercial venture was 'the Original Circulating library', opening doors at two locations in London in 1737.[81][82] Circulating libraries also charged subscription fees to users and offered serious subject matter as well as the popular novels, thus the difficulty in clearly distinguishing circulating from subscription libraries.[83]Biblioteka Załuskich, built in Warsaw in the mid 18th century.Subscription libraries were democratic in nature; created by and for communities of local subscribers who aimed to establish permanent collections of books and reading materials, rather than selling their collections annually as the circulating libraries tended to do, in order to raise funds to support their other commercial interests. Even though the subscription libraries were often founded by reading societies, committees, elected by the subscribers, chose books for the collection that were general, rather than aimed at a particular religious, political or professional group. The books selected for the collection were chosen because they would be mutually beneficial to the shareholders. The committee also selected the librarians who would manage the circulation of materials.[84]In Britain there were more than 200 commercial circulating libraries open in 1800, more than twice the number of subscription and private proprietary libraries that were operating at the same time. Many proprietors pandered to the most fashionable clientele, making much ado about the sort of shop they offered, the lush interiors, plenty of room and long hours of service.[81] "These 'libraries' would be called rental collections today."[85]Private libraries[edit]The Linen Hall Library was an 18th-century subscription library. Pictured in 1888, shortly before its demolition.Private subscription libraries functioned in much the same manner as commercial subscription libraries, though they varied in many important ways. One of the most popular versions of the private subscription library was a gentleman's only library. Membership was restricted to the proprietors or shareholders, and ranged from a dozen or two to between four and five hundred.[86]The Liverpool Subscription library was a gentlemen only library. In 1798, it was renamed the Athenaeum when it was rebuilt with a newsroom and coffeehouse. It had an entrance fee of one guinea and annual subscription of five shillings.[87] An analysis of the registers for the first twelve years provides glimpses of middle-class reading habits in a mercantile community at this period. The largest and most popular sections of the library were History, Antiquities, and Geography, with 283 titles and 6,121 borrowings, and Belles Lettres, with 238 titles and 3,313 borrowings.[88][89]Circulating library and stationery shop, Gulgong, Australia 1870.Private subscription libraries held a greater amount of control over both membership and the types of books in the library. There was almost a complete elimination of cheap fiction in the private societies.[90] Subscription libraries prided themselves on respectability. The highest percentage of subscribers were often landed proprietors, gentry, and old professions.[91]Towards the end of the 18th century and in the first decades of the nineteenth the need for books and general education made itself felt among social classes created by the beginnings of the Industrial Revolution.[92] The late 18th century saw a rise in subscription libraries intended for the use of tradesmen. In 1797, there was established at Kendal what was known as the Economical Library, "designed principally for the use and instruction of the working classes".[93] There was also the Artizans' library established at Birmingham in 1799. The entrance fee was 3 shillings. The subscription was 1 shilling 6 pence per quarter. This was a library of general literature. Novels, at first excluded, were afterwards admitted on condition that they did not account for more than one-tenth of the annual income.[86]National libraries[edit]Main article: National libraryOrigins[edit]The Lindisfarne Gospels is but one of the treasures collected by Sir Robert Cotton.The first national libraries had their origins in the royal collections of the sovereign or some other supreme body of the state.One of the first plans for a national library was devised by the Welsh mathematician John Dee, who in 1556 presented Mary I of England with a visionary plan for the preservation of old books, manuscripts and records and the founding of a national library, but his proposal was not taken up.[94]In England, Sir Richard Bentley's Proposal for Building a Royal Library published in 1694 stimulated renewed interest in the subject. Sir Robert Cotton, 1st Baronet, of Connington, a wealthy antiquarian, amassed the richest private collection of manuscripts in the world at the time and founded the Cotton Library. After the Dissolution of the Monasteries, many priceless and ancient manuscripts that had belonged to the monastic libraries began to be disseminated among various owners, many of whom were unaware of the cultural value of the manuscripts. Sir Robert's genius was in finding, purchasing and preserving these ancient documents.[95] After his death his grandson donated the library to the nation as its first national library. This transfer established the formation of the British Library.[96][97]National libraries[edit]Sir Hans Sloane's collection of books and manuscripts was bequeathed to the British Museum.The first true national library was founded in 1753 as part of the British Museum. This new institution was the first of a new kind of museum – national, belonging to neither church nor king, freely open to the public and aiming to collect everything.[98] The museum's foundations lay in the will of the physician and naturalist Sir Hans Sloane, who gathered an enviable collection of curiosities over his lifetime which he bequeathed to the nation for £20,000.[99]Sloane's collection included some 40,000 printed books and 7,000 manuscripts, as well as prints and drawings.[100] The British Museum Act 1753 also incorporated the Cotton library and the Harleian library. These were joined in 1757 by the Royal Library, assembled by various British monarchs.[101]The first exhibition galleries and reading room for scholars opened on 15 January 1759,[102] and in 1757, King George II granted it the right to a copy of every book published in the country, thereby ensuring that the Museum's library would expand indefinitely.Montagu House, seat of the British Library, founded in 1753.Anthony Panizzi became the Principal Librarian at the British Library in 1856, where he oversaw its modernization. During his tenure, the Library's holdings increased from 235,000 to 540,000 volumes, making it the largest library in the world at the time. Its famous circular Reading Room was opened in 1857. Panizzi undertook the creation of a new catalogue, based on the "Ninety-One Cataloguing Rules" (1841) which he devised with his assistants. These rules served as the basis for all subsequent catalogue rules of the 19th and 20th centuries, and are at the origins of the ISBD and of digital cataloguing elements such as Dublin Core.As librarian of the Bibliothèque Mazarine, Jacques Auguste de Thou transformed it into the largest library in the world at the time.In France, the first national library was the Bibliothèque Mazarine, which evolved from its origin as a royal library founded at the Louvre Palace by Charles V in 1368. At the death of Charles VI, this first collection was unilaterally bought by the English regent of France, the Duke of Bedford, who transferred it to England in 1424. It was apparently dispersed at his death in 1435.[103][104] The invention of printing resulted in the starting of another collection in the Louvre inherited by Louis XI in 1461.[105] Francis I transferred the collection in 1534 to Fontainebleau and merged it with his private library.The appointment of Jacques Auguste de Thou as librarian in the 17th century, initiated a period of development that made it the largest and richest collection of books in the world.[104] The library opened to the public in 1692, under the administration of Abbé Louvois, Minister Louvois's son. Abbé Louvois was succeeded by the Abbé Bignon, or Bignon II as he was termed, who instituted a complete reform of the library's system. Catalogues were made which appeared from 1739 to 1753 in 11 volumes. The collections increased steadily by purchase and gift to the outbreak of the French Revolution, at which time it was in grave danger of partial or total destruction, but owing to the activities of Antoine-Augustin Renouard and Joseph Van Praet it suffered no injury.[104]The library's collections swelled to over 300,000 volumes during the radical phase of the French Revolution when the private libraries of aristocrats and clergy were seized. After the establishment of the French First Republic in September 1792, "the Assembly declared the Bibliotheque du Roi to be national property and the institution was renamed the Bibliothèque Nationale. After four centuries of control by the Crown, this great library now became the property of the French people."[103]Expansion[edit]In the newly formed American republic, James Madison first proposed instituting a congressional library in 1783.[106] The Library of Congress was established on 24 April 1800, when president John Adams signed an act of Congress providing for the transfer of the seat of government from Philadelphia to the new capital city of Washington. Part of the legislation appropriated $5,000 "for the purchase of such books as may be necessary for the use of Congress ..., and for fitting up a suitable apartment for containing them...." Books were ordered from London and the collection, consisting of 740 books and 3 maps, was housed in the new Capitol.[107]The Załuski Library of Poland was taken by Russia after the country's partition, and the collection formed the nucleus of the Russian Imperial Public Library, established in 1795.The Imperial Public Library was established in 1795 by Catherine the Great, whose private collections included the domestic libraries of Voltaire and Diderot, which she had purchased from their heirs. Voltaire's personal library is still one of the highlights of the collection. The plan of a Russian public library was submitted to Catherine in 1766 but the Empress did not approve the project for the imperial library until 27 May [O.S. 16 May] 1795, eighteen months before her death. The cornerstone of the foreign-language department came from the Polish-Lithuanian Commonwealth in the form of Załuski's Library (420,000 volumes), nationalized by the Russian government at the time of the partitions.[108] The Polish-language books from the library (numbering some 55,000 titles) were returned to Poland by the Russian SFSR in 1921.[109]Although Germany was only constituted as a state in 1871, the first national library was set up in the context of the German revolutions of 1848. Various booksellers and publishers offered their works to the Frankfurt Parliament for a parliamentary library. The library, led by Johann Heinrich Plath, was termed the Reichsbibliothek ("Reich library"). After the failure of the revolution the library was abandoned and the stock of books already in existence was stored at the Germanisches Nationalmuseum in Nuremberg.[110] In 1912, the town of Leipzig, seat of the annual Leipzig Book Fair, the Kingdom of Saxony and the Börsenverein der Deutschen Buchhändler (Association of German booksellers) agreed to found a German National Library in Leipzig. Starting 1 January 1913, all publications in German were systematically collected (including books from Austria and Switzerland).Modern public libraries[edit]United Kingdom[edit]James Silk Buckingham led the campaign for public libraries in the mid 19th century.Although by the mid-19th century, England could claim 274 subscription libraries and Scotland, 266, the foundation of the modern public library system in Britain is the Public Libraries Act 1850. The Act first gave local boroughs the power to establish free public libraries and was the first legislative step toward the creation of an enduring national institution that provides universal free access to information and literature. In the 1830s, at the height of the Chartist movement, there was a general tendency towards reformism in the United Kingdom. The Capitalist economic model had created a significant amount of free time for workers, and the middle classes were concerned that the workers' free time was not being well-spent. This was prompted more by Victorian middle class paternalism rather than by demand from the lower social orders.[111] Campaigners felt that encouraging the lower classes to spend their free time on morally uplifting activities, such as reading, would promote greater social good.[112]In 1835, and against government opposition, James Silk Buckingham, MP for Sheffield and a supporter of the temperance movement, was able to secure the Chair of the Select Committee which would examine "the extent, causes, and consequences of the prevailing vice of intoxication among the labouring classes of the United Kingdom" and propose solutions. Francis Place, a campaigner for the working class, agreed that "the establishment of parish libraries and district reading rooms, and popular lectures on subjects both entertaining and instructive to the community might draw off a number of those who now frequent public houses for the sole enjoyment they afford".[113] Buckingham introduced to Parliament a Public Institution Bill allowing boroughs to charge a tax to set up libraries and museums, the first of its kind. Although this did not become law, it had a major influence on William Ewart MP and Joseph Brotherton MP, who introduced a bill which would "[empower] boroughs with a population of 10,000 or more to raise a ½d for the establishment of museums".[114] This became the Museums Act 1845.The turn of the 20th century witnessed a tremendous expansion in the provision of public libraries in the English-speaking world. Pictured, the Peter White Public Library built in 1905.The advocacy of Ewart and Brotherton then succeeded in having a select committee set up to consider public library provision. The Report argued that the provision of public libraries would steer people towards temperate and moderate habits. With a view to maximising the potential of current facilities, the Committee made two significant recommendations. They suggested that the government should issue grants to aid the foundation of libraries and that the Museums Act 1845 should be amended and extended to allow for a tax to be levied for the establishment of public libraries.[115][116][117] The Bill passed through Parliament as most MPs felt that public libraries would provide facilities for self-improvement through books and reading for all classes, and that the greater levels of education attained by providing public libraries would result in lower crime rates.The earliest example in England of a library to be endowed for the benefit of users who were not members of an institution such as a cathedral or college was the Francis Trigge Chained Library in Grantham, Lincolnshire, established in 1598. The library still exists and can justifiably claim to be the forerunner of later public library systems. The beginning of the modern, free, open access libraries really got its start in the UK in 1847. Parliament appointed a committee, led by William Ewart, on Public Libraries to consider the necessity of establishing libraries through the nation: In 1849 their report noted the poor condition of library service, it recommended the establishment of free public libraries all over the country, and it led to the Public Libraries Act in 1850, which allowed all cities with populations exceeding 10,000 to levy taxes for the support of public libraries.Salford Museum and Art Gallery first opened in November 1850 as "The Royal Museum & Public Library", as the first unconditionally free public library in England.[118][119] The library in Campfield, Manchester was the first library to operate a free lending library without subscription in 1852.[120] Norwich lays claims to being the first municipality to adopt the Public Libraries Act 1850 (which allowed any municipal borough with a population of 100,000 or more to introduce a halfpenny rate to establish public libraries – although not to buy books). Norwich was the eleventh library to open, in 1857, after Winchester, Manchester, Liverpool, Bolton, Kidderminster, Cambridge, Birkenhead and Sheffield.Another important act was the Education Act 1870, which increased literacy and thereby the demand for libraries. By 1877, more than 75 cities had established free libraries, and by 1900 the number had reached 300.[121] This finally marks the start of the public library as we know it. And these acts influenced similar laws in other countries, such as the US.United States[edit]The first tax-supported public library in the United States was Peterborough, New Hampshire (1833) first supported by state funds then an "Act Providing for the Establishment of Public Libraries" in 1849.[122] The Peterborough Town Library was proposed by Reverend Abiel Abbot as a central collection of books that would be owned by the people and be free to all of the town's inhabitants.[123] The original collection was bought by Reverend Abbot and the library trustees and was housed in Smith & Thompson's general store, which also acted as a post office.[123]Andrew Carnegie played an important role in financing public libraries across the English-speaking world.The year 1876 is key in the history of librarianship in the United States. The American Library Association was formed, The American Library Journal was founded, Melvil Dewey published his decimal-based system of classification, and the United States Bureau of Education published its report, "Public libraries in the United States of America; their history, condition, and management." During the post-Civil War years, there was a rise in the establishment of public libraries, a movement led chiefly by newly formed women's clubs. They contributed their own collections of books, conducted lengthy fund raising campaigns for buildings, and lobbied within their communities for financial support for libraries, as well as with legislatures and the Carnegie Library Endowment founded in the 20th century.[124] They led the establishment of 75–80 percent of the libraries in communities across the country.[125]Philanthropists and businessmen, including John Passmore Edwards, Henry Tate and Andrew Carnegie, helped to increase the number of public libraries from the late 19th century. Carnegie alone built over 2000 libraries in the US, 660 Carnegie Libraries in Britain, in addition to many more in the Commonwealth.[126]African American libraries[edit]Exactly where and when the first publicly supported library for blacks was established is still a question in need of an answer, the history of African Americans and libraries in the United States is one with a rich heritage. The earliest established library started by and for African Americans in the United States was the Philadelphia Library Company of Colored Persons. By 1838, its collection included 600 volumes, as well as pamphlets and maps. Members could read independently, or they could follow a scheduled course of study.Dr. William E. B. Du Bois attributed the movement for Negro libraries to the "natural desire (of the race) for books".[127] The philanthropy of Andrew Carnegie had a tremendous impact upon the ability of "Colored Library Associations" being able to gain access to funding in order to build libraries in and for their communities.South Africa[edit]Beginning in 1910, South Africa's public libraries grew in importance to the country's English settlers. During World War I, South Africa had a total of seventy-one subscription libraries, all governed by the English government.[128] Afrikaners had less libraries at the time with only seven libraries.[128]In 1928, two librarians were appointed by the Carnegie Corporation in New York to survey library resources in South Africa.[129] Their top two concerns were the lack of library use by Afrikaners and creating library provisions and school library services for non-Whites, with the recommendation that they not share the same buildings as White patrons.[129]During the apartheid years (1948–1994), progressive libraries such as the Durban Library, opened branches in Indian and Colored communities, despite government pressure to not do so.[130] The years of apartheid began with the Natal Indian Congress, founded by Gandhi, which called upon the Durban City Council to end the restriction of non-Europeans by opening the library to all sections of the community.[130] The pressure put on the city council by the Natal India Congress forced the council to start a travelling service for non-European patrons.[130]The Afrikaans government during apartheid passed several discriminatory legislative measures including the Separate Amenities Act of 1953, forcing councils to provide separate amenities and services for each race.[130] If the councils were unable to provide these amenities and services to all races, they focused solely on Whites.[131] During this time the Afrikaans government became responsible for Black library provisions while the provinces became responsible for Colored, Indian and White library provisions, a fact that took two years for the South African Library Association to find out.[132]20th century[edit]Wolfsburg Municipal Library by Alvar Aalto, built 1958-62In the 20th century, many public libraries were built in different Modernist architecture styles, some more functional, others more representative. For many of these buildings, the quality of the interior spaces, their lighting and atmosphere, was becoming more significant than the façade design of the library building. Modernist architects like Alvar Aalto put great emphasis on the comfort and usability of library spaces. The Municipal Library he built 1958–62 for the German city of Wolfsburg features a great central room for which he used a series of specially designed skylights to bring in natural light, even though all the walls are covered with books.21st century[edit]In the 21st century libraries are changing and evolving to match modern society. Lots of libraries are facing financial issues and crises.[133] But are finding ways to adapt to people's needs. Such as providing digital services to patrons at home, and creating more user friendly places.As you can see libraries have been around for a very long time. Hope this information, is what you were looking for.