Concurrent Student Permission Slip: Fill & Download for Free

My example is astounding because of its simplicity in a long and complex process. I train CDL drivers in tractor-trailers/semi’s.The driving portion of a test usually takes about 45 minutes and follows a specific route; there are five iterations of the route so no one can know exactly what’s next. Certain features/practices/techniques are graded during every test including, for example - four right-hand intersection turns, four Stop intersections, etc. And everyone must do an ‘‘emergency roadside stop’ where the proctor simply announces “please come to a safe stop as quickly as you possibly can.”Executing that procedure requires: (Some items may be done concurrently, for some the order changes according to the circumstances. All must be completed. Each missed item is one demerit/point off.)Check mirrors for surrounding trafficCheck the road and select a location to pull off to - usually the right shoulderTurn on the correct turn signalDownshift and/or brake smoothly to a full stopTurn off the signal, turn on the hazard flashersSet the brakesPut the transmission into neutralCheck the mirrors for trafficThen the instruction given is to “Continue on.”Executingvthis procedure require:Check the mirrors for trafficShift into gear to be ready to moveTurn off the hazard flashers, turn on the turn signal to enter trafficRelease the brakes (the order of releasing the brakes and shifting into gear is not arbitrary; either can be done first, or second, as long as both are completed)Begin moving, meld into traffic (without stalling the engine)If they stall the engine they are marked down a point and/but only get one stallAfter melding into traffic, cancel the signal (many truck signals are not self-canceling)We usually announce it as the truck is accelerating away from a left-hand stop sign, as it is climbing the gentle grade of a freeway on-ramp. The timing is such that the student driver usually has ‘crossed the box’ -which is to say they have shifted enough gears to have shifted the range selector to the high-range side (1–5, low range; 6–10 high range, using the same shift-handle positions).Many of the drivers, under those circumstances, simply brake to a stop while still in high range. This is permissible, but also sets the stage for a potential disaster. If they aren’t paying close attention, and don’t put the range selector back into the ‘low’ position, they are trying to start moving in 5th gear instead of 1st gear; this often causes the engine to stall. And this mistake is also permissible, but graded down by a point - as long as they catch it after the first attempt to start moving again!I’ve gotta say that this student was absolutely the very best road test I had ever ridden and graded. His every move was practiced and right on! We were about 5 miles from the end of the test and he had NO marks against him. “Please come to a safe stop as quickly as you safely can” I said. And he did.“Thank you. Now please resume traveling.”He put the transmission shift lever into…the correct slot. I noted that he hadn’t selected low range. He let out the clutch…and the engine stalled. (Oh well, so much for the first perfect test I’d ever ridden and graded. He lost one point.)But wait! He pushed in the clutch. He restarted the engine. He moved the shift lever out of, then back into the correct position but once again I noted he didn’t select low range. HE STALLED THE ENGINE AGAIN!But wait, he’s not done yet! The he looks over at me and asks “WTF is wrong with this truck?!” I casually reached over, slipped the gearshift into neutral (necessary for the actual gears to dis-then re-engage) popped the button down (with a bit of a flourish), slipped it into the same position but now in low range and said “Nothing!”Unfortunately, as good as everything else he had done was, if the evaluator ‘has to take control of the vehicle during the test’ it is an automatic failure.We swapped seats, as is the practice and requirement, and I completed the trip.Epilogue: he came back a week later (mandatory wait time between tests), tested with a different evaluator, and passed. Not with as high a grade as he was earning during our ride, but passed. The other evaluator told me he was perfect with his roadside stop.All over one button!

I think Warkop DKI is the Legend of Indonesian ComedyAs a comedy group, what this trio has done throughout his career is far from being funny and laid back. The comedy materials that make audiences throng when they act in radio funnels, stage, cinema, and television are all well-prepared and planned. Includes offers featured in an event or starring in a movie. Every step that will be taken through serious discussion carefully.Through the article entitled "Warung Happening Arts Kita" in the book Warkop: Main-Main Jadi Bukan Main (publisher Literature Kompas Gramedia, Aquarius, and Warkop DKI, 2010), Budiarto Shambazy said Warkop DKI has bequeathed a business management model of comedy."When compared with the already established Srimulat, for example, the Warkop model is more modern. Why? Because Warkop's jokes are more diverse; life of young people, music, politics, sex, gender, race, and so on. While Srimulat more focused on Javanese style, "said the author who had column " Politika " in Kompas daily.Professionalism has been stuck since the beginning of this group was established on September 23, 1973. This attitude makes the name Warkop DKI still flying and continue to remember in the hearts of his fans who touch various layers of society and age range.The 43-year journey for a group is certainly full of dynamics. Leaving a lot of stories. Abundant fun, but not a few also contain conflict. One of the great feuds that almost finished the trip Warkop DKI occurred when Dono and Kasino involved "cold war".The uniqueness of action that lasted for three years was not terendus others, even by the family. Indro is the only one who knows about it. Professionalism is again key.Dono and Kasino did not show any strange signs during the cold war process. They remain compact while working. Different story if only three. Although sitting side by side, they always take advantage of Indro who happened to be the youngest messenger messengers.Beginning Dono Warkop's conflict with the Kasino WarkopWhen appearing in the talk show "Black White" guided by Deddy Corbuzier, Indro told about the dispute. Differences in attitude is the cause of two colleagues that had a fight."Mas Dono is an artist. He always wants to work, does not want to be prevented. While Mas Kasino entrepreneur is right. Have strategies and tactics. Differences in the nature that became the beginning of conflict, "said the only child of Moehammad Oemargatab and Soeselia Kartanegara.Dono (born in Solo, September 30, 1950) who then wanted to direct Balada Paijo teledrama gets opposition from the Kasino. As a decision maker and selling brain in the group, Kasinos considers Dono's intention to violate the rules of marketing strategy Warkop DKI.Because each firm on the foundation, eventually they settled the problem with the typical way of Java that is aka mutual alias jothakan. The cold war can be sniffed according to Kasino involvement helping prepare the inaugural film Bagito Group titled Bayar tapi Nyicil (1988).Dono did not want to lose, he became a producer and concurrently writer of the movie Peluk Daku dan Lepas (1991), starring Meriam Bellina, Ria Irawan, Gusti Randa, and Hari Mukti.Feeling tired of being constantly used as a bridge in an unfavorable situation, Indro protested. The form by taking the offer to be the host alone. Left behind the Dono and Kasino are still hostile confusion because of losing the figure of mediator. The intentions of the two friends who had considered him as self-conscious and solve their own problems.It did not happen. Be then Indro took the initiative to collect Dono and Kasino to discuss the continuation of their career as a group that has become a brand. His chosen place is Warung Sroto Sokaraja in Pasar Seni. They are often hanging out in a place that is in the environment of Ancol Dreamland Park, North Jakarta."Here's the deal. I'm tired too gini continue, like a hypocrite. If it continues like this, we better disband it, "said Indro imitate his own words at that time in a talk show with Marissa Anita in the event" Satu Indonesia ".Indro's words made Dono and Kasino realize that deep down they needed each other. Cold War was solved with the event of hugging each other and crying out loud.Starts from Spooky ChattingAbout the formation of this group can not be separated from the socio-political conditions that occurred in the mid 1970s. Call for example Malari incident (Malapetaka 15 January 1974), lighthouse development project Taman Mini Indonesia Indah (TMII), and enactment of Campus Life Normalization / Student Coordinating Board (NKK / BKK).Understandably, the initial personnel of this unnamed group are students of Universitas Indonesia (UI). Rudy Badil (now aged 66) majored in anthropology at the Faculty of Letters (now renamed Faculty of Cultural Sciences), while Kasino Hadiwibowo (1950-1997) and Nanu Mulyono (1952-1983) were registered as students at the Faculty of Social and Political Sciences.As a student, besides being recorded as a member of nature lovers who like to ride mountains, they also actively demonstrated to criticize the policies of the New Order government (Orba). In order to avoid the problem, the delivery of criticism is wrapped with humor. The trick with chatting in front of the radio broadcast microphone.Temmy Lesanpura, Head of Radio Programs at that time, who invited Rudy, Kasino and Nanu to fill the broadcast slot on the radio where he worked. Temmy, a student of the Faculty of Economics, University of Indonesia, was amazed to watch the duo of Kasinos and Nanu in the event at Universitas Indonesia's Student Village in Cibubur, East Jakarta.Both appear hilarious to entertain the students with funny stories lead to dirty, plus parodied some songs. The purpose of the event was because previously FISIP and FE UI successfully followed the anjangsana to the headquarters of the Indonesian Armed Forces Academy (AKABRI) in Magelang, Central Java."Dil, coordinate the children to appear on Radio Prambors, yes. They are potential and connected. Entar me sayin Onny Tjondro. Arrange the same as Mohammad Noer Arumbinang, also Toto R. Tinggartomanu and Djodi Wuryantoro yes, they are also broadcasters of Prambors. I wait, "said Temmy to Rudy Badil about the first invitation to broadcast.In short, leave Rudy, Kasino, and Nanu to Prambors whose studio is available on Jalan Borobudur no. 4, Menteng, Central Jakarta, just beside the house of Ali Sadikin, the Governor of DKI Jakarta at that time.In an aquarium-shaped broadcast room capable of loading eight people, sit Rudy, Kasino, and Nanu. Appropriate name of the show "Friday Night Chat" aka "Omamat", they sell out the horror story cultivated funny at 21.00 to 23.00 pm. The topic is taken from experience during student pretrial (mapram), or an inconsequential chat story while singing typical songs of rituals that are raunchy and flickering.Broadcasting materials so they are still practiced because the listener who was still at the time of Prambors AM 666 Khz frequency is very limited. Only among students activists and nature lovers UI.Over the course of time, the popularity of the show has spread more and more not only among UI campus students.Temmy directed that his third broadcasting material be more focused. "Spooky story, demon story, okay. But remember you know, the material should always be fresh, there is always stock. Funny stories you developed into brain-mocking material, "Temmy reminded.Friday Night Chat becomes a Coffee ShopStarting in 1974 the program "Omamat" then changed to "Warung Kopi" because the theme of the story widened not only a spooky story.The name of the coffee shop was proposed by Rudy and approved because it is considered the most democratic place in the country. Want to talk anything free. Understand it, the rules at that time was very tight, especially about freedom of expression. All forms of expression that criticize the policies of the New Order government controlled by Soeharto's address will be silenced.Probably the only one not banned in this country at that time was laughing. Therefore, this group carried the satire "laugh before laughing is forbidden" in every film.Within a year, Wahyu Sardono, a sociology student of FISIP UI, joined the Friday Night Chat. Introduction with the man who is familiarly called Dono happened at the National Training of Environment for Youth Indonesia at Puncak Pass Hotel.The formation became more complete with the joining of Indrojoyo Kusumonegoro in 1976. The reason for the recruitment of Indro because of his likes to be funny and good at playing musical instruments, especially guitar and flute.Unlike the four other personnel who are not from the neighborhood of Prambors (Prambanan Street, Mendut, Borobudur, and its surroundings), Indro is akamsi aka village child. The reason is Indro house and campus, University of Pancasila, adjacent to Radio Prambors studio.Even so, Indro still pass the audition process. "I remember that time I was told to sing 'Melati' from Grace Simon, but with Javanese style. Edan right? Less work is really the Kasino, he-he-he, "recalls Indro.The five of them shake the belly of the listeners by playing various roles. Rudy as Bang Holil (owner of warkop) and Mister James (tourist Caucasians); Nanu became an Acing (son of Bang Holil) who often took on the role of Tagor (the bus carrier for public transport), or Tukinah (transvestite who was good at singing "Terajana"); Dono gets the portion of Mas Slamet (the man from Solo who likes to philosophy, but often misguided); Indro plays Ubai (nephew of Bang Holil from Purbalingga), Poltak from Medan, and Bruddin; while the Kasinos whose tongues are the most elaborate imitate various dialects of many roles, ranging from Acing (son of Bang Dulloh), Koh Acong (neighboring stalls), Mas Bei, Uda, Bli Ketut, and Kang Jaja.In every broadcast, Rudy as a student majoring in anthropology takes a lot of jokes from folklore stories. At that time folklore is still a new subject in the environment of antro students brought by Prof. Dr. James Danandjaya, lecturer Rudy.Each of them also often bring cheat matter to studio Xerox paper capital (designation for the photocopied at that time). Nanu for example. The experience of living in Jalan Setia Budi, South Jakarta, which is adjacent to Kampung Batak, made him often bring jokes of hara Halak (Senda garau a la Batak).The growing popularity of the Warkop event made the invitations appear to fill the event began to arrive. When the time fits, the group tries to appear complete. The only capital the guitar is picked by Nanu. They also asked for loudspeakers.The first stage of Warkop Prambors took place at the prom nite of SMP 9 Jakarta at Hotel Indonesia (September 1976). Indro has not joined yet. How much honor do they bring home?"If not wrong Rp4000. Out for eating together in Pecenongan. The amount of honor we received that year included a good deal, you know. Because the bus ride city cost is still around Rp15, "recalls Dono in the book 30 Year of Prambors: Place Youngsters Mangkal (PT Radio Prambors, 2001).Indro first gig debut together with his friends happened in SMP 1 Cikini, Central Jakarta. Before the stage, Dono must first mojok to calm himself. While Rudy refused to appear because of a terrific stage fright to knee vibrate.The busyness of personnel responding to the invitation of a gig and then as a movie star makes Warkop overwhelmed to set the time. Practical since 1980, the group is off the air in Prambors.Action on Stage and Cassette RecordingsThe behavior of Rudy, Nanu, Kasino, Dono, and Indro patterns through his jokes of reading is becoming more and more widely known. It is directly proportional to the name of Prambors as the Jakarta-sponsored radio station of that time. Proverbially they give mutual benefit aka symbiosis mutualism."Prambors is a medium that introduces me and vice versa. Formerly known only locally, Prambors became famous throughout Indonesia. As each Warkop giggles into the regions, the Prambors symbol of the long-haired person we wear continues. So mutual benefit. Prambors also raised the name Warkop through the show on TVRI, "said Dono.The offer of a gig came increasingly heavy. In fact, not infrequently they fill a hajatan out of the city of Jakarta. Prambors through the Pramaqua record label which is a joint venture with a musical man named Johannes Soerjoko aka Ook invites Warkop tape recordings.The result slipped the first martial arts album titled Warung Kopi Prambors (Coffee Cup) in 1979. Alex Kumara and Dannes Item became the sound designer. A side of the cassette is taken from the show Nanu, Dono, Kasino, and Indro in Palembang. While the B side is the result of the joke recorded from Studio Gelora Seni, Jakarta.For recording the first album, Warkop paid with a flat contract system alias without royalty worth Rp10 million. The system also continues to be applied when Warkop turns to a result of course they can not collect royalties. "They can only be bonuses when the movie is in demand. After that did not receive anything else, "said Hanna Sukmaningsih (40), the only daughter of the Kasino.The contract value of Rp10 million offered by Pramaqua is high. God Bless's famous rock group Achmad Albar, Ian Antono, Donny Fattah, Teddy Sujaya, and Yockie Suryo Prayogo "only" earned Rp5 million for their first album in 1976."I dare pay for this group of radio kids because they've been building images for five years. So it's not a new artist anymore. The product has entered the signature category, as well as the cassette of the Prambors Songwriting Competition (LCLR), "Ook writes in Warkop's book: Main-Main So Not Main (chapter" Warkop Prambors Pun Cuter Cuts ", p. 74).Ook's proven business sense. Warkop's prime comedy album with hot coffee cup covers was sold 259 thousand pieces. The number was the record for most albums of Pramaqua at that time, surpassing the sales of LCLR 1977 albums, the soundtrack of the film Hurricane Pasti Berlalu (1977), and LCLR 1978.As a result Pramaqua re-extend the contract for one more album. This time the value increased to Rp25 million. The album titled Warung Kopi Prambors (Warung Tent) which was launched in 1979 sold 162,000 pieces. The decline in sales figures ended Warkop's partnership with Pramaqua.Apart from Pramaqua, Warkop recorded the release of his next album with seven different record labels. The third album, Warung Kopi and OM PSP, was released DD Record in 1979. As the title suggests, Warkop in this album collaborated with the Moral Orchestra group Pancaran Sinar Petromaks which also consists of eight UI students.When released album Mana Tahaaan ... (Purnama Record, 1980), Warkop only appear with the formation Dono, Kasino, Indro, minus Nanu (although his face graced the cover of the tape).Next is the album of Dokter Masuk Desa (1981) which was also released by Purnama Record. On this cassette, for the first time Warkop Prambors presents a thematic humor script around a doctor serving the village community. They no longer rely on jokes like habitual reading for this.Their cassette albums after that are Gerhana Asmara (JAL Record, 1982) with Srimulat, Pingin Melek Hukum (Insan Record, 1983), Semua Bisa Diatur (JAL Record, 1984), Pokoknya Betul (JAL Record, 1984), Sama Juga Bohong (Sokha, 1986), Makin Tipis Makin Asyik (Union Artist, 1987), and Kunyanyikan Harpaku (Harp, 1987).In the last two cassette albums, the usual Prambors name behind the name of Warkop changed to DKI aka Dono Kasino Indro. The shift occurred because Warkop no longer had a base on Prambors, but had established his own management.Releasing the name of Prambors also prevented them from paying royalties for using the name.Whenever Lebaran, the film remains WarkopSuccess through recording tapes has been achieved. Warkop Prambors career leap next occurred during the show "Terminal Place Youngsters Mangkal" landing Mus Mualim on TVRI on January 1, 1978. The film producers more tempted. The offer to move to the audio-visual realm is starting to arrive.Feeling as a new person in the film industry, Dono, Kasinos, Indro, and Nanu requested input from experienced people. Johannes Soerjoko or Ook and sineas Teguh Karya are among those who support.Ook with Johhny T. Tjondrokusumo introduces the Warkop quartet with Jiwat KK from the Film Ball. While Teguh Karya commonly called Om Steve contributed suggestions. "You guys if you want to play movies do not be me. Because I'm the maker of ice cream, not ice doger. You make ice doger only, must be in demand and liked the audience. Believe me, "said Teguh who died in 2001 that.The suggestion turned out to be in line with the results of small research conducted Warkop. Based on their findings, most of the Indonesian film audience at that time was the middle to lower class.Armed with such demographics, it was agreed that Warkop's brain-waking language in radio broadcasts could not be fully applied in the film. The next option is a slapstick humor in the more easily digestible Charlie Chaplin movies.After doing the search, appears the name of Nawi Ismail which is considered a vision. The director of several comedy films Benjamin it is without a straightforward saying hesitate to make heavy film."Why make a quality film (read: heavy, red.). People come to the cinema for entertainment. The important thing is they can laugh, or suddenly hot if you see the scene exciting. If contrived quality films, out of the movie theater even so think, "said Nawi in an interview with Vista magazine.Together Nawi launch the film titled Mana Tahan (1979) Film Ball production that received a rousing welcome. According to data of PT Peredaran Film Indonesia (Perfin) dilansir Film Indonesia, the film became the second best-selling in Jakarta with 400,816 spectators.Achieving only lost with the achievement of 488,865 spectators belonging to the Purk Silk Fog that put Jenny Rachman and Roy Marten as the star. Just note, Jenny and Roy was much more popular than Warkop who still categorized newcomers.Unfortunately Mana Tahan is the first action at once Nanu in the formation Warkop on the big screen.The skyrocketing number of Warkop debut debuters made the playing offer come increasingly profusely. Prestige Dong, Intelligent Smart, and Ge ... er (Gede Rasa) were even released simultaneously in 1980. Everything was again listed in the best-selling movie list in Jakarta.Even so, the Kasino that had been acting as the brain of Warkop's trade strategy came to restrain himself. Must save popularity by always appearing frequently. People can get bored quickly."If we turn up, the saturated are not just spectators. We are also saturated. So rhythm we keep, "said Indro as written Eddy Suhardy in" Warkop Films: Segment Get Here Segment "in the book Warkop: Main-Main So Not Main (p.133).Since then, Warkop limits will only play two movies each year. The time of their release was chosen before Lebaran and Christmas / New Year. The habit is applied following the success of Smart-Smart Stupid (PT Parkit Film).Total throughout their career while still compact foursome then three in the absence of Nanu, Warkop play in 34 movies warkop . All of them penetrate hundreds of thousands of special audience in Jakarta area. Major Kena Backward Kena (1983) production Parkit Film is the best-selling with 658,896 spectators."Warkop's most destructive movie if Ih baseball is Jongkok or Demon Credit. But the drops of our film, the audience can still penetrate hundreds of thousands," said Indro.Because the bestselling, several times Antemas Cup given to the best-selling film they managed to take home in the Film Festival Indonesia (FFI). In 1993, Warkop DKI received Moedjimoen Award from Association of All-Indonesia Cinema Entrepreneurs in Yogyakarta. In the period 1987-1992 Warkop films declared as the best-selling movie. The number of spectators reaches 10-15 million.Warkop Angels which are resistantOriginally known as a comedian of the intellect, then only sells slapstick humor wrapped in skimpy clothing of the actress involved, making some people judge Warkop films are not qualified anymore.The group consisting of a mixture of UI and Pancasila University students is not trying to change the stereotype. The proof when they chose Chaerul Umam (director), Franki Raden (stylists), and Nano Riantiarno (scriptwriter) in the movie Sama Also lie (1986).Or when the 6,000,000 Dollar Man is directed by Ali Shahab and Jodoh may be directed by Ami Prijono. "That means we try. But that reached the number 300,000 spectators above the average who wear director Arizal and Tjut Djalil. Well, the owner of the capital concept business, yes it (used), "explained Kasino.The use of a group of girls who often wore bathing suits in movies was not purely Warkop's will, but a compromise with the producers. The main consideration is of course the business aspect. That can be seen in the movie Can Rise Can Drop production Soraya Intercine Film (1991).In a dialogue with Didin Boneng who became their instructor during a security guard training, Dono and his friends chose picnics to the beach which is full of girls using swimsuits that are completely open, instead of continuing the training."If the beach scene is canceled, you will be responsible if the audience is angry?" Indro said. "Yeah, too. Kan here commercial, "Dono replied.At the beginning of its appearance, Warkop Angels-the actor's nickname in the Warkop films-often a love interest character of personnel is far from being sexy. The curve of the female body increasingly highlighted when Warkop ruled with Soraya Intercine Film, especially into the era of the 90s.The near-death era of the national film industry in the critic of Hikmat Darmawan's film is a period of "almost non-story comedy" from Warkop. "Social messages are almost nonexistent, plots are just a bunch of sketches, and more and more exploitation of women's bodies and sex jokes."In some scenes are shown Warkop Angels without hesitation wearing minimal clothing such as swimsuits or nightdresses are thin cloth as if transparent.According to Kiki Fatmala in the show "Angle of View", since the beginning he has been told if you want to play as Warkop Angels, must be ready to dress minimal in some scenes. He undertakes that requirement because of its use according to the corridor. For example scenes wearing swimsuits take place on the beach and nightgowns worn while in the scene beradegan.Porsi they are not just sweetener, but the role of creating conflict in the story.Another reason, can appear in the movie Warkop DKI is the pride. "Who try that baseball watch Warkop. It was the dream of all female artists at that time, '' added Kiki dilansir Jawapos (11/09/2016).Of the many Warkop Angels who have appeared, Eva Arnaz is a subscription. Beginning its appearance in Smart Fool (1980), the birth actress of Bukittinggi, West Sumatera, reappeared with Warkopdi Manusia 6,000,000 Dollar (1981), Major Kena Backward Kena (1983), Basically Beres (1983), Know Yourself Dong (1984 ), Up Down Can Be (1986), Can Be Back Can Be (1987), and Patience Dulu Dong (1989)."Long before I went to the movies with Warkop, I already liked them. I include people who listen to their jokes while still broadcasting on Radio Prambors. That's why I want to play in the movie Warkop, "explained Eva dinukil Eddy Suhardy in the book Warkop: Main-Main So Not Play.Warkop Angel the second most frequently appear is Sally Marcelina. Its appearance can be seen in Mana Can Resistant (1990), Has Surely Resistant (1991), Can Rise Can Decrease (1991), Entry Exit Taxable (1992), and Click Here Click Here (1994).Fortunella, actress born in Jakarta, October 12, 1974, also five times play in the movie Warkop. Starting from the Entrance Entrance (1992), Incorrect Entry (1992), Can Rise Can Decrease (1991), Has Surely Endured (1991), and Forgot Rules Main (1990).Next is Lidya Kandou who colored the film Major Kena Backward Kena (1983), Basically Beres (1983), Know Yourself Dong (1984), and Opportunity In Narrow (1985).From the row of Warkop Angels, which one is favorite? "If from his intelligence, hey, Ira Wibowo and Karina Suwandi. If from the happy side of cooperation and really kidding Kiki Fatmala. The relationship of mutual respect and Java really is Diah Permatasari. But, what I always remember, yes Eva Arnaz, "replied Indro.Warkop Parody Music"Not always cloudy is gray, in fact today I saw so cheerful." Similarly, the lyrics of Chris Manusama song "Kidung". By Warkop DKI, the song contained on the compilation album of the Twelve Songwriting Competition of 1978 and popularized by Pahama Group was overhauled in such a way. The result is; "It's not always Doris Callebout, in fact today I saw, Inem Pelayan Seksi."Doris Callebout was the star who was then a moncer in the universe of the national film industry. Its popularity is equivalent to Yati Octavia, Yenny Rachman, Robby Sugara, and Roy Marten. While Inem Sexy Waiting is his best-selling comedy drama 'Abbas Akup. I'm so in demand, the film was made up to the third series.There are still many other songs that have been ransacked by Warkop. A habit that they have practiced during the event mapram in UI campus environment. Entering the studio booth Prambors broadcast, the habit is used as material broadcast.Agar increasing clop, opening song every program "Warkop Prambors" also been prepared.Voted later is a dangdut song titled "Kopi Dangdut" from the group of Bangladesh Orchestra led by Utok Sudodipuro. Until now, the only dangdut song ever played by Radio Prambors is the song.When switching to a recording tape, the song turns into "Coffee Coffee Chat". The arrangement of the music is handled by Gatot Sudarto. The lyric composer section handled Gatot alongside Tris Sakeh and Yudhie NHThe latest version contains the first full of social critics to be present in the Legacy Literacy tape (1983). Along with the release of the film Kena Backward Kena (1983) and Basically Beres (1983), the song also began to attend.The Warkop Film Theme Song from Pink PantherAnother very identical music from Warkop is a similar theme song in Pink Panther (1964). In order to avoid copyright-related demands, musician Rezky Ichwan, Berklee College of Music, Boston, USA alumnus, offers a solution."The idea of ??using Henry Mancini's composition came from Ram Soraya. When invited to make an illustration of Warkop's music in 1985, I made a difference in the structure of the notation or the melody and the chord, but the mood remained the same. So like a similar work, "explains Rezky in the chapter" Talking Warkop Music Stylists "written by Denny Sakrie in Warkop's book: Main-Main Jadi Bukan Main.Beyond that, there are many other songs that Warkop once sang, onstage, cassette recording, or in film. At first glance sounded careless because of the shape of the parody. But beyond that, the cultivation of his musical arrangements handled by a topnotch musician.During a gig for example. In addition to accompanied by Pancaran Sinar Petromaks (OM PSP) and Orkes Pengantar Minum Racun (OM PMR) which is no less creative parodies of songs, their escort band was once filled by Jerry Souissa (guitarist, from Ariesta Birawa group), Opop (drummer, ERO ), Eddy Susilo (bassist, Clique Fantastique), and Youngky and Dodo Zakaria (keyboardist, Drakhma).List of musicians who have helped to cultivate other Warkop music, among others Abadi Soesman, Ian Antono, and Yockie Suryo Prayogo (the three personnel of God Bless). Also present are Benny Likumahuwa, Gilang Ramadhan, Mates, Ekky Soekarno, Doddy Sukaman, Roedyanto, and of course Franki Raden who dedengkot avant garde music.Warkop CurrentLike the fate of other groups, Warkop since the era still carrying the name of Prambors to DKI behind him also experienced the phase of leaving the personnel departed. Two of them decided to leave, while two others died.The first figure to break away was Rudy Badil at the end of the 70s era. Rudy who can not master the stage fright decides no longer active with Warkop.He was aware of himself not having the courage to be stylish with funny behavior, or funny expression, and had to sing. His attention was consumed in the open air and writing world. "Ngocol with Warkop on stage, kagak play," explained Rudy who later became a journalist for Kompas daily since 1980.Not long after the inaugural Mana Mana movie ran into the market, Nanu also decided to resign. The reason at that time because they want to concentrate to finish college that has long neglected. Permission granted. Unexpectedly, Nanu strolled alone aka solo career playing in the film Love Stories Rojali and Zuleha (1979).Warkop obviously felt cheated. "At that time Nanu agreed to finish college. Dono and Kasino help. Nanu just plays movies. Bandel bener deh, "recalls Indro. As told Budiarto Shambazy, the decision to break the partnership with three colleagues was regretted Nanu.Apart from Warkop, Nanu fills the days by photographing anything while back and forth to see a doctor for kidney sieve pain. The disease also ended his life on March 22, 1983 at Cipto Mangunkusumo Hospital, Jakarta, at around 13:00 pm.Nanu Warkop's departure, followed by Warkop Kasino (1997) and Dono Warkop (2001). Disadvantaged Indro alone who waving the banner of Warkop DKI. Efforts that will continue to do until the end of life. The reason, Warkop for Indro is not just a group of comedy, but a family."Unlike the other groups, Warkop DKI only split up because the personnel died," said Hanna who was appointed as chairman of Jakarta Warkop Institution at his residence in Rawamangun, East Jakarta, Tuesday (27/9).Left away Kasino and Dono who he considered a brother of light left a pained. "Like losing life. My confidence was lost at the time. Like living in a dark forest alone without anyone accompanying, " Indro Warkop recalled.Although now walking alone waving the banner of Warkop DKI, Indro admits that in him there are always two colleagues. "Mas Kasino is my body. While Mas Dono is my brain. "Sources: Website Resmi Warkop DKI - Informasi dan Referensi tentang Warkop DKI