Sample Letter To Public Utility - Solid Ground: Fill & Download for Free

There have been many arguments both for and against the World Culture Festival 2016 being conducted on the Yamuna plains. The National Green Tribunal alleges that the event has destroyed the river and the environment.Let us go through a detailed analysis of the various important claims put out by the National Green Tribunal’s (to be referred as NGT hereafter) Expert Committee alleging damage to the Yamuna Floodplains post the World Culture Festival, 2016 conducted by the Art of Living Foundation.I would like to present before the readers a statistically unbiased and scientifically backed representation of this case which is currently sub-judice.Land Description:Before we go further, it is essential that we first geographically define the area over which the World Culture Festival was conducted (From 11th March –13th March 2016)The land parcel is a finite piece of land over the Yamuna floodplain bound by the DND Flyover to its South; Barapulla Drain to its North;River Yamuna to its East and Ring Road to its West.Area ~ 25 hectaresCan be located on WGS (World Geodetic System) 84 coordinates 24 deg 34’55’’N and 77 deg 16’43’’EHere is the detailed image categorically bifurcating the various land sites w.r.t it’s usage for the event(Source: Google Earth, 15th of March ,2016)2. It is very essential to draw the following conclusions from the above satellite images:3-Permanently ramps existed since 2008 (Having bituminous pavement,with potholes and degenerating bituminous overlay).7-Area marked by the purple region previously had mounts of construction waste (malba) solid waste,which has been cleared for the WCF 2016 event by the Art of Living foundation at its own expense.8-Unpaved earthen road running parallel to the Barapullah drain,which is in existence at least since the year 2000,used for vehicles and earth-movers engaged in drain cleaning and slit removal in this section of Barapullah drain.The temporary installations and the make-shift stage are also clearly visible from the satellite imagery.Fig 1:Permanent Ramp 1 having bituminous pavement existed at least since Jan 2008Fig 2:Permanent Ramp 2 having bituminous pavement existed at least since Jan 2008Now, let us go and categorically visit each claim made by the NGTClaim 1: No permission sought from the NGT by the Art of Living Foundation before the eventFacts:The entire site belongs to the Delhi Development Authority (DDA)Firstly,the NGT is a court,a tribunal and an autonomous institute, not a government agency to give permissions.Here is the official permission letter sought by the Art of Living (Vyakti Vikas Kendra India-Trust of the foundation) to use the land site for the event and it no where states that prior permission from the NGT needs to be sought.As you can see, the permission letter is approved by the Honorable L.G. of Delhi and duly signed by the Office of the Chief Engineer (E.P.)Mr.D.P.Singh of the DDA on 15th of December 2015.Apart from this, the Art of Living organization had taken permission from 20 various organizations and competent authorities (Government Bodies)The entire list of the government bodies is elucidated below:Central Public Works DepartmentDelhi Development AuthorityDelhi Fire ServiceDelhi Jal BoardDelhi PoliceDelhi Pollution Control CommitteeDelhi Traffic PoliceDepartment of Irrigation and Flood ControlDistrict Disaster Management AuthorityEast Delhi Municipal CorporationIndian ArmyIrrigation DepartmentMinistry of Environment and ForestsMinistry of External AffairsMinistry of Home AffairsNew Okhla Industrial Development AuthorityPublic Works Department-DelhiPublic Works Department-UPSouth Delhi Municipal CorporationUttar Pradesh Government2. Claim 2: Alleging the presence of wetlands on the eventFacts:To understand this point, we need to first comprehend the difference between a wetland and a floodplain.According to the Ramsar Convention on Wetlands ,signed in 1971 (Iran) wetlands are defined as: "areas of marsh, fen, peatland or water, whether natural or artificial, permanent or temporary, with water that is static or flowing, fresh, brackish or salt, including areas of marine water the depth of which at low tide does not exceed six metres"(The Convention on Wetlands, called the Ramsar Convention, is an intergovernmental treaty that provides the framework for national action and international cooperation for the conservation and wise use of wetlands and their resources. Number of Contracting Parties: 169)There are currently 26 Ramar sites in India which are enlisted below:Ashtamudi Wetland,KeralaBhoj Wetland,Madhya ParadeshChandertal Wetland,Himachal PradeshChilika Lake,OrissaDeepor Beel,AssamEast Calcutta Wetlands,West BengalHarike Lake,PunjabHokera Wetland,Jammu and KashmirKanjili,PunjabKeoladeo National Park,RajasthanKolleru Lake,Andhra PradeshLoktak Lake,ManipurNalsarovar,GujaratPoint Calimere Wildlife and Bird Santuary,Tamil NaduPong Dam Lake,Himachal PradeshRenuka Wetland,Himachal PradeshRopar,PunjabRudrasagar Lake,West Tripura DistrictSambhar Lake,RajasthanSasthamkotta Lake,KeralaSurinsar-Mansar Lake,Jammu and KashmirTsomoriri,Jammu and KashmirUpper Ganga River,Uttar PradeshVembanad-Kol Wetland,KeralaWular Lake,Jammu and KashmirBhitarkanika Mangroves,OrissaSo, according to the Ramsar sites (India being a signatory of the Ramsar convention) , the World Culture Festival venue does not come under the wetland category.Wetlands come under Ecologically Sensitive Zones are are protected areas by the government.Now,let us analyse the land area with respect to the Survey of India (The Survey of India is India's central engineering agency in charge of mapping and surveying) mapsHere is the Annexure -1B Portion of 1:25000 Scale Detailed Map of Delhi, published by the Survey of India in the year 1985,Under the direction of Major General Girish Chandra Aggarwal, Surveyor General of India; Titled-’Delhi Guide Map,Third Edition 1985′The map clearly depicts the WCF 2016 event site as an extremely flat “Point Bar” (floodplain deposit) without existence of any wetland or enclosed waterbody. The flatness of this land parcel is to the extent that contour indicating difference in height of the order of 100cm is also non-existent throughout the area.Another important point for record in this map is the existence of natural path of ‘Kushak River – Barapullah Drain’ prior to straightening of its channel traversing straight into River Yamuna and filling of its original channel. The map also depicts the situation prior to construction of Guide Bank and DND Flyway.Looking at the National Wetland Atlas (Published in March 2011 by the Space Application Centre,ISRO,Ahmedabad),it fails to indentify a single wetland on the event site.According to the National Geographic Society, floodplains are defined as “A flood plain (or floodplain) is a generally flat area of land next to a river or stream. It stretches from the banks of the river to the outer edges of the valley”A Floodplain does not require jurisdictions of the environmental authorities that a wetland does.Floodplains have a rich history of interacting with the society for civilizations to flourish.The first great civilizations all grew up in river valleys. The oldest, 3300 to 2500 BCE, was along the Tigris and Euphrates rivers in the Middle East; the name given to that civilization, Mesopotamia, means "land between the rivers". The Nile valley in Egypt had been home to agricultural settlements as early as 5500 BCE, but the growth of Egypt as a civilization began around 3100 BCE. A third civilization grew up along the Indus River around 2600 BCE, in parts of what are now India and Pakistan. The fourth great river civilization emerged around 1700 BCE along the Yellow River in China, also known as the Huang-He River Civilization.Many towns have been built across floodplains because of easy access to fresh water,the fertility of floodplain land for farming,cheap transportation, via rivers and railroads, which often followed rivers and ease of development of flat land.Large cultural and religious gatherings taking place on various floodplains across India like the Kumbh Mela and the Maramon Convention.The World Culture Festival venue was thus a floodplain and not a wetland as claimed by the Expert Committee of the NGT.3. Claim 3: Destroying the natural flow of the river YamunaFacts:A comparison of river morphology has been conducted on satellite images for the period between 22nd of December 2000 till 10th of May 2016.Fluvial Geo-morphology of the river (i.e. land form related to the river) and its floodplain (over which the event was organized) indicates continuity of a pattern in channel dimension, sedimentation,bank deposition,bank erosion and flow of the river.On a careful examinations of images between 26th August 2015(month of monsoon in Delhi) to 10th May 2016(Pre-Monsoon Dry Summer Season) no abnormality in the pattern of flow;channel dimension;riverbed;or morphology of both the banks has been noticed.Further,examination by ground verification in a series of field studies found no scientific acceptance of the above mentioned claim by the NGTHere are the satellite images taken that show the continuity of pattern of the river flow:Pic 1: 26th August 2015 (Post-monsoon)Pic 2: 29th October 2015 (Post-monsoon)Pic 3: 23rd November 2015 (Post-monsoon)Pic 4: 15th of December 2015 (Post-monsoon)Pic 5: 27th of February 2016 (Preparation for the event in progress;stage scaffoldings under construction)Pic 6: 15th of March 2016 (Post WCF, Pre-Monsoon)Pic 7: 25th of May 2016 (Depicting the entire area utilized by the World Culture Festival 2016,now evacuated,cleared and all the temporary installations removed)And as I write this answer now (13 th of May 2017, 15:39 hr), I have taken the snapshots from Google Earth of the venue and it is as it was before the event.The above images tell us that there is no change whatsoever in the natural river course of the Yamuna. This again proves the Expert Committee’s claims as false and unscientific.Selection Bias by the Expert Committee members?In the report,the expert committee have replied upon a singular satellite image for the event as opposed to a larger sample size covering pre-monsoon and post monsoon images for 15–20 years despite its availability to the public on Google Earth.The Expert Committee compared the satellite images of the venue dated 5th of Sept 2015 (Peak monsoon season) with that of a mid summer picture of March 2016, post the event (Summer pre-monsoon)It doesn’t take an Einstein to realize that such a comparison cannot be done in the first place.The Expert Committee is basically trying to attribute the negative effect of the lack of rain to the World Culture Festival !4. Claim 4: Destroying the reeds,grasses,natural vegetation on the river bed and the venueFacts:High pollution in the River Yamuna has led to a situation where dissolved oxygen tends to zero (often less than 1), high load of suspended particulate matter, high turbidity almost blocks the sunlight penetration in the water within few centimeters of vertical depth etc.All of the above factors collectively create a situation where no macro flora could grow or anchored within the riverbed of the Yamuna.Reeds and grasses could only grow beyond the riverbed in the riparian zone of the floodplain.The images of the last 15 years,indicate that the floodplain around the venue had some strips and patches of reeds. Those patches have been compared with the images after the event and on a comparison of images, no change in area covered by reeds has been observed.Riparian reeds along the Barapullah drain and small patches behind and in front of the guide bank (near the bridge of DND flyway) are unaltered before , during and the period post the event.Also the number of trees before and after the event were counted using high risk satellite images and they were found to be the same.Pic 1: Regrowth of grasses on over the location where once the stage was raised (17th of April 2016)Pic 2: State of grasses on the event venue (17th of April 2016)Pic 3: Undisturbed riparian reeds along the abandoned channel in front of the Guide Bank (17th of April 2016)Pic 4: Undisturbed riparian reeds along the Barapullah Drain (17th of April 2016)Also, another important to note that the Expert Committee of the NGT accused the Art of Living Foundation for bringing in and dumping the malba (construction debris) and flattening the malba thereby destroying the flood plain.Firstly, as shown by the satellite images of the land parcel furnished earlier, the purple area indicates the unsolicited construction debris that existed since the year 2000.Trucks were seen emptying tonnes of malba on a daily basis when the Art of Living began preparation for the event (circa December 2015)Once the land was allotted to the foundation, the Art of Living sent out a letter the the DDA citing these concerns about the existing construction dump.To which, the DDA didn’t remove the debris whereas told the Art of Living Foundation to remove the malba at its own cost !Here, is the invoice of the contractor ,who was given the duty to remove the debris from the venue site ,under the instructions the Art of Living Foundation (Cost borne by the Art of Living Foundation !)This is how the site appeared before the event:So, why did the NGT falsely accuse the foundation wherein no cementing/foundation work of any sort was undertaken for the event?5. Claim 5: Disturbed the aquatic life of the riverFacts:The river Yamuna (Delhi stretch) is nearly devoid of fish species due to extremely low level ( ~0) dissolved oxygen in the river water.Let us analyze the water quality of the river Yamuna first.Referring to the “Water Quality Status of Yamuna River” report by the Central Pollution and Control Board (erstwhile Ministry of Environment and Forests,Government of India),here is the longitudinal profile of the dissolved oxygen.(Report foreword by V. Rajagopalan, Chairman-CPCB)(Notice the graph points near Nizamuddin Bridge ,Agra Canal)The report goes out further to state that“ In Yamuna River low BOD and low DO was observed more oftenly may be due to consumption of oxygen by settled sludge in the riverbed.”(Ref 3.13, page No.42)Other key notations from the report are listed below:“The sources contributing pollution are both point & non-point type. Urban agglomeration at NCT – Delhi is the major contributor of pollution in the Yamuna River followed by Agra and Mathura. About 85% of the total pollution in the river is contributed by domestic sources. The condition of river deteriorate further due to abstraction of significant amount of river water, leaving almost no fresh water in the river, which is essential to maintain the assimilation capacity of the river.”“In the critically, polluted stretch of Yamuna river from Delhi to Chambal confluence, there was significant fluctuations in dissolved oxygen level from Nil to well above saturation level. This reflects presence of organic pollution load and persistence of eutrophic conditions in the river.”“Bacteriological contamination is significantly high in the entire Yamuna River stretch. Total Coliforms are generally well above the prescribed water quality standard even sometimes at Yamunotri also. The microbiological analysis confirms that the bacteriological contamination was predominantly contributed by human beings.”Here are the longitudinal profiles of the Total and Faecal Coliforms in Yamuna River :Not to forget the drains opening up in the Delhi stretch.“Najafgarh drain of NCT – Delhi is the biggest polluter of River Yamuna, which contributes about 26% (year 2001) to 33% 22 (year 2000) of total BOD load and 48% (year 2003) to 52% (year 2001) of total discharge that joins Yamuna river and canal at Delhi by various drains. There are 70 sub drains that join main Najafgarh Drain. The study indicated that the total BOD load received by Najafgarh Drain through sub-drains was 136 TPD, whereas the BOD load at the terminal end of the Najafgarh Drain was 83 TPD only. This reduction may be contributed by biodegradation, deposition of setllable material at the bottom and diversion of drain water for irrigation etc”.“ River Yamuna receives significantly high amount of organic matter, which is generally, originates from domestic sources. For biodegradation, this organic waste requires oxygen, causing significant depletion of dissolved oxygen in river water. The oxygen depletion not only affects biotic community of the river but also affects its self-purification capacity. This problem is critical in the river stretch between Delhi and confluences of river with Chambal. In Delhi stretch, the load of organic matter is so high that it consumes the entire dissolved oxygen available in river water.”Presenting another latest report by the Central Pollution Control Board titled “Water quality status of in Delhi stretch of Yamuna River”Exhibit 1: Water quality of river Yamuna river in terms of Dissolved Oxygen (DO)The above graph clearly shows that the standard DO should be~4–5 whereas near the Nizamuddin bridge and Okhla region it below 1.Exhibit 2: Water quality of river Yamuna in terms of Total ColiformThe report also throws light on the discharge of various drains in the river Yamuna.“There are twenty one major wastewater drains in NCT-Delhi, out of which 18 drains join Yamuna River and rest joins Agra/Gurgaon canal.All the drains join Yamuna River downstream of Wazirabad barrage.These drains are being monitored regularly on monthly basis.The range of total BOD Load of 18 drains join Yamuna river was 105 TPD (August, 2015) to 229 TPD (January, 2016).Total discharge of these drains was varied from 29 m3/s (May, 2016 to 43 m3/s (August, 2014).The collective average of these drains for the year 2015 and 2016 in terms of discharge was about 34.8 m3/s and 34.3 m3/s respectively whereas, BOD load average for these two years was 164 Tons/day (TPD) and 178 Tons/day respectively.Based on the Discharge and BOD load of 18 drains Najafgarh drain was the biggest polluter of Yamuna River followed by Shahdara drain. These two drains alone contributes about 74% of total Bod load and 82% of total discharge of the 18 major drains that join Yamuna river at Delhi.”Exhibit 3: Discharge of major drains joins Yamuna River at DelhiLastly, I wish to produce a report titled “ Restoration and Conservation of River Yamuna” authored by the NGT Expert Committee members itself in the year 2012–13(Authors Prof. C.R.Babu, Prof.A.K.Gosain, Prof.Brij Gopal-All being expert members of the NGT)The report categorically states that“the loss of life supporting potential of the river is the major concern to the public, the Government and the courts”“the flowing water, the river bed, the floodplain forest and grassland ecosystems are locally extinct”Here is a snapshot of the same :The report also states that:“The Delhi urban stretch of 22 km in the downstream of Wazirabad barrage upto Okhla barrage (Section III) is critically polluted and dry weather flow is almost the treated and untreated sewage from 22 drains and the fresh water flow from upstream or lateral connection and it is perhaps one of the most polluted river stretches in the country with zero DO and over 30 mg/l BOD levels”Whereas, the same committee members in its final report slamming the Art of Living state the following:How could the World Culture Festival destroy something that according to the same committee members didn’t even exist in the first place.Why is the Art of Living blamed selectively for the pollution of the river Yamuna over the past decades?Isn’t this nothing but sheer hypocrisy?From the above data, following points to be noted:Yamuna river (Delhi stretch)is a dead river with almost zero dissolved oxygen, high amounts of pollutants and no fresh water. How can aquatic life survive under these chemically harsh conditions?The discharge of major drains in the Delhi stretch of the river along with industrial effluents and the pollution levels of Yamuna is alarming.Why does the NGT put the blame on the Art of Living Foundation which has done zero damage to the floodplains and the river?What has NGT done to curb the industrial and human pollution which are harming the river Yamuna?There is a strong judgmental bias in the current NGT report Vs the Art of Living and Others6. Claim 6: Alleging compaction and leveling of the floodplainFacts:Before going to analyse the charges of compaction, it is quintessential that we first define the nature of the land where the event was conducted.According to the report “Environmental flow for monsoon rivers in India-The Yamuna river as a case study”, the Yamuna floodplains has alluvial sandy soil (Reference: Rao, S.V.N., Kumar, S., Shekhar, S., Sinha, S.K. & Manju, S. 2007. Optimal pumping from Skimming Wells from the Yamuna river flood plain in north India. Hydrogeology Journal 15: 1157-1167)According to one of the Expert Committee member-Prof.A.K.Gosain’s earlier published research paper titled- “A new scheme for large-scale natural water storage in the floodplains: the Delhi Yamuna floodplains as a case study”, the author says “the river has been bringing sand from the mountains and depositing it along its basin, forming the floodplains. This accumulated sandy layer exists to an average of depth of 40 m”The report earlier furnished in claim 5 by the expert committee members itself (Can be found here) states that the floodplain near the river Yamuna has “sand and gravel”.Hence, it is a well established fact that the floodplain has sandy soil ! So, can sandy soil be compacted ?Now,given the above data, let us go through some scientific studies about sand compaction and verify the allegations by the NGT.For a confirmatory statement on the extent and exact reason of consolidation and/ or compaction in qualitative and quantitative terms, laboratory test of undisturbed soil samples from the land parcel will be required.By comparing the current soil density with the previous records of soil density over the land parcel,the difference could be worked out.But conducting such a test of unconfined sand/sandy soil appears almost impossible due to the established principles of soil mechanics.Referring to the established principles of soil mechanics and geo-technical engineering from the widely accepted and used textbook for soil mechanics by Prof.V.N.S.Murthy tiled “A Text Book of Soil Mechanics & Foundation Engineering” let us go through the pressure-void ratio curves of sandIn the above curve, it is clearly evident that “ more than 90 % of the compression has taken place within a period of less than 2 minutes. The time lag is largely frictional. The compression is about the same whether the sand is dry or saturated”.“The amount of compression even under high load intensity is not quite significant as can be seen from the curves.”It is obvious that the natural consolidation of this land parcel would have taken place in the geological past immediately after the deposition with some movement of animals and humans over it.It appears from the final report that the expert committee didn’t conduct any geo-technical analysis and not a single report was attached as an annexure to their claim.Verbally saying that they went there and saw the top soil layer become a thick crust is not evidence. There are tests that are legally permitted in the courts of law which the expert committee doesn’t seem to have done.The WCF area occupied ~ 25 hectares of land out of the total 9300 hectares of the floodplain (Approximately 0.26 %)So to exert the high pressure for land compaction it would require numerous heavy weight rollers (which apparently weren’t used by the organizers).Furthermore, the curve for dense sand in ‘Void ratio v/s pressure in kg/sq.cm’ indicates that dense sand (as deposited by the Yamuna and Ganga) does not show noticeable changes with increase in pressure.It is an undeniable fact that this land parcel has been under agricultural practices since decades (if not centuries).Agricultural practices; tilling (harrowing); movement of farms equipment and agricultural machinery; movement of dumpers for unabated dumping of construction waste for years and then the movement for trucks and dumpers for removal of the same has already shaped the consolidation and /or compaction of this land parcel ages before the event of the World Culture Festival 2016 was organized.Moreover, it is important to note that the entire stage for the event was supported by a series of iron scaffolding with raft footing (shown in the figure below)An Engineering Marvel ?Nothing was anchored in the natural stratum to hold the stage, overall the stage had a floating foundation. Can’t believe? have a look at this :Pics: The stage was made of thousands of such scaffolding rods in lattice structure spread across 7.5 acre (stage area)Pic: Scaffolding structure (showing the highest level) used for construction of the stage ; photographed during the removal of the stage.Pic: Steel plate rod used for distribution of the load, without any anchorage in the ground; photographed during the removal of the stage.The stage had negligible impact on the ground. Overall the stage was a floating stage and the impact of a floating stage on sandy soil is insignificant. For the record, no cement foundation was done as can be seen from the pictures.Trivia: The physics behind this stage bears a strong visual analogy with a yogi sleeping on a bed of nails. As a matter of fact, this ancient technique used by hathayogis in India has been a source of inspiration for the design of this stage !Pic: The concept of “Yogi Nail Bed” used as an inspiration for the WCF stage is based on the principle of uniform distribution of weight over a large surface area, therefore the overall impact is extremely low or negligible.Finally, the only court permissible test to determine compaction of soil is the CBR Test (California Bearing Ratio Test). It involves taking soil samples before and after the event and then applying the test. Since the expert committee did not collect any soil samples before and after the event to come up with the alleged 13 cr damage,the Art of Living Foundation themselves requested the NGT to conduct the CBR test at the venue, and the application was duly rejected !Here is the permission letter made by the Art of Living Foundation to the NGT (which was disposed off by the NGT !)The Chairman of the Expert Committee of the NGT Mrs.Shashi Shekhar (IAS) (Ministry of Water Resouces, Govt. of India)even goes out to the extent of saying the compensation of 120 cr put forth on the Art of Living foundation as ad-hoc and unscientific and not based on any scientific assessments. The Chairman does not even endorse the compensation.Also, it is important to see whether the NGT conducted any scientific studies before quantifying the damage if any ?It would be very astounding for the reader to realize that no such thing was done. Only a mere “visual inspection” was conducted by the Expert Committee members of the NGT at the venue on the 6th of June 2016(Singular visit).And no scientific evidence and data samples have been provided by the NGT Expert Committee in the Court of Law.That’s like going to a doctor who after just glancing at your direction hands you a list of ailments he assesses that you suffer from and proceeds to slap you with a fat bill for your future treatments !It is surprising to believe that the Chairman of the Expert Committee Mr.Shashi Shekhar has distanced himself from the committee’s recommendations. The Chairman’s signature is also missing from the final report. And only 4 out the 7 Expert Committee members have signed the final report !7. Claim 7: Going from ecological “restoration” to ecological “rehabilitation” of the floodplainFacts:Throughout the first report, the Expert Committee members of the NGT have used the term “restoration” and in the final report they use the word “rehablitation”Why the sudden switch?Because, the NGT Expert Committee cannot prove any damage that was done to the floodplain and the environment by the event.In their final report this is what they state:It is not possible for the ‘Expert Committee’ to assess the ecological status of the site before and after the event? This was their primary job in the first place !Also, the committee points out that it is extremely difficult to assess the costs of environment damage and degradation accurately because“it requires substantial time, human and other resources to collect detailed quantitative information on the nature, extend and magnitude of various activities listed earlier for restoration”That’s a clever way of saying that they cannot prove the damage quantitatively and qualitatively and hence the question of restoration is redundant.They also go on to state that “estimation of the costs of restoration requires the preparation of a Detailed Project Report that may take several months to a year besides financial resources.”Who can buy that argument? Why was the Expert Panel commissioned in the first place?Moreover, the Expert Committee states that it has now decided to “REHABILITATE THE IMPACTED SITE”.The NGT’s proposed plan includes creating a bio diversity park, two large water bodies, three tier planting of vegetation,and establishing new sewage treatment plants,etcLet’s put things into perspective, firstly, the Committee says that it cannot prove any damage scientifically. Consequently they cannot assign costs to restore damage. Hence, they wish to switch the narrative from being a “restoration cost” to “rehabilitation cost”. And moreover, they wish to build a utopian biodiversity park for which the Art of Living should bear the cost ! (Slow claps !) Wait, I am not yet done !In order to build this dream park, the Expert Committee has submitted a ‘Budget’ for building this park. The budget lists ‘Salaries and Consultancies’ as a cost component to monitor and supervise the construction. This cost component totals up to 7 CRORE RUPEES ! Here is their estimations !That’s not all friends. The NGT Expert Committee even goes on record to state that “rehabilitation” will take a period of 10 years and the expert committee members have nominated themselves to undertake this project as “Consultants”(Indeed a very sly way of pocketing the 7 crore!)In the final analysis,the expert committee members in their final report state that they are unable to differentiate the activities required to restore the floodplain and the activities to undo the alleged damage due to the event. That is a very clever way of saying that they cannot differentiate the damage done to the floodplain before the event and the damage done by the event.As this article says,“The Art of Living case will go down as a test for environment activism in the country. The nation expects the NGT will gather enough courage to call the bluff of the committee and go by the merits of the case”.References:http://delhi.gov.in/wps/wcm/connect/55a9380047b2199a9155d5bdc775c0fb/Final_Report_NGT-Yamuna_Restoration%2B(11-4-2014).pdf?MOD=AJPERES&lmod=-287594179https://arxiv.org/ftp/arxiv/papers/1306/1306.2709.pdfhttp://www.cpcb.nic.in/newitems/11.pdfDelhi Development AuthorityTextbook of Soil Mechanics and Foundation EngineeringGoogle Earth – Google EarthNational Green TribunalHomepage | Ramsarflood plainCentral Pollution Control Board :::https://www.artofliving.org/in-en/newsroom/press-statement/independent-environmentalist-statement-ngt-reporthttp://www.who.int/water_sanitation_health/dwq/2edvol3d.pdfWill NGT call the Yamuna expert panel's bluff?Written by:Soham D’SouzaBachelors in Chemical Technology-Institute of Chemical Technology (former UDCT) , MumbaiMumbai

Before I get into this answer, I want to say that it isn’t mine, but instead I got it from freelancewritinggigs.com. The reason I chose to use their list is because of how extensive it is. 101 writing jobs with contact info, pricing details and article length and content details. So, really. Go over there and give it a read. Follow them on social too! (I’m not affiliated, just know a good website when I see one.)101 Websites that Pay You to Write1. A List ApartALA publishes original, feature-length articles (1,500-2,000 words), as well as articles (600-1,500 words) and mini-articles (500-600 words) about web design. This site prefers submissions in Google docs. Pays $200.00 per feature, $100.00 per article and $50.00 per mini article, typically within a month of publication.Facebook: https://www.facebook.com/alistapartTwitter: https://twitter.com/alistapart2. Today I Found OutIf you enjoy conducting research and finding interesting facts and details, while making sure that you get the facts absolutely correct in the process, you may enjoy writing for Today I Found Out. This site specializes in posting informal, conversational articles. Send a pitch or an article for consideration.Facebook: https://www.facebook.com/TodayIFoundOutTwitter: https://twitter.com/TodayIFoundOut13. CrackedCracked is looking for writers for list-style articles; if interested, sign up for the writers’ forum. The site is also looking for writers for infographics and charts, and will buy content in text form based on your funny idea. Unlike some other writing sites, no experience is necessary to write for Cracked. Their focus is on finding people who can write funny or creative content. If you think you have what it takes, reach out to their editors.Facebook: https://www.facebook.com/cracked/Twitter: https://twitter.com/cracked4. College HumorCollege Humor is one of the biggest comedy sites on the Internet. Submit a pitch by e-mail and the editors will work with you on your article. Pay is $35.00 for a single page and $50.00 for a multi-page article. The site also accepts picture galleries for publication. Submit your idea for consideration to the editors. Pay is $$25.00 for 15 pictures and $35.00 for 25 pictures.Facebook: https://www.facebook.com/CollegeHumorTwitter: https://twitter.com/CollegeHumor5. The DiplomatThe Diplomat covers reporting and analysis related to Asia-Pacific Region. Submit pitches, blogs or feature articles for consideration. Submissions for the blog section should be 400=800 words, and feature articles are 1,000 words and up. For original reporting, start by pitching your idea to an editor. If you wish to be paid for your submission, indicate this to the editor from the outset. A decision about acceptance will be made quickly, usually within three business days.Facebook: https://www.facebook.com/diplomatmagazineTwitter: https://twitter.com/Diplomat_APAC6. Screen RantCan you write 20 or more (350+ word) pieces about entertainment news per month? Screen Rant wants to hear from you! The site is looking for entertainment news on the following topics:New movie announcementsCasting newsProduction developmentsPhoto postsMovie and TV trailersEntertaining list postsGame announcementsGame design developmentsGame screenshot postsGame trailersApplicants can live anywhere, but preference will be given to those living near New York, Los Angeles or San Francisco. Remuneration is described as “good part time pay.”Facebook: https://www.facebook.com/ScreenRantTwitter: https://twitter.com/screenrant7. SitePointSitePoint is a Melbourne-based website that is at the forefront of web-based technology. Its writers are web professionals who are passionate about design and development. SitePoint pays “above-industry rates” for articles covering:HTMLCSSJavaScriptPHPRubyMobile developmentUXDesignNew technology that doesn’t fit into these categoriesThe site is looking for the following types of content:Quick Tips (500-700 words)Articles (800-1500 words)Tutorials (1500-2000 words)Video content (up to the discretion of the Production ManagerFacebook: https://www.facebook.com/sitepointTwitter: https://twitter.com/sitepointdotcom8. Metro Parent (for Southeast Michigan)The site is always looking for talented freelance writers to work with who can produce pieces with a local flavor. The site publishes work of a variety of lengths, from pipeline pieces, to columns to features and reprints. The editorial calendar is listed on the website. Payment ranges from $35.00 for reprints to $150.00-$350.00 for features, paid on publication. Metro Parent buys First North American rights.Facebook: https://www.facebook.com/MetroParentMagazineTwitter: https://twitter.com/MetroParent9. New ScientistNew Scientist publishes science and technology stories appealing to a wide audience, from lay people to physicists and biologists, focusing on the latest developments. It is strongly recommended that you familiarize yourself with this publication before pitching a story. Pays per word published, within about a month. Also pays tip-off fees for story ideas.Facebook: https://www.facebook.com/newscientistTwitter: https://twitter.com/newscientist10. Income DiaryThis site is looking for contributors who are experts on creating websites, social media, making money online or driving traffic. Pay rate is not disclosed. Submit idea in online form for consideration.Facebook: https://www.facebook.com/IncomeDiaryTwitter: https://twitter.com/incomediary11. Wide Open CountryCountry music and country lifestyle lovers who write are invited to submit a resume, two writing samples and a brief description of themselves to Wide Open Country for consideration. Successful candidates will be invited to join the contributor team and get paid to submit content about country music, lifestyle and entertainment. Pay rate not disclosed.Facebook: https://www.facebook.com/WOCountryTwitter: https://twitter.com/wideopencountry12. WebDesignerDepot.comThis site calls itself the “premier community for web designers and developers” and is always looking for writers who can write about cutting-edge design topics. To apply, send an e-mail with links to your previous work and your per-article rate.Facebook: https://www.facebook.com/webdesignerdepotTwitter: https://twitter.com/designerdepot13. Sacramento PressThe Sacramento Press is an online newspaper that hires professional writers (on-staff, freelance writers) who contribute on a regular basis. Submit a resume and writing samples, a bio and a pitch for a story or a new column to be considered.Facebook: https://www.facebook.com/sacpressTwitter: https://twitter.com/sacramentopress14. Money CrashersMoney Crashers is a personal finance site that is looking for writers who wish to write about money management, retirement planning, estate planning, investing, tax preparation, credit and debt, real estate, mortgages, frugal living and lifestyle. If you are comfortable visiting sites like http://its.gov, SEC.gov | Home and U.S. Department of the Treasury, fill out the application form.Facebook: https://www.facebook.com/MoneyCrashersTwitter: https://twitter.com/moneycrashers15. E-commerce InsidersUse the online form on the website to apply and include at least one pitch for an article you would like to write for Ecommerce Insiders. Pay rates range from $75.00-$150.00 depending on length.Twitter: https://twitter.com/EcomInsiders16. RantRant Inc. is currently looking for contributors for RantSports and RantFinance. Send a resume and a minimum of one editorial writing sample to the e-mail listed on the website to be considered for this paid opportunity.17. WestJet MagazineWestJet has a print magazine and a website, both of which pay freelance writers. Read back issues before e-mailing query letter with your story pitch.Facebook: https://www.facebook.com/WestJetMagazine/Twitter: https://twitter.com/WestJetMagazine18. Asian CorrespondentIf you are a writer, blogger or journalist interested in Asian news and current affairs, this site is looking to hire correspondents. Applicants who live in one of the following countries are invited to apply:SingaporeMalaysiaIndonesiaPhilippinesVietnamFacebook: https://www.facebook.com/AsianCorrespondentTwitter: https://twitter.com/AsCorrespondent19. The SportsterExperienced writers with an interest in the NFL, NBA, NHL, MLB, MMA, soccer, wrestling or entertainment are invited to apply to be a contributor to this site. Published authors receive a byline and payments are made twice monthly by Paypal.Facebook: https://www.facebook.com/thesportsterTwitter: https://twitter.com/the_sportster20. ListverseDo you enjoy writing list articles about things that are unusual or interesting? Can you add a dash of humor? Listverse pays $100.00 for 1,500 words on acceptance.Facebook: https://www.facebook.com/top10listsTwitter: https://twitter.com/listverse21. Flywheel – The LayoutThe Layout is all about sharing WordPress knowledge with fellow Internet users. If you have knowledge to share on this topic, apply to be a writer and either choose a topic from the list of topics provided or suggest one of your own. Earn up to $150.00 per article.Twitter: https://twitter.com/heyflywheel22. Industrial ScriptsAre you an aficionado of film and television shows? Industrial Scripts pays for articles analyzing shows and movies. This site is looking for people with a broad range of interests across the genre; simply fill out the online form to apply.Facebook: https://www.facebook.com/screenwritingUKTwitter: https://twitter.com/Indust_Scripts23. The Write StuffThe Write Stuff is seeking talent who can write about ideas and issues regarding database experience. This site is open to hearing from new and experienced writers. Pay is a combination of $200 in cash and $200 in Compose database credits.Facebook: https://www.facebook.com/composeio/Twitter: https://twitter.com/composeio/24. Secular Pro-LifeSecular Pro-Life Blog accepts submissions of any length, but is especially interested in work of approximately five paragraphs in length. Submit your blog posts for consideration by e-mail. If accepted, you will receive payment of $25.00.Facebook: https://www.facebook.com/secularprolife?_rdr=pTwitter: https://twitter.com/secularprolife25. AbroadioIf you love to travel and want to write about unique experiences and underrated locations, fill out an application form on this website. You’ll need to either provide a writing sample or link to something you have previously written. Pay is $60.00 for 1500 words via Paypal.Facebook: https://www.facebook.com/abroadio/Twitter: https://twitter.com/abroadio26. Athlon SportsAthlon Sports is seeking talented football writers for paid opportunities. To apply complete the online form, which includes links to your work and your Twitter profile. Pay rate not stated.Facebook: https://www.facebook.com/AthlonSports/Twitter: https://twitter.com/AthlonSports27. LWN.netLWN is seeking writers with expert knowledge of the free software community. Contact the editors to discuss your interests. Pay range is $200.00-$250.00 for 1500 words.Facebook: https://www.facebook.com/LWNnet-29516279415/Twitter: https://twitter.com/lwnnet28. snapt.netAre you knowledgeable about Snapt, the “most powerful, beautiful and exciting application delivery controller on the market”? Write articles (guide and tutorials) to be included on the website and get paid $50.00 per submission.Facebook: https://www.facebook.com/SnaptUI/Twitter: https://twitter.com/snaptUI29. linode.comLinode pays $250.00 per article accepted for publication. If you have a knack for writing and teaching people how to use Linux, visit this site to check out the topic list to see what types of articles they are interested in publishing.Facebook: https://www.facebook.com/linode/Twitter: https://twitter.com/linode30. semaphoreci.comIf you can write articles for software developers, you will be paid $100.00 for narrow-focused ones and $200.00 for full-length articles via Paypal. A list of ideas is posted on the website, and you can get in touch through the author form to apply and provide a writing sample.Facebook: https://www.facebook.com/renderedtext/Twitter: https://twitter.com/renderedtext31. Profit FDo you know about Forex or Binary options trading? Submit an application to become part of the ProfitF team. This site is looking for contributors to create quality content on a number of areas, including:Forex / Binary Options articlesEducation ArticlesTechnical AnalysisFundamental AnalysisReview of Brokers/Programs for tradingTrading PsychologyMoney ManagementPay rates are $10.00-$50.00 per article, depending on quality. Complete the online form to apply.Facebook: https://www.facebook.com/profitfcomTwitter: https://twitter.com/profitfcom32. Scotch.ioWrite tutorials for designers and developers. High quality is expected, and the site is specifically looking for writers interested in these topics:PHPLaravelJavaScriptNodeAngularJSServers and HostingPay rate depends on the quality, article length and your expertise.Facebook: https://www.facebook.com/scotchdevelopmentTwitter: https://twitter.com/scotch_io33. Online Writing JobsOWJ has been in business since 2006. Writers are hired and assigned projects based on their knowledge and expertise. Payment is made weekly, via Paypal or check.Facebook: https://www.facebook.com/pages/Online-Writing-Jobs/121321054725979Twitter: https://twitter.com/onlinewritejob34. tutum.coYou can get paid up to $150.00 per article writing tutorials on Docker. To apply, send an e-mail to the address posted on the site and include links or attachments to your previous work.Facebook: https://www.facebook.com/tutumcloudTwitter: https://twitter.com/tutumcloud35. International LivingDo you have a story about living overseas you want to share? International Living publishes daily “postcards” from expats about the best, and cheapest, places to retire in the world. If your story is selected for publication, you will be paid $75.00.Facebook: https://www.facebook.com/International.LivingTwitter: https://twitter.com/inliving36. technopedia.comTechnopedia pays “competitive rates” to writers for producing web content for the site on topics geared toward IT professionals. Pitch your 600-1200 word article by sending an e-mail to the editorial staff.Facebook: https://www.facebook.com/techopediaTwitter: https://www.facebook.com/techopedia37. Developer TutorialsDeveloper Tutorials strives to provide users with up-to-date programming and design guides. Pay rate is not posted on the website; it depends on the quality of the tutorial or article and the demand for the subject matter.Facebook: https://www.facebook.com/DevTutTwitter: https://twitter.com/DevTut38. Theme Park TouristTheme Park Tourist publishes entertaining and unique articles about theme parks. The site specializes in long-form content (1000-5000 words) and pays $0.05 per word.Facebook: https://www.facebook.com/ThemeParkTourist/Twitter: https://twitter.com/ThemeParkNews39. SQL Server CentralSQL Server Central accepts articles on any SQL topic; length is not specified, but you should cover your topic in depth and with clarity. Pay is $50.00 per article, with regular contributors sometimes being paid a higher rate.Facebook: https://www.facebook.com/SQLServerCentral/Twitter: https://twitter.com/sqlservercentrl40. WorldStartWorldStart is seeking content for its daily newsletter, which is read by 300,000 people and focuses on tips and tricks the average user can use. The site is also interested in feature articles. Payment ranges are as follows:Approximately 250 words-$15.00Approximately 400 words-$20.00Approximately 600 words-$30.00Maximum length is approximately 800 words-$35.00Facebook: https://www.facebook.com/worldstartTwitter: https://twitter.com/wscomputertips41. Military BenefitsIf you have experience with the US military (current service member, veteran, spouse or family member) and are a great writer, Military Benefits News & Resources is interested in hearing from you. This website is seeking writers who can communicate effectively on topics about military benefits. Pay is $14.00 per article (500-1,000 words). Complete online form for consideration.Facebook: https://www.facebook.com/militarybenefitsusaTwitter: https://twitter.com/milbenefits42. The Dance JournalPhiladelphia-area writers who have a love of dance are interested in covering various forms of this type of art and are able to write 1-2 pieces per month are invited to apply. Writers for The Dance Journal are considered to be members of the press and can usually receive complimentary passes to performances in exchange for a review. Pay is $50.00 per article for first publication rights (up to 30 days). Seasoned journalists can negotiate fees separately.Facebook: https://www.facebook.com/philadelphiadanceTwitter: https://twitter.com/phillydance43. Transitions AbroadTransitions Abroad is a website and web magazine that welcomes submissions from new and experienced travel writers alike. Detailed writers’ guidelines are provided on the website. Writers are paid on acceptance of their articles.Facebook: https://www.facebook.com/TransitionsAbroadTwitter: https://twitter.com/TransAbroad44. TutorialsPoint.comTutorials Point is looking for writers who can deliver great content on IT topics, as well as academic and general interest topics, such as resume writing. Pay ranges from $250.00-$500.00 per tutorial. Send your resume and writing samples to the e-mail address on the website to apply.Facebook: https://www.facebook.com/tutorialspointindia/Twitter: https://twitter.com/tutorialspoint45. Open Road JourneyOpen Road Journey pays writers to share their experiences about motorcycle touring, traveling, riding motorcycles and road trips. Forward a resume and a sample of your work for consideration. All articles must be accompanied by 10-20 images. Payments are made via Paypal on completion of the article. Authors receive a six-month Pro membership as well.Facebook: https://www.facebook.com/openroadjourneyTwitter: https://twitter.com/open_road46. Duffel BlogDuffel Blog delivers satirical military news content every day. If you feel that you have the right stuff to contribute to the team, visit the website to see the list of instructions to apply. You’ll need to provide a writing sample, a list of headline pitches and more. Pay is a flat rate per article published.Facebook: https://www.facebook.com/duffelblogTwitter: https://twitter.com/DuffelBlog47. DorklyDorkly publishes list articles on topics ranging from Pokemon to Batman to Nintendo to TV. If you feel confident about tackling these types of subjects, send your pitch to the e-mail listed on the website. Single page articles pay $35.00 and multi-page articles pay $75.00.Facebook: https://www.facebook.com/DorklyTwitter: https://twitter.com/dorkly48. OutkickDo you have something to say that would be suitable for the site’s Bull Pen? It doesn’t necessarily have to be about sports; it just has to be something entertaining (per the website’s guidelines). Sign up for the Bull Pen on the website to get started.Facebook: https://www.facebook.com/OutkickTheCoverage/Twitter: https://twitter.com/theoktc49. Doctor of CreditThis site pays $50.00 for guest posts on topics related to credit scores and credit cards. Submission of articles is preferred, but you can submit a query for consideration. Regular contributors are hired from guest posters whose articles are particularly well received. Pay for regular contributions is a flat rate plus performance bonus.Facebook: https://www.facebook.com/doctorofcreditTwitter: https://twitter.com/DrofcreditMore Websites that Pay You to Write50. Horse NetworkHorse Network is always seeking fresh content about the equestrian lifestyle and the sport. The site is seeking content in the following areas:NewsSportsLifestyleLearningHumorRacingOpinionNatural HorsemanshipPay is $50.00 and up per article, plus bonuses for social shares.51. Open Permaculture SchoolAre you interested in writing about regenerative sustainability and permaculture? This online magazine is a project of the Regenerative Leadership Institute. Submission guidelines are on the website. Pay is $30.00 for 1,000 words, with the possibility to negotiate proportionately higher compensation for longer pieces.Facebook: https://www.facebook.com/regenerativeleadershipinstituteTwitter: https://twitter.com/regenleadership52. southsoundmag.comSouth Sound Magazine - South Sound Magazine is the online version of South Sound magazine. Detailed writers’ guidelines are posted on the website. Payment is by flat fee, and is negotiated on a case-by-case basis.Facebook: https://www.facebook.com/SouthSoundMagazineTwitter: https://twitter.com/SouthSoundMag53: Hypergrid BusinessHypergrid Business compensates writers for assigned, feature stories and reported news. Typical rate is $0.05 per word. Writer guidelines are available on the website.Twitter: http://www.hypergridbusiness.com/54. EcopreneuristEcopreneurist is looking for writers who can contribute posts on green topics four or five times per month. If you have experience with any of the following topics, they want to hear from you:Green BusinessGreen BuildingRenewable/Green EnergyGreenwashingUS Regional and Local Eco Business PerspectivesInternational Ecopreneur Perspectives (US Audience)55. WealthyWebWriter.comWould you like to write about freelance writing? Submit a pitch to WealthyWebWriters and you can get paid for your knowledge and promote yourself as an expert in this niche.56. High Ground MemphisHigher Ground Memphis is an online media outlet looking for feature stories focusing on trends affecting Memphis. This site is also interested in Q&As with influencers and disruptors and shining a light on positive news. Send a query letter to the editor to request an assignment.Facebook: https://www.facebook.com/HighGroundNews/Twitter: https://twitter.com/highgroundnews57. PhotodotoPhotodoto wants to hear from experienced photographers who have solid copywriting or blogging experience to contribute paid guest blogs on their website. If you have the writing chops and can contribute content on tips and techniques, the latest gear or post production, get in touch at the e-mail posted on the website.Facebook: https://www.facebook.com/photodotoTwitter: https://twitter.com/photodoto58. Asian ScientistAsian Scientist Magazine is seeking full-time editors and marketers. The magazine is also seeking contributions from students, journalists, researchers and interested parties. All stories must have a focus on Asia. Send queries or completed manuscripts to the editors for consideration.Facebook: https://www.facebook.com/asianscientistTwitter: https://twitter.com/asianscientist59. DollarStretcherDollar Stretcher pays $.10 per word for content related to helping people save time and money. The site’s motto is “living better…for less.” Please note that only content appearing in its print newsletter is eligible for payment. Send pitch to the editor and indicate clearly whether you wish to be paid for your submission, as items appearing on the website will not be compensated.Facebook: https://www.facebook.com/The-Dollar-Stretcher-211519775573496/Twitter: https://twitter.com/dollarstretch60. RankPayRankPay’s audience wants to learn about SEO, content writing and social media. This site pays $50.00 for each original article that it publishes. Detailed blogger program guidelines are posted on the website.Facebook: https://www.facebook.com/RankPayTwitter: https://twitter.com/rankpay61. The Marriage Counseling BlogThe Marriage Counseling Blog is looking for new authors from the licensed therapist community. Pay is negotiable for regular contributors. Contact the website for information on submitting articles.62. Jewish JournalJewish Journal accepts OpEd, First Person and Singles columns of 850 words. Send an e-mail to the address listed on the website. The publication pays for all freelance submissions it prints. You can also send story queries with clips if you are interested in contributing to the Journal’s blog.Facebook: https://www.facebook.com/JewishJournal/Twitter: https://twitter.com/jewishjournal63. guns.comIf you are familiar with guns, the shooting lifestyle and the Second Amendment, apply to write for Guns.com as a freelance contributor. Send in your resume and three samples to the e-mail address posted on the website for consideration. The site pays a flat rate per article (rate not disclosed).Facebook: https://www.facebook.com/gunscomTwitter: https://twitter.com/guns_com64. The Graphic Design SchoolThe Graphic Design School blog welcomes articles and beginner tutorials on Illustrator, InDesign or Photoshop. The editors are also interested in content relating to open source software design or utility software for designers. Pay is US$100.00-$200.00 for each accepted article or tutorial. Writer guidelines are posted on the website.Facebook: https://www.facebook.com/groups/38005846366/Twitter: https://twitter.com/TheGDSchool65. In The Know TravelerDo you have a particular interest in travel writing? Check out the submission guidelines posted here. ITKT has six travel-focused sites looking for bloggers. One of these paid opportunities may be a good fit for you. Pay is $10.00 for 450+ word story and $3 for a blog post of 150+ words. Send submission to e-mail address posted on the site for consideration.Facebook: https://www.facebook.com/InTheKnowTravelerTwitter: https://twitter.com/DevinGalaudet66. Wine FrogWine Frog is looking for contributors who are experts and can provide insight and inspiration to food and beverage professionals. If you feel that you can help readers increase their understanding of the wine business, submit a pitch for a piece ranging from 600-1,200 words. Pay is described as “competitive.” Details are not given.67. TutorialBoardTutorialBoard pays up to $150.00 per tutorial to writers on topics such as Adobe Photoshop, Adobe AfterEffect, Autodesk Maya or any other standard CG software. Tutorials must be original and not published elsewhere on the Web. Payment is made within two weeks after the start of the month after publication.Facebook: https://www.facebook.com/tutorialboardTwitter: https://twitter.com/tutorialboard68. 5 Best ThingsDo you enjoy researching and writing list articles? 5 Best Things may be a site where you would like to contribute. It is looking for contributors interested in posting lists on software, electronics and web services topics, as well as product reviews. Other available categories for list articles are cities, restaurant, world, food, recipes, health, science, entertainment and more. Pay starts at $15.00 and tops out at $130.00 for full product review articles.Facebook: https://www.facebook.com/5BestThingsTwitter: https://twitter.com/5bestthing69. Sex, etc.All of the stories on this website are written for, and by, teens. Editorial contributors can be teens located anywhere in the world who are high school or college students aged 19 or younger. Pay is $75.00 for every published story.Facebook: https://www.facebook.com/SexEtcTwitter: https://twitter.com/sexetc70. Linux VedaLinux Veda is looking for contributors to provide tutorials, reviews, tips and tricks, and daily news on a number of open source technologies. Visit the website to see a detailed list of tutorials they are interested in. Competitive pay per post in addition to performance-based recurring earnings are offered to regular contributors.Facebook: https://www.facebook.com/LinuxVeda/Twitter: https://twitter.com/linuxveda71. GradHackerGradHacker would like to hear from current graduate students who are interested in writing for the site. Send a pitch to the e-mail address listed on the site with your idea for a guest post. Paid writing opportunities may be available for those who enjoy writing for the site.Facebook: https://www.facebook.com/gradhacker/Twitter: https://twitter.com/gradhacker72. CurblyCurbly is all about DIY design and if you have a flair for home improvement and interior design and want to submit a tutorial or content for the site, go ahead and pitch your concept. Writers’ guidelines are posted on the website. Payment is made in USD within the first week of the new month following publication.Facebook: https://www.facebook.com/curbly/Twitter: https://twitter.com/curbly73. New StatesmanSend a pitch to the e-mail posted on the website if you are interested in becoming one of its regular contributors. Include one or two links to previous work in your e-mail. Be sure to negotiate your fee before your article is accepted and published.Facebook: https://www.facebook.com/NewStatesman/Twitter: https://twitter.com/newstatesman74. Alaska ParentAlaska Parent is looking for freelance writers who can capture the interest of local readers. Read the articles on the website before you pitch to get a feel for the style and check out the editorial calendar and style guide for guidance to increase the likelihood of having your query accepted. Payment for original articles ranges from $40.00-$200.00.Facebook: https://www.facebook.com/alaskaparentTwitter: https://twitter.com/alaskaparent75. AuctionBytes-UpdateAuctionBytes-Update is a free twice-monthly newsletter which is distributed to new and experienced users of online auctions. If you are knowledgeable about this topic, you are invited to contribute articles. Regular articles are compensated at a pre-negotiated fee, stories about collectibles pay $20.00. All story ideas must be approved in advance. Send story ideas to e-mail address on website.Facebook: https://www.facebook.com/AuctionBytesTwitter: https://twitter.com/ecommercebytes76. BlackHairInformation.comAre you a blogger who is interested in writing about relaxed or natural hair? BHI is recruiting contributors for its website. Pay is $30.00 for 800 words or $15.00 for 300 words. Complete the online form to apply.Facebook: https://www.facebook.com/blackhairinformationTwitter: https://twitter.com/BlackHairInfo77. Cincinnati ParentCincinnati Parent is dedicated to being a local resource for the community. Some stories that it publishes are suitable for a national audience, but for the most part they have a local flavor. To be considered as a freelance writer, send an e-mail to the editor outlining your interest and experience. Include several samples of your work.Facebook: https://www.facebook.com/CincinnatiParentTwitter: https://twitter.com/cincyparent78. iPhoneLife.comWriting for iPhone Life - Best Apps, Top Tips, Great Gear gives writers the opportunity to build their credentials, get free iOS gear and apps for review and press passes to major tech conferences. Pay is $50.00 for magazine articles. Fill out the online form to apply.Facebook: https://www.facebook.com/iPhoneLifeMagazineTwitter: https://twitter.com/iphonelife79. DesertUSA.comThis is an online publication that focuses on wildlife, travel, geology, desert lore and natural history in North American desert regions. The site is interested in purchasing new material for the following sections:Natural HistoryAdventureNative American & Southwest Arts & CraftsTravelHistoryDesert LorePay is $50.00 per published article with photos. Sample writer contract is on the website.Facebook: https://www.facebook.com/desertusa/Twitter: https://twitter.com/desertusa80. DevozineDevozine is a bi-monthly magazine for young people. Each issue includes devotional writings that are designed to bring the reader closer to God. Pay is $25.00 for weekday meditations, and specific themes are posted on the magazine’s website. You can also submit a pitch for a feature article, which is paid at the rate of $100.00.81. SHFT BlogSurvivalists, outdoorsmen, firearms enthusiasts and skilled people are currently being sought to write for SHFTBlog and Survival Cache. For the first five articles, pay is set at $50.00 for 850 words and five images. A raise is offered after that point. Send e-mail to editor with your background and what you would like to write about.Facebook: https://www.facebook.com/SurvivalCacheTwitter: https://www.facebook.com/SurvivalCache82. Dallas Single MomDSM accepts pitches for feature-length contributions to its network of blogs, Dallas Single Mom, Dallas Mom Deals and Dallas Single Dad. See writers’ guidelines for details or fill out online form to be added to database for future assignments to be considered for various contributor roles. Feature articles pay $60.00-$150.00, posts pay $25.00-$45.00.Facebook: https://www.facebook.com/dallassinglemomTwitter: https://twitter.com/dallassinglemom83. ZafigoZafigo is looking for writers who can contribute commissioned articles on traveling in Asia and the Middle East can be made better, easier or safer for women for professional and leisure purposes. Send an e-mail to the editor introducing yourself, stating what you would like to write about and what drives your passion for writing.Facebook: https://www.facebook.com/zafigo/Twitter: https://twitter.com/ZafigoAsia/84. Halifax Media Co-opHalifax Media Co-op is looking for writers who wish to focus on stories dealing with Nova Scotia or Atlantic Canada. Contributor guidelines are posted on the website. Pitches are accepted at any time; there are no deadlines. Rates range from $75.00-$125.00.Facebook: https://www.facebook.com/HalifaxMediaCoopTwitter: https://twitter.com/hfxmediacoop85. SheBudgetsAre you savvy about balancing money matters for your family? Would you like to blog about what you know and get paid? Fill out an online application for SheBudgets and attach a writing sample for consideration. Payment is made twice a month.Facebook: https://www.facebook.com/SheBudgetsTwitter: https://twitter.com/shebudgets86. Magazine HiveMagazine Hive is looking for authors and designers to contribute to its site. Contributors who are knowledgeable about web development, WordPress and other content management systems. Writers who can contribute tutorials on Illustrator, Photoshop and After Effects are also sought. Fill out the online form for more information.Facebook: https://www.facebook.com/MagazineHive/Twitter: https://twitter.com/magazine_hive87. BlogpawsBlogpaws pays $75.00 per accepted post. Check the guidelines on the website before submitting your pitch about pets.Facebook: https://www.facebook.com/BlogPawsTwitter: https://twitter.com/blogpaws88. Capitol StartupRegular contributors to Capitol Startup are paid for their contributions. If you are interested in contributing to this Washington DC startup publication, fill out the application form on the website to apply.Facebook: https://www.facebook.com/capitolstartupTwitter: https://twitter.com/capstartup89. PSDFanPSDFan accepts content from various authors on the following types of subjects:Photoshop tutorialsInspiration posts & articlesVector setsBrush PacksIcon SetsPhoto/Textures PacksRates are described as being “very good” and are negotiated after the final article is received. Authors receive credit for their work.90. I Love Free SoftwareThis site is looking for writers who would be comfortable reviewing the latest software offerings and sharing them with readers. If this sounds like something you would enjoy, contact the editor at the e-mail address posted on the website. Include at least one writing sample.Facebook: https://www.facebook.com/ilovefreesoftwareTwitter: https://twitter.com/ilovefreesw91. ISEdb.comGood Bye! does pay for “great and exclusive content.” If you are interested in being compensated for your work, you will need to state this when you e-mail the site. It has a number of volunteer contributors. This site is interested in providing quality content about search (SEO and SEM). To apply, use the link on the website.Facebook: https://www.facebook.com/isedbTwitter: https://twitter.com/isedb92. craftbits.comSubmit your proposal for a craft or a picture of a finished project to the e-mail posted on the website for consideration. Once approved, your submission must be written with step-by-step instructions and include at least one image of the finished product. Payment for each accepted and published submission is USD$35.00.Facebook: https://www.facebook.com/craftbitsTwitter: https://twitter.com/craftbits93. Creative Loafing CharlotteCreative Loafing Charlotte is always on the lookout for what it describes as the next great story. If you can write stories and reviews with a local flavor, send your pitch for consideration. Rates range from $0.10 per word for a blog post to $500.00 or more for a feature story.Facebook: https://www.facebook.com/clclt/Twitter: https://twitter.com/cl_charlotte94. Real Estate Career CentralReal estate central is seeking real estate professionals who want to write and experienced freelance writers with experience in this area who are interested in taking on assignments related to residential and commercial real estate, career guidance, news and industry trends. Fill out the online form to contact the website about receiving writing guidelines, information about pay rates and the writers’ agreement.95. TMIFYITMIFYI (Too Much Information For Your Information) pays writers for articles and video scripts. Fees are negotiated on an individual basis depending on article length and quality. Contact the site administrator at the e-mail address on the website for more information or to submit your query.Facebook: https://www.facebook.com/TMIFYITVTwitter: https://twitter.com/TMI__FYI96. Learn Cake Decorating OnlineCake decorators who would like to write about their techniques are being recruited by this site to write about their area of expertise for pay. The site is looking for projects, tutorials and articles (with images). Submit an idea to an editor for approval and then create an outline once it has been approved. Pay rates not listed on the site.97. Christian CourierThe Christian Courier publishes content that is divided into three areas: Features, News and Opinion. Content does not have to be of an overtly Christian nature to be considered. Writing should appeal to readers of all ages. Rates range between $45.00-$70.00, depending on type and length of submissions. Send queries to editors for appropriate section listed on website.Facebook: https://www.facebook.com/ChrCourierTwitter: https://www.facebook.com/ChrCourier98. CigBuyer.comExperienced capers who have an array of product knowledge and excellent writing skills are invited to apply for a position as a contributor to this website. The site is looking for a variety of content in the news blog, such as:Top 10 & Best Of listsNew product announcements with commentaryTips and advice articlesUpdates about e-cig studies and researchCoverage of major news stories with opinionOther e-cigarette and vaping newsThis opportunity is open to people who are actively involved in the vaping community and can supply their own topics. Expect to contribute two, 600+ word blog posts per month. To apply, send e-mail to the address on the website with your background and at least two writing samples.99. SigTutorialsSigTutorials is looking for new tutorials focusing on photoshop techniques and show users how to create signatures. Submit fully written tutorials in html or word for consideration and you will be paid up to $50.00 on acceptance.Facebook: https://www.facebook.com/SigTutorials-113000172070671/Twitter: https://twitter.com/sigtutorials100. The College FixThe College Fix offers paid internships to college students and recent graduates in the spring, summer and fall each year. If you are interested in exploring a career in journalism and honing your skills, apply for one of the available positions.Facebook: https://www.facebook.com/TheCollegeFixTwitter: https://twitter.com/collegefix101. Skilled SurvivalIf you have experience in the survivalist area, this website would like to see examples of your work. Submit samples of your best efforts for consideration. If you are a good fit, you can expect competitive pay for quality work.Facebook: https://www.facebook.com/SkilledSurvivalSite/Twitter: https://twitter.com/justincasejack

Here’s a master overlook at networking as a screenwriter.How to Get Your Networking StartedThe old adage is that nobody is really from Los Angeles. While there are certainly a million examples to the contrary, the point of the saying is really that people come to Los Angeles — in this case, Hollywood — in pursuit of a dream, whether it’s screenwriting, acting, directing, or any other hopeful vocation within the film and television industry.Thus, when you first arrive, chances are you don’t really know anyone in the industry. And in this industry, who you know can be the difference between you achieving that dream or never seeing the light of day to give insiders the chance to see what you’re capable of.Agencies, management companies, studios, and production companies usually don’t read unsolicited material. This is part of that filtration process that they are forced to adhere to because there are so many people trying to do what you’re doing. It would be impossible to read everything. And unfortunately, frivolous lawsuits are abundant, forcing these companies and individuals to protect themselves from those that would lay claim to their projects.That leaves screenwriters wandering aimlessly, never knowing where to go and how to seek out those willing to read their work.So I’ll share some maps that you can use as a screenwriter.But Before You Begin this JourneyFirst and foremost, you should be working on your writing before you take anything to anyone. In fact, you should have at least three to five solid writing samples before you even attempt to utilize any network you have or create — before you navigate through the below maps that we will lay out for you.And when you read the phrase solid writing samples, know that these scripts have to be your best work. Examples of your best efforts that you will use to showcase your talent and prove that you are worthy of that option, acquisition, or assignment. And all too often, your first couple of screenplays won’t be part of that sample group because those first scripts are always your worst. Those are the ones where you’ll make the most mistakes and hopefully learn, adapt, and evolve as a writer.When that is done and you truly have worthy scripts to market, you must lay out a figurative map of yourself.#1 Mapping YourselfThis map encompasses relationships in your life. The center point of that map is you. Beyond yourself, it’s those who you are closest to — family and relatives. Then come your friends. Then your acquaintances and peers. After that, you play the six degrees of separation game where you seek out friends of family/relatives, friends of friends, friends of acquaintances/peers, and so on.Building a network of contacts starts from the center point — you — and grows in radius in the above fashion. You must work to exhaust any and all personal contacts as you reach out wider and wider until something hits. And even when something does hit, you keep going because you never know when you’ll need more.Personal relationships like these will often be your first, and sometimes best, introductions to the film industry. They know you. Hopefully they like you or have heard good things about your work. But also understand that personal relationships offer no guarantees. Yes, it would be fantastic to be the son, daughter, niece, nephew, or cousin to a true industry insider, but even with such close relationships there is no promise unless the work is something they can and are willing to move on.And you must always understand that just because that relative, friend, or peer is in the industry, this doesn’t mean that they can help you.Ken Anecdote: Early on in my screenwriting journey, I had — and still have — a close family friend whose son is a major film actor. I’ve been to their house and I’ve had Thanksgiving dinner with them. Despite their status, there was not much they could do for me. Yes, they have major representation, but that doesn’t take away from the fact that the script I would give them would have to go through the same filtration process that every concept and script has to go through. Unless the contact is a Tom Cruise-type major star that falls in love with your script and wants to get it made, there are no promises. They’ll do what they can. Don’t have high expectations.#2 Mapping Your GeographySo now that you’ve exhausted that personal relationships map, it’s time to shift to the geographical locations that you have been attached to in your life. In this map, you generally won’t have any personal relationships to utilize. Instead, you’re reaching out in hopes to find some other connection.You start with your home town. There’s often an instant intimacy when someone shares the same home town as you. And the smaller the home town, the more kismet the insider may feel towards you. After your home town, you shift to your home state. While this isn’t as intimate as sharing a home town, it still means a lot if an insider from a state outside of California finds one of their own knocking at their door — figuratively speaking, mind you. Don’t go knocking on their door.And then you move to fellow college alumni. Much like the intimacy of sharing a home town, sharing a college can often be seen as a kinship. And as always, that six degrees of separation game can work well using geographic locations — “My best friend went to USC.”As you approach these types of possible contacts, you want to be sure to open your email query with a nod to that connection.“I’m from Wisconsin as well.”“We grew up across town from each other.”“Go Packers.”“Go Badgers.”The cynical will say that you shouldn’t be that loose in a “professional” email exchange, but the truth is that these insiders are often getting their asses kissed every day of the week and are likely drowning in bravado, facade, and industry formalities. It can be a breath of fresh air to hear from someone that has a link to your past — especially if you have an amazing logline for your script right below it.Ken Anecdote: Two early successes in my career came from such geographical links. When I was shopping my first notable script after leaving my studio job to pursue my writing full swing, I looked to both the state and the alumni connections. This lead me to an online group that consisted of Hollywood professions from my state’s major college. Despite the fact that I didn’t officially attend that college beyond one screenwriting course, my wife was an alumni — and the college was based in my home state. After sending email queries to a select group of them, I had a script request from a Paramount junior executive. This lead to them connecting with a contact of their own after the script tracked well. Suddenly, I had a manager based off of that referral, which then lead to meetings at Sony, Disney, Warner Brothers, Universal, and Dreamworks for my first notable screenplay.Ken Anecdote #2: When I moved back to Wisconsin to raise my family close to home, I had a Lionsgate deal under my belt, but nothing else. A couple of years went by and I thought the geographical relocation to my home state wasn’t going to allow me to continue my screenwriting career to a notable degree. And then I got an email from a prominent producer. I was heading a local screenwriting group and he contacted me, saying that he was a Wisconsin native and if he could help in any way, he’d be available. With further conversation, I decided to take a chance and pitched him a couple of my scripts. He requested them, loved them, and later hired me for two paid writing assignments — one of which went on to become a produced miniseries, top twenty show overseas, and top two show on iTunes.#3 Mapping Your Industry ExperienceNow you need to go look for jobs within the film and television industry that will implant you into that world. You must utilize the first and second maps to either push your screenwriting or to nab yourself a key industry job. These are the most vital contacts that you will make. They not only afford you the ability to network directly with industry insiders, they also give you necessary experience that you can apply to both the development and writing of your scripts, as well as the marketing of them.In mapping out your industry experience to build your network of contacts, you first start with your industry job. Now, as the link above will showcase, such a job could be anything from an internship, an assistant position, and up — as well as below with jobs in studio facilities, security, as a barista or waiter in studio restaurants and coffee shops, etc. Whatever position you can find within the studio system or overall film or television industry is a perfect start.Hitting up your direct co-workers and superiors in that industry job should always be handled with care. If you’re constantly pitching your scripts and asking for help, you will be looked upon as less of a valuable employee and more as just another opportunist. You don’t want that because such a bad reputation will spread and limit your future opportunities. So you must be subtle.And remember, just because you’re working for a major production company and producer doesn’t mean that they will surely read, consider, and produce your scripts. They likely won’t. But that doesn’t mean that a moment of opportunity won’t present itself. Just choose those moments wisely.After that, you move to the industry contacts that you make in your job. If you’re an assistant, you are likely going to meet many, many people — other assistants from other companies, producers, executives, managers, agents, etc. — during your day-to-day.With most industry jobs, especially within production companies, agencies, management companies, and studio offices, you’ll often take part in networking meetings, gatherings, and events. In fact, many assistants and junior executives are required to set up such meetings to expand their network. It could be drinks, lunches, or dinners.As with co-workers and superiors, you always want to choose your moments wisely during these events. Be subtle and wait for moments where you can casually point to the fact that you’re a writer and have certain projects that might interest them.And then, as always, work those six degrees of separation that you may come across.Ken Anecdote: I took a job at Sony Studios security when I moved across the street from the studio and wanted to get behind those walls. I slowly worked my way up to the VIP North Thalberg gate, where I would see and converse with the studio’s major executives on a daily basis — as well as major talent, producers, agents, and managers. I parlayed that into my studio liaison job where I worked with all incoming film and television productions, as well as incoming executives and production companies.Part of my job was making studio ID badges for them. When one new development executive came in as his offices were being occupied on lot, we got to talking and I saw an opportunity in the discussion to ask if he was looking for script readers. I had interned for director Randal Kleiser (Grease, Flight of the Navigator) as a script reader a year prior. By good fortune, this executive was looking for a new reader. I offered my services, he read some sample coverage, and my career in Sony development as a script reader and story analyst began.When you are marketing your scripts, it truly is important to go in with a plan as you try to build your network of industry contacts. Otherwise it’s like staring into a vast, deep blue ocean where you’ve been told that no one will be ready, willing, or able to read your work — thus, you need to know someone.Any journey requires a map to get you headed in the direction you want and need to go. While you can and should venture off of the beaten path to achieve your screenwriting dreams, you should use these above three maps to make the journey all the more easy.“It’s who you know,” they say. Well, you’ll quickly find with these three maps that you can and will likely know more people in the industry than you could possibly imagine.How to Network at Industry EventsWhat are the realistic networking goals that screenwriters can achieve when attending film festivals and writing conferences?Building an actionable list of industry contacts is the key to making your own luck as a screenwriter by building relationships that can get you — and your screenplays — the necessary attention that is needed to break through those Hollywood walls.The best way to accomplish this is by attending the networking events that attract industry power players — agents, managers, development executives, producers, and talent. And make no mistake, film festivals and writing conferences are often less about the films and the discussion of craft, and more about the industry mingling that goes on in between.The films and the various panels are essential learning tools, but the real benefit of attending these events is the freedom to talk to those that can make a difference in your career.With that said, sometimes screenwriters either go in with high expectations — expecting A-listers to read their scripts or buy their pitch — or they come out of those events feeling somewhat unfulfilled. Here you are surrounded by Hollywood and indie decision-makers, yet you get next to nothing out of the experience.The key is to go into those situations with realistic goals. You need to ask yourself:Who can I meet?How can I meet them?When is the best time to attempt that?What can I accomplish during that interaction?How can I follow up with them in the future?Those are the five questions that you need to find answers to, and the five questions that will generate your game plan going into those events. But before you take action, you must understand that the goals you make for those events have to be achievable. You can’t expect to make a sale that day. You can’t expect to become Best Friends Forever with an A-list star, director, or producer. You can’t expect to hand your script over and have them flip out over it, clawing at you to stop and consider their offer. It’s not going to happen.With that in mind, here are three achievable goals that you can realistically accomplish at film festivals and writing conferences.Stop, Wait, BreatheBefore you start buying your event tickets, you need to make sure that you’re ready to network yourself and your work.All screenwriters tend to jump the gun because they’re excited about the script they’ve just finished. Too many screenwriters try to go out and market that first one.You’re doing yourself no favors.You need to stop, take a minute, and breathe.Building a network in the film and television industry is about mutual benefits. There is no charity given, no matter how pleasant and approachable those industry insiders may be. Agents, managers, development executives, and producers will only connect with newcomers that have appealing projects and a clear sense of worth — business-wise.Before you get cynical about that statement, remember that you are at these events to use those types of people the same way. You are trying to progress your own career, and that is why you are trying to network with those that can help you accomplish that. That’s where the mutual benefit comes into play.Mutually Beneficial ConnectionsYou have to bring something to the table. And what you bring to the table has to be amazing. If you only have one script that you’re marketing, that one script should be outstanding. The concept should be something that is going to draw their attention. If it’s just another version of your favorite movies — another quirky drama, another quirky comedy, another bland action piece — the event you paid money to attend will prove to be a waste from a networking standpoint.So make sure that what you’re pushing is worthy, unique, and different. Something they haven’t seen before or a new angle to what they have seen before that’s proven to be a success.Go in With a Stacked DeckThe best option is to go to these events with three to five amazing scripts already written. If you have to postpone going to an event to get to that point, it’s well worth the wait.It’s not enough to have ideas for more screenplays other than a single one you’ve written, mind you. They have to be written and ready to go.Here is a common discussion thread at film festivals and writing conferences. To set the stage, imagine that you’ve managed to accomplish one of the three goals we’ll mention below. You’re having a discussion with an industry insider, and you’ve found your opportunity to drop a quick pitch.You: “So I’ve got this science fiction piece about a robot sent back from time to assassinate someone. It’s Terminator meets In the Line of Fire.”Producer: “Oh, that’s cool. What else do you have?”Let’s stop right here. Their question is the most common question you will receive in almost every interaction with a Hollywood insider. You’ve pitched them something, it obviously didn’t make an impact on them as something they want to explore, but you’ve captured their interest enough for them to want to see what else you have in that screenwriting bag.That’s why you want to have at least three to five things to pitch or talk about when you are at a networking event. You never know what is or isn’t going to pop for whoever you are speaking with.Back to the conversation…You: “Well, I’ve got some awesome concepts. I’ve been working on this one, a contained thriller, where a U.S. astronaut and Russian cosmonaut are the sole occupants of the International Space Station when World War III occurs…”Producer: “Oh, I like that.”You: “Yeah. They’re both patriots for their own country. But the thing is, Russia launched their weapons and the U.S. retaliated. The world as we know it is over, right?”Producer: “I’m with you…”You: “So the whole story is about how the politics and tensions that were evident down on Earth between those countries is now carrying over to these two sole survivors.”Producer: “Brilliant. Love it. I’ve been looking for something like that. Why don’t you send the script over to me tomorrow? I’ll check it out on the plane ride back.”You: “Oh, well, I actually haven’t written it yet. It’s just been… you know… swimming in my mind…”The conversation regarding that project is over. Sure, they could leave the door open for you to send it to them when you’re done, but that could be months later. And by that time, they’ve likely been to dozens of other events and have been working on dozens of other projects.That’s why it is so important to go into these events — or any marketing plan — well-prepared.If it means going to the film festival or writing conference next year instead of a couple of months from now, take solace in the fact that you’re going to go in there next year with everything you need.Loglines and Short Synopsis ReadyYou must have amazing loglines for all of those scripts ready and at your disposal. Loglines are your quick sell, and when you’re at these events, you have to deliver that elevator pitch when opportunities within the conversation arise.So before you go to these events, have loglines and a short synopsis ready for each of your scripts. Know them forward, backward, inside, and out. Practice alone. Practice with family, friends, and writing peers. Inject excitement with some emotion. Within a discussion, you can’t just stop and recite a logline or synopsis. You’ll sound insincere with a lack of passion. You have to have a performance ready that feels genuine — that showcases your passion for the story.Okay, now that you’re ready, here are those three achievable goals that I promised.1. Find the Bars and Mingling AreasFilm festivals and writing conferences aren’t just about the publicized events and gatherings. You need to find the bars and areas that most of the real industry insiders go to. If you don’t drink, have a glass of soda and act like your inhibitions are gone. You never want to overdo it if you do drink obviously. Getting drunk will often do you no favors. Have just enough to break the ice and loosen you up. And if you’re not drinking — no problem. Just have something in your hand and be approachable and conversational. It always helps to have a friend there with you as well.And then mingle. Be social. But do not, in any way, shape, or form, tell them that you are a screenwriter. If you mention that to any of them, the conversation instantly turns superficial. Wait for them to ask you what you do.And give them their space. Trying to corner industry insiders in between screenings or panels is the worst time and place to attempt a conversation. They are likely on a tight schedule, and their only free time may be in between those events where they can take a breath, get a bite to eat, make some calls, check their emails, or go to the bathroom. Don’t be the one to prevent them from doing that.Bars and the designated mingling areas are the places to be.Okay, your first goal has been achieved.2. Find Organic Opportunities in the DiscussionSo they’ve finally asked what you do — or you’ve found a subtle way to make that segue. Be humble when that happens. Be nonchalant. Don’t go into your loglines and toss them out rapidly as most do. Just say, “Oh, I’m trying to shop a couple of projects. Specs.” Then wait and see if they ask you about them. If they do, recite your logline for the best one. Even better, use what you’ve learned in the conversation before that — where you ask them what they do — and ascertain what may be the best script of yours for them. And then take it from there. If they react and want to know more, great. If not…3. Leave with Business Cards or Contact InfoIf they don’t jump at the chance to hear more about your concepts — no worries. The last thing you want to do is blindly say, “I’d love to send you the script.” You’ve immediately put them in an uncomfortable position. Just keep befriending them, and at the end of the night, ask for their card or something to keep in touch. Then you can perhaps hit them up later. Leave with some business cards to some industry insiders. People that can really make a difference or connect you somehow down the line. And keep those in your pocket for a while.Your moment with them at that event is the equivalent of a free pass to contact them later — it’s your in. You can email them and honestly say, “Hi John. We met at the festival last month…”Whether they remember you or not at this point is out of your control. But you have their email and have given them a point of reference as to how you know them. That’s more than you had before.There you have it — three achievable and realistic goals. You can now go to those film festivals and writing conferences with grounded expectations accompanied by three grounded goals. Everything else that happens beyond that point is up to the screenwriting fates.If you need more motivation, assign a specific number of business cards or contacts that you want to leave with. The more you have, the better the odds of someone saying yes when you ask them to read your script.Query EmailsAh, the query letter. A novice screenwriter’s first line of contact with the powers that be. Many approach writing them with trepidation and insecurity, thinking that if they write too little, too much, or the wrong things, it could mean the very end of their screenwriting hopes and dreams before they even really have a chance to get started — that’s the mindset of a writer at least.However, it’s not as complicated as screenwriters make it out to be.Below are some pointers and directives for writing the perfect query letter. These are proven methods from the perspective of a screenwriter seeing success as a result of the implementation and from the perspective of an assistant, intern, or powers that be receiving them.I’ll take all of those directives and showcase examples to prove how simple it can be to write effective query letters.1. No Snail MailFirst and foremost, don’t send paper query letters through the mail. Generally speaking, they will often be ignored and thrown away.In this day and age, for query letters, email is the primary form of communication, and the content should be within the body of an email, not as an attached document. Email is easy to discard, easy to file, easy to access, and easy to reply to. We live in a digital world, and it’s time to accept that if you haven’t already.And yes, you’d be surprised how many of the powers that be answer their own emails.2. Send Them to the Right PeopleYou have to do your homework. You have to be an excellent researcher. The worst thing that you can do is blanket send your query to all of the major production, management, and agency companies. That will do you no good.Sign up to IMDBPro, look up movies that fall under the same genre and scope, and approach those production companies and the representation that represents those writers.Read the trades (The Hollywood Reporter, Variety, Deadline) to familiarize yourself with the movers and shakers in the film and television industry. You’ll often learn a lot about who is buying and developing what.3. Address Them to Individuals, Not “To Whom It May Concern”One of the most common mistakes screenwriters make is using the same query content and starting with To Whom It May Concern. It’s impersonal and shows a lack of effort on your part.That said, when you do address a particular person, make sure you spell their name correctly.Hollywood is also fairly informal. Use “John” rather than “Mr. Doe.” While this can be handled on a case-by-case basis, depending upon the stature of the individual you’re addressing, experience has shown that using first names blends in better with their daily interactions4. It’s Not About You, It’s About Your ScriptAvoid going into depth about yourself. It’s awkward to read and awkward to respond to.Everyone in Hollywood loves movies. Most have wanted to work in movies since they were kids. Most have struggled to break through the Hollywood walls. This isn’t news to anyone. Thus it’s a waste of space.Hollywood is a fast-paced environment and all-too-often the powers that be don’t have time for those trying to pull their heartstrings.Beyond that, if you have film or television industry credits or work history, by all means, make mention of them briefly, but anything beyond that just isn’t necessary.Lastly, if you don’t live in the Los Angeles area, make no mention of that initially. If you go on and on about how you’re living in the Midwest (or anywhere else) and long to work in the film industry one day as a screenwriter, you’ll likely shoot yourself in the foot from the get-go. The powers that be, and their underlings, are looking for a reason to say no due to the many submissions they get. Don’t give them that opportunity or excuse. Let them fall for your concept first.5. Be Informal, But Not TOO InformalYou want to blend into their normal daily correspondence as much as possible. There’s nothing worse than a wooden message with overly articulated sentences and unnecessary vocabulary enhancement. Those types of emails stand out like a sore thumb and they reek of desperation. Keep it simple.While many screenwriters make the mistake of being too formal, others take informal to an uncomfortable extreme.“What’s up my brother?”“’Sup John?”“I’m just trying to make it happen, man. Help me out?”Don’t be that informal.“Hi” and “Hello” are good openers. “Hey” can be played with on a case-by-case basis.You basically want to approach them in a casual business sense, as one would in a day job correspondence within an office environment.That said…6. Don’t Tell JokesWhen some screenwriters grasp the fact that you don’t want to sound too wooden and boring, they sometimes feel that humor is the answer, thus they waste 2-3 sentences telling a funny anecdote. Avoid that at all costs.7. Get to the PointOpen with a brief sentence introducing yourself and why you are contacting them. Tell them that you hope the day or week is going well. Then go directly into your logline.8. The Logline is EverythingConcept is everything in Hollywood. Your logline is your selling point. In the end, that is all that will matter to the powers that be when they read that email query. ScreenCraft has covered this well in How to Write Effective Loglines. You can also find loglines for any existing movies on IMDB.It doesn’t matter what genre you’re writing in. These loglines need to give a clear and concise view of what your project is and what the appeal may be.A quirky family determined to get their young daughter into the finals of a beauty pageant take a cross-country trip in their VW bus. (Little Miss Sunshine)A group of seven former college friends gather for a weekend reunion at a South Carolina winter house after the funeral of one of their friends. (The Big Chill)A man creates a strange system to help him remember things so he can hunt for the murderer of his wife without his short-term memory loss being an obstacle. (Memento)A thief who steals corporate secrets through use of the dream-sharing technology is given the inverse task of planting an idea into the mind of a CEO. (Inception)When a teenage girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter. (The Exorcist)A fast track lawyer can’t lie for 24 hours due to his son’s birthday wish after the lawyer turns his son down for the last time. (Liar Liar)Write some amazing loglines that get to the core of the concept and engage the reader.9. It’s Jurassic World Meets Star WarsFollow your logline with a comparison of two or more films. This places your concept into a certain context that the powers that be can understand quickly.Be sure to use successful examples, mind you. You can’t sell the genre and tone of your script well with It’s Showgirls Meets Battlefield Earth. You need to use solid examples of successful or critically heralded films, and you need to be sure that you’re being fully honest and humble as well. It would be tough to live up to It’s Citizen Kane meets Casablanca.10. Confidence NOT ArroganceYes, the powers that be want confident writers that they can trust to write great material. What they don’t want is arrogance. There is a difference.“Your company needs a script like this.”“This is the next Best Picture.”“This script has Oscar-worthy roles.”“Hollywood needs a script like this.”“There’s a lot of big people in Hollywood interested in this so you should jump on it quick.”These are all terrible one-liners that everyone in the film and television industry has read and quickly discarded. Don’t be the next to write them because it will mean instant rejection.11. Email Subject HeadingThis is probably one of the most important elements, believe it or not, because that’s the first thing the powers that be will see. Thus, what you don’t want to do is have the email scream amateur.“Looking to sell my script.”“Script for consideration.”“Looking for a producer for my script.”“Representation.”Those, and many other examples, all scream amateur.Again, the trick is to blend into their regular correspondence as much as possible. Subject headings that have worked include:“Johnny Screenwriter” – Just putting your name in the heading forces a click because it could be one of their contacts referencing someone.“Jaws spec” – Using the title of the script, accompanied by an industry term, is also something that forces a click. One could argue that you should use script instead of spec, so as to not scare them away, but you can try both and see what has more success.“Hey Steven” – It’s informal and could be anyone that they know or they’ve come across in the past. One could argue that this is too informal, but it’s worked.12. Utilize Any and All Contacts, No Matter How Many Times RemovedIf you have a connection with them, utilize it. Those are the people you should be going to first. If they know someone you know, that’s your opener right there. If you met them at an event or gathering, start with that. If they are an alumni from your college, “Go Badgers.” If they are from your home town or state, play that up. Who do you know that is working in the business? Who do you know that knows someone that is working in the business? It doesn’t matter how many times removed you are because it’s an opening that you can use to connect with them. It doesn’t always work, but it betters your odds.13. Thank Them and Then Leave Them AloneGet out as quickly as you got in and then thank them for their time.If the logline intrigues them and the concept is something that they are looking for, they’ll get back to you. If not, move on.14. Don’t Sit by the Computer WaitingSometimes it doesn’t matter how great your concept is or how great your query may be. The worst thing you can do is obsess and wait by the computer clicking refresh over and over waiting for a response to come in.You have no control over what they want or don’t want. You’re powerless in that respect so how silly would it be to waste your time, energy, and emotions on waiting for a response?Keep grinding on and keep sending those queries out. If you have great concepts, great loglines, and take it to the right people, someone will bite.15. Be Prepared for SuccessBe careful what you wish for, right? All too often, screenwriters are taken by surprise with a reply from the powers that be. Now you have the chance of a lifetime, but perhaps your script isn’t ready? Maybe it’s not correctly saved to PDF format, and your software is out-of-date? Perhaps the script is full of typos and grammatical errors and you haven’t had a chance to proofread it yet?You need to be prepared for success because it will often come when you least expect it.Your script needs to be ready. You shouldn’t be marketing anything that isn’t the best you could possibly make it. And if you really want to be prepared, don’t send out any queries until you have at least three solid scripts because if they like the script you’ve sent, the first question is always, “What else do you have?” If the answer is nothing, then to them you’re not worth the money and risk.So What Does a Perfect Query Letter Look Like?Well, as is always the case in Hollywood, there’s no one road to success. These directives will allow you to better the odds of success, but in the end, it all comes down to being at the right place, at the right time, with the right person that needs or wants what you have.That said, here’s how simple a query letter could be written, with different variations.Example #1Hi Steven,Hope the week is going well. I’ve got a pulse-pounding suspense thriller called Jaws that I think would be great for Amblin.When a great white shark begins to menace the small island community of Amity, a police chief, marine scientist, and grizzled fisherman set out to stop it.It’s The Thing From Another World meets Moby Dick.Would love to have you take a look. Thanks much and let me know.Best,Johnny ScreenwriterExample #2Hi Steven,Hope the week is going well. Johnny Screenwriter here. Your driver George and I are old high school friends. He recommended I contact you for my spec script, Jaws.When a great white shark begins to menace the small island community of Amity, a police chief, marine scientist, and grizzled fisherman set out to stop it.It’s The Thing From Another World meets Moby Dick.Would love to have you take a look. Thanks much and let me know.Best,JohnnyExample #3Hi Steven,Hope the week is going well. I’m a former studio reader for Sony and used to work under John Calley, whom I’m sure you remember.I’ve got a pulse-pounding suspense thriller that I think would be great for Amblin.JawsWhen a great white shark begins to menace the small island community of Amity, a police chief, marine scientist, and grizzled fisherman set out to stop it.It’s The Thing From Another World meets Moby Dick.Would love to have you take a look. Thanks much and let me know.Best,Johnny ScreenwriterNote: We’re being tongue-in-cheek with using Steven Spielberg as an example. Don’t try to contact him or anyone of his stature through email. It won’t happen.Use these examples and the directives mentioned above to take the weight off of your shoulders and realize that query letters don’t have to be a source of trepidation and insecurity.In the end, it’s the concept that will matter. If you have a strong premise portrayed by an engaging logline, and if you market it to the right people, that’s all you need in the end. The rest is out of your control.Sure, the better option for marketing your script is making your own contacts in Hollywood and networking the best you can, but that’s obviously easier said than done.These directives have worked — many times — and you can create your own variations of the above examples. But in the end, just keep it simple. Do your research, feel free to take some shots in the dark, and just keep getting your concepts out there. Your odds of success increase with each and every query you send.Please Upvote, Share, Follow Me, and Follow The Tao of Screenwriting for more screenwriting and film industry insights. Ask me questions. Come visit this “dojo” for screenwriting, movie, television, film/TV industry insights, inspiration, writing exercises & best practices, tips, advice, and industry hacks. I’m here to help and share and inspire. This answer was adapted from articles I wrote on ScreenCraft.