Costume Measurement Sheet: Fill & Download for Free

This is going to be the longest answer I have written. So considered yourself warned. Definitely there's a hierarchy in the film crew but it changes little bit to drastically according to type and budget of the video or film.When working on any video production, it’s important to know the roles and hierarchy of the team. This way you know who to approach with questions and which person leads what department.So I'm putting the list of people involved and their responsibilities in a films.PRODUCER: (THE ALPHA )The producer is the initial contact for the project.They talk with the client to arrange the high-level goals and expectations. It’s their responsibility to assemble the production team. The director typically comes first. From there, they put together the necessary crew members. The producer usually stays involved throughout the project life cycle: pre-production, production and post-production.Producer has its own team depending on the budget of the film. His team usually consist ofCo-producer: Co-producer is a member of a team of producers that perform all of the functions and roles that a single producer would have in a single given projectExecutive Producer (E.P) : The executive producer oversees all of the other producers working on the same project. They make sure that the producers are fulfilling their roles on the given production. They can also be in charge of managing the film's finances and handling all other business aspects of the film.Line Producer: The line producer manages the staff and day-to-day operations and the oversees each and every physical aspect that is involved in the making of a film or television program.Segment Producer: A segment producer produces one or more single specific segments of a multi-segment film or television production.DIRECTOR-The director is typically the most involved person on and off set. They assist with assembling the right crew to get the job done. They make adjustments to the script to keep the video on budget and on time. They oversee all parts of the production. Questions get funneled up to them.And, when dealing with talent, the director should be the only one directing them.They oversee technical details as well, such as camera position, use of lighting and anything that effects the final product.Examples: Anurag Kashyap, Rajkumar Hirani, Christopher Nolan, David Fincher.Director has its own team too. It consists of1st Assistant Director ( 1st A.D) : This guy mainly responsible for scheduling on set. He wrangles talent, keeps the crew on time, and assists the director and producer. In some cases, the 1st AD also checks off the shot list, assuring lines are read as intended and the correct props are in the proper place.2nd Assistant Director: This guy distributes documents such as scripts and call sheets to the cast and crew. They also help supervise the set with the 1st AD.DIRECTOR OF PHOTOGRAPHY (DoP) / CINEMATOGRAPHER:DoP and cinematographer are usually the same. Some insist that the cinematographer title only gets used when the DoP is also the camera operator.Either way, the DoP is in charge of the lighting as well as the camera. In some cases they work along side the lighting director.Examples: Anil Mehta, Gordon Willis, Roger Deakins.DoP and Director are the most involved people in the production phase and they do work by help of each other. His team consists ofCamera Operator: He is the person in charge of working the camera to capture the scenes.2. 1st Assistant Camera: He is often the focus puller.Their job is to make sure the shot is always in focus. On smaller productions, the camera operator will also handle this job.3. 2nd assistant camera: He is the person who writes all of the shot information on the slate and holds it in front of the camera before each shot.The slate (or clapboard) is the device you write all of the shot information (shot number, take number, etc) as well as the clapper to help sync sound.4. Gaffer: He is responsible for the design and execution of the lighting plan on set.They work closely with the DP to make sure everything is lit correctly. Also referred at as the Chief Lighting Technician.5. Key Grip: He is in charge of supervising camera cranes, dollies, lights, platforms and all on set equipment.6. Still Photographer: This guy takes behind the scenes pictures for later promotions.He also takes photos between two scenes to match the sequences.SCRIPT WRITER:Scriptwriters are the incredibly talented people who write scripts. Creating characters, crafting dialogue and writing an engaging plot are all part of a scriptwriter’s job.ART DIRECTOR :Art director develops, coordinates, and oversees the overall design of the production and is responsible for everything you see on screen. On a smaller crew, this is also the Set Designer.His team consists ofStandby Art Director: The standby art director monitors the art department's work on set during filming on behalf of the production designer.2. Assistant Art Director: The first, second and third assistant art directors carry out the instructions of the art director. Their work often involves measuring locations and collecting other pertinent information for the production designer.3. Set Designer: The set designer is the draftsman, often an architect, who realizes the structures or interior spaces called for by the production designer.4. The illustrator: This guy is genius.He draws or paints visual representations of the designs to communicate the ideas imagined by the production designer.5. Graphic Artist: The graphic artist is responsible for the design and creation of all graphic elements, including: signs, billboards, posters, logos, nameplates, and automotive-wrapping that are created specifically for the film.6. Set decorator: He is in charge of the decorating of a film set, which includes the furnishings and all the other objects that will be seen in the film7. Greensman: The greens man is a specialized set dresser dealing with the artistic arrangement or landscape design of plant material,sometimes real and sometimes artificial, and usually a combination of both.8. Green Scenic: This guy is responsible for the surface treatments of the sets. This includes special paint treatments such as aging and gilding, as well as simulating the appearance of wood, stone, brick, metal.9. Props Master : This guy take cares of the props needed to be in the film, like Iron throne in game of thrones.He is in charge of finding and managing all the props that appear on screen. His job is to construct all custom props that are needed for production. Also referred to as Props makerPRODUCTION DESIGNER :The production designer is responsible for creating the visual appearance of the film. Working closely with the DP and Director they are in charge of the look of all settings, costumes, character makeup, and more.Also known as the Creative Director.MUSIC DIRECTOR: Music director for movies are business management professional who select the music used in movies, also called music supervisors.They oversee the composer and other musicians involved in creating music for a movie. Music directors who work on films create the atmosphere of a movie through the soundtrack selection.SOUND RECORDIST: He is the head of the Sound Department on location and is responsible for the operation of the audio Mixer and Recorder(s) which receive feeds from the microphones on set.Boom Operator: The boom operator, first assistant sound or "1st AS", is responsible for utilizing microphones on the end of boom poles (lightweight telescopic poles made of aluminium, or more commonly, carbon fibre) held above actor's heads during a scene to capture dialogue.Second Assistant Sound: The second assistant sound, sound utility technician, or "2nd AS", is the assistant to the boom operator and is responsible for moving and preparing sound equipment for use around the set while the boom op watches rehearsals and prepares for the next shot,COSTUME DEPARTMENT :COSTUME DESIGNER :This guy is responsible for all the clothing and costumes worn by all the actors that appear on screen. His team consists ofCostume supervisor: The costume supervisor works closely with the designer. In addition to helping with the design of the costumes, they manage the wardrobe work-space.Key costumer: The key costumer is employed on larger productions to manage the set costumers.They also handle the star's wardrobe needs.3. Costume standby: The costume standby is present on set at all times. It is his/her responsibility to monitor the quality and continuity of the actors and actresses costumes before and during takes.4. Breakdown Artist: I love these guys. These people make new clothes into the desired format. They can turn this Jon Snow’s new outfitinto thisorinto this. This specialized job includes making new clothing appear dirty, faded and worn.5. Costume buyer: He is the one who buys all the costumes required.On large productions a buyer may be employed to source and purchase fabrics and garments.6. Cutter: A costume technician who fits or tailors costumes, usually on set.KEY MAKE-UP ARTIST :The key makeup artist is the department head that answers directly to the director and production designer. They are responsible for planning makeup designs for all leading and supporting cast.His team consists of,A special effects make-up artist: They work directly on the actors to do live makeup.They works with live models or structures in the entertainment industry, applying make-up effects or prosthetic.2. Make-up supervisor: The make-up supervisor is a supporting position that normally reports to the key makeup artist to assist in running the makeup department.3. Make up artist: Make-up artists work with makeup, hair and special effects to create the characters look for anyone appearing on screen.They assist and report to the key make-up artist.4. Key hair: The key hair is the department head that answers directly to the director and production designer.The key hair will normally design and style the hair of lead actors.4. Hair stylist: He is responsible for maintaining and styling the hair, including wigs and extensions, of anyone appearing on screen. They assist and report to the key hair.SPOT BOYS: “Spot Boy” is the respectful phrase for Helper on the shooting floor. Taking care of the shooting spot technicians & actors, is the main Job.Who gets the more money?Well there is no fixed payments in the film industries as this field mostly deals in terms of shares of the final product, freelancing and per projects. Some of the jobs has fixed salaries like, spot boys, focus pullers, gaffers.Though I will give you brief explanation about income of these artists.Hefty Highly Paid:These people has fixed percentages of shares in the films. Producers and popular directors comes under this category. Sometimes popular actors like tom hanks, aamir khan, akshay kumar comes into this category. Expected returns through shares ranges from 5 crores to 100 crores. It can go higher since it depends on the production house’s capability to invest.Highly Paid:Directors like directors of photography, music directors, art directors and singers comes under this category. Pay scale ranges from 20 lakh to 3 crores.Decently Paid:Artists like, assistant cameramen, make up artists, boom operator, hair stylist comes under this category. Pay scale ranges from INR 50,000 to 5 lakh.Thanks for reading till the end :PFootnotes:Selected Film Crew Titles- Duties- Responsibilities- Salary In Production & Art DepartmentCamera Operator Job Description | AllAboutCareers

Liberace was a very good pianist technically. He was a child prodigy and originally played classical music. I have some sheet music of popular songs arranged as Liberace played them: his own Boogie Woogie, a ragtime number, etc. They reflect an original approach to the music — sort of his own patented Liberace style — and are a little challenging. Liberace knew his way around the keyboard. He was at least as good and very possibly better technically than his pop piano contemporaries such as Roger Williams, Ferrante & Teicher, etc.I say he was a very good pianist “technically” because Liberace was basically a piano entertainer. The real measure of great pianists is not just technical skill. A certain level of technical skill is a given when it comes to professional pianists. What really makes a pianist great is the ability to grow as an artist and find new ways to improve interpretation of the same music. A pianist may record a particular piece of music at the age of 25 and then come back to that music at the age of 50 and find totally different nuances in the music. This is commonly seen with the greatest classical and jazz artists.Piano entertainers usually don’t worry about musical growth because they are entertainers. They may very well play a piece of music pretty much the same way at age 60 as they did at age 20. There’s little or no interpretive growth. Some “serious” musicians think that’s awful, but there’s nothing necessarily wrong with it. It’s just a function of what the pianist is trying to do. Entertaining is an art unto itself, and Liberace was very good at entertaining.Liberace did tend to change over the years as an entertainer, and his longevity was quite amazing given that his career was a product of the 1940’s and 1950’s. He was still going strong until shortly before his death in 1987, and at one point he was the highest-paid entertainer in show business. They didn’t call him “Mr. Showmanship” for nothing. Over the years his sequined costumes got wackier and wackier, and he was an inspiration for performers such as Elton John. But his music eventually played second fiddle to his rather gaudy stage shows and flamboyant lifestyle, both public and private.Liberace began as a classical pianist, but he once said that in his heart he knew he wanted to be an entertainer. Did he make the right decision in becoming an entertainer instead of a concert artist? I think he did. The classical world is brutally competitive, and while Liberace probably had the ability to compete in the world of concert piano playing he would not be remembered in the same way. For better or worse, love him or hate him, Liberace will always be remembered as an American original.

Seriously, why is this in question? Perry White is an irascible man who in the end cares about people, the paper and integrity. JJJ has a bigger rap sheet.Criminal activities of J Jonah Jameson.Libelous accusations without evidence regularly printed in the Daily Bugle. Such yellow journalism can lead to class action lawsuits at the very least and he knows it.Falsified news stories about various people including many costumed crime fighters. All to further his smear campaign against them and incite the public. Personal vendettas do not make for good journalism and could lead to legal action by the state.Inciting public riots through the news media and issued out company funds to place a bounty for the capture of Spider-Man. Such a bounty can only be issued for any information as the Daily Bugle is not a law enforcement agency or bail bondsmen.Used company funds for illicit activities such as paying for the construction of the Spider Slayers by Dr. Alistaire Smythe, the same doctor whose actions caused the death of his second wife, Marla Madison.Who he also hired to make Spider Slayers.Hired assassins like Daniel Berckhart, the 2nd Mysterio to eliminate Spider-Man.Filed fraudulent lawsuits against Peter ParkerFinanced illegal human experimentation by Drs. Farley and Harlan Stillwell, resulting in the creation of the super villains Scorpion and the Fly for the sole purpose of attacking Spider-Man.Assault at the controls of the aforementioned Spider Slayer as he attacked Spider-Man with them on multiple occasions.Attempted murder of his new daughter in law Jennifer Walters otherwise known as She-Hulk. Jameson once again used his Spider Slayer robot to try and slay She-Hulk. It failed, obviously, thusly adding stupidity to the list of reasons why he is not a good boss.All of it. Every single thing he ever did was out of the colossal ego of an insecure man.Unless your measure of a good boss is on what they can get away with without going to prison, I will have to go with Perry White as the better boss.