Application Amusements Multiplex: Fill & Download for Free

HT is not an application-visible feature, so all applications use it (most without even knowing it).HT is when one core fakes a second core. This is selected at hardware init time (by the bios), and appears to the OS as another core, which has to be booted separately (just like other real non-HT cores). I use "fake" here because the two virtual HT cores can never be executing the same thing at the same time: they are multiplexed onto a single physical core. The multiplexing is cycle-by-cycle, but is similar in principle to how an OS multiplexes multiple threads onto cores.An application may be HT-aware, and may specialize its thread usage to minimize the inefficiency introduced by HT. For instance, threads being run on HT cores that share a physical core will compete for cache and other on-chip resources. If the application knows that two threads spend most of their time in a tight, resource-bound loop (like DAXPY, or an image-processing kernel, or perhaps video compression), the application may request its threads to be on different physical cores.None of this has anything to do with the particular OS: this description is purely based on the hardware capabilities, which no OS can bypass. (Though of course an OS might not be aware of HT, and so may not be able to avoid some of HT's compromises.)The effectiveness of HT is, in a sense, best when the code is worst. For instance, compilers are often based on highly linked structures, using which means traversing pointers. Pointers are fast if the target is in cache, but large, linked structures spend most of their time waiting on DRAM. This means that a thread will be stalled most of the time - which is perfect for HT, since two stalled threads can be efficiently interleaved onto the same physical core. I'm not blaming compilers for depending on linked structures, of course, but it's amusing that any benefit from HT depends on stall-ridden code...

Here’s an analogy:UDP is like a 3 page holiday card sent in random order. You throw in mailbox and hope it makes it, but if it doesn’t, Auntie Maddy won’t be too upset. If she does happen to receive it, the mailman will for sure dump the pages on her doorsteps in random order for fastest delivery. UDP does not care that your Aunt’s dog is about the eat them or that the mailman even delivered it.TCP is like 3 page resume, stapled in page order. You need to make sure it delivers and be guaranteed that the recipient reads it in the order you sent. The mailman will make sure it goes in the mailbox. If something goes wrong, TCP cares and will try to resend.They don’t impact each other so much as they are used for different reasons. Use TCP for things that need reliability. Use UDP for “toss it over and who cares if it makes it” delivery.A good example would be DNS. Lookups from your PC use UDP, but zone map transfers between DNS servers use TCP.There is an interesting in-between protocol developed by Google called QUIC. It attempts to mimic the reliability of TCP without sacrificing the speed of UDP. If you use the Chrome browser and connect to YouTube, you’ll find that it’s using QUIC! I was mildly amused when I saw it in a packet dump from my home router.QUIC, a multiplexed stream transport over UDP - The Chromium Projects

I've been inadvertently preparing for this question for years. Feast, Quora. Feast on the contents of an old file I almost forgot about simply titled 'Cool Words'.Warning: I'm not sure all of these are common enough to technically count as English. I promise I found them all in works of English, but some writers are really obnoxious about justifying that minor in French or Greek or whatever. I like it; you may not.---Cool WordsMoietynoun: moiety; plural noun: moieties1. each of two parts into which a thing is or can be divided.Usufructa right of enjoyment, enabling a holder to derive profit or benefit from property that either is titled to another person or which is held in common ownership, as long as the property is not damaged or destroyed.Tableau1: a graphic description or representation : picture <winsome tableaux of old-fashioned literary days — J. D. Hart>2: a striking or artistic grouping : arrangement, scene3 [short for tableau vivant (from French, literally, living picture)] : a depiction of a scene usually presented on a stage by silent and motionless costumed participantsEcht: true, genuine <an echt New Yorker>hermeneutic1 plural but sing or plural in constr : the study of the methodological principles of interpretation (as of the Bible)2: a method or principle of interpretationscripturientadjective1. having a strong urge to writeTempestuous–adjective1. characterized by or subject to tempests: the tempestuous ocean.2. of the nature of or resembling a tempest: a tempestuous wind. tumultuous; turbulent: a tempestuous period in history.Jejune-adjective1. without interest or significance; dull; insipid: a jejune novel.2. juvenile; immature; childish: jejune behavior.3. lacking knowledge or experience; uninformed: jejune attempts to design a house.4. deficient or lacking in nutritive value: a jejune diet.Paroxysm–noun1. any sudden, violent outburst; a fit of violent action or emotion2. Pathology . a severe attack or a sudden increase in intensity of a disease, usually recurring periodically.Copasetic–adj.1. very good; excellent; completely satisfactorySemantic Satiation–noun1. a psychological phenomenon where repetition causes a phrase or word to lose meaning to its listener.Multiplicity–noun, plural -ties.1. a large number or variety: a multiplicity of errors.2. the state of being multiplex or manifold; manifold variety.Blithe–adjective, blith·er, blith·est.1. joyous, merry, or gay in disposition; glad; cheerful: Everyone loved her for her blithe spirit.2. without thought or regard; carefree; heedless: a blithe indifference to anyone's feelings.Junoesque–adjective1. Imposingly tall and shapely (esp. of a woman)Uti possidetis(Latin for "as you possess") is a principle in international law that territory and other property remains with its possessor at the end of a conflict, unless otherwise provided for by treatyAbysmaladj.1. Resembling an abyss in depth; unfathomable.2. Very profound; limitless: abysmal misery.3. Very bad: an abysmal performance.Burgeoning1 a : to send forth new growth (as buds or branches) : sprout b : bloom2: to grow and expand rapidly : flourishSaturnine–adjective1. sluggish in temperament; gloomy; taciturn.2. suffering from lead poisoning, as a person.3. due to absorption of lead, as bodily disorders.Bilious-adjective1. Affected by or associated with nausea or vomiting.2. (of a color) Lurid or sickly.Ultramontanism-noun1. a religious philosophy within the Roman Catholic community that places strong emphasis on the prerogatives and powers of the Pope. In particular, ultramontanism may consist in asserting the superiority of Papal authority over the authority of local temporal or spiritual hierarchies (including the local bishop).Repine-intransitive verb1: to feel or express dejection or discontent : complain2: to long for somethingBeaucoupslanggreat in quantity or amount : many, much <spent beaucoup dollars>Confreren. A fellow member of a fraternity or profession; a colleague.SvelteAdjective: (of a person) Slender and elegant.WillowyAdj.1. Bordered, shaded, or covered by willows.(of a person) Tall, slim, and lithe.StentorianAdjective: (of a person's voice) Loud and powerful: "he introduced me to the staff with a stentorian announcement"rac·on·teurNoun: A person who tells anecdotes in a skillful and amusing way.savoir-faire(SAV-wahr-fayr)noun: The ability to say or do the right thing in any situation; tact.ec·u·men·i·calworldwide or general in extent, influence, or applicationof, relating to, or representing the whole of a body of churches b : promoting or tending toward worldwide Christian unity or cooperationgas·con·adeNoun: Extravagant boastingun·pre·pos·ses·singAdjective: Not attractive or appealing to the eye.Cyclopean masonrya type of stonework found in Mycenaean architecture, built with huge limestone boulders, roughly fitted together with minimal clearance between adjacent stones and no use of mortar. The boulders are typically unworked, but are sometimes roughly worked with a hammer, and the gaps between boulders are often filled in with smaller hunks of limestone.Tessellateto form of small squares or blocks, as floors or pavements; form or arrange in a checkered or mosaic pattern.adjective: tessellated.syzygy: the nearly straight-line configuration of three celestial bodies (as the sun, moon, and earth during a solar or lunar eclipse) in a gravitational systemadj: SyzygialPhysiognomy-noun1. the assessment of a person's character or personality from their outer appearance, especially the face. The term physiognomy can also refer to the general appearance of a person, object or terrain, without reference to its implied characteristics.Nom de guerre-noun1. Noms de guerre (French phrase meaning "names of war" or "war names") were frequently adopted by recruits in the French Foreign Legion as part of the break with their past lives. They were also adopted by members of the French resistance during World War II for security reasons. Such pseudonyms are often adopted by military special forces soldiers, such as members of the SAS and other similar units, resistance fighters, terrorists, and guerrillas. This practice hides their identities and protects their families from reprisal; it may also be a form of dissociation from domestic life.Evanesce-intr.v. ev·a·nesced, ev·a·nesc·ing, ev·a·nesc·esTo dissipate or disappear like vapor. See Synonyms at disappear.Intuitor: (noun)- a person with a passion for learning and innovating that is so strong it is often more powerful than the desire to eat, sleep, or seek personal wealth.li·cen·tiousAdjective: Promiscuous and unprincipled in sexual matters.Strewnpast participle of strew (Verb)1. Scatter or spread (things) untidily over a surface or area.2. Cover (a surface or area) with untidily scattered things.cacodaemoniacaldaemonic.By extension of a person* : evillystatuesqueadj.Suggestive of a statue, as in proportion, grace, or dignity; stately.ProzeugmaThe prozeugma (also called the Synezeugmenon or the Latin praeiunctio) is a zeugma where a verb in the first part of a sentence governs several later clauses in a series.“Lust conquered shame, audacity fear, madness reason.”“Mr. Jones took his coat and his leave”“He [Mr. Finching] proposed seven times once in a hackney-coach once in a boat once in a pew once on a donkey at Tunbridge Wells and the rest on his knees.”Both determination and virtue will prevail; both dedication and honor, diligence and commitment.MesozeugmaThe mesozeugma is a zeugma where a verb in the middle of the sentence governs several parallel clauses on either side.“What a shame is this, that neither hope of reward, nor fear of reproach could any thing move him, neither the persuasion of his friends, nor the love of his country.HypozeuxisThe Hypozeuxis is the opposite of a zeugma, where each subject has its own verb."We shall fight on the beaches. We shall fight on the landing grounds. We shall fight in the fields, and in the streets, we shall fight in the hills. We shall never surrender!”ParaprosdokianA paraprosdokian is a figure of speech in which the latter part of a sentence or phrase is surprising or unexpected in a way that causes the reader or listener to reframe or reinterpret the first part."There but for the grace of God — goes God.""If I am reading this graph correctly — I'd be very surprised.”"You can always count on the Americans to do the right thing—after they have tried everything else.""If all the girls who attended the Yale prom were laid end to end, I wouldn't be a bit surprised.""I've had a perfectly wonderful evening, but this wasn't it."SusurrusNoun: Whispering, murmuring, or rustling: "the susurrus of the stream"LeonineAdj: of or resembling a lionArrivisteNoun1. A person who has recently attained high position or great power but not general acceptance or respect; an upstart.2. A social climber; a bounder.Derived from the French arriver (to reach or arrive), an arriviste is one that has recently or suddenly risen to an unaccustomed position of wealth or power and has not yet gained the prestige, dignity, or manner associated with it.Callipygous–adjective1. having beautifully proportioned buttocksSquamous–adjectivecovered with or consisting of scalessuppuratesup·pu·rateVerb: Undergo the formation of pus; fester.Aubergine– noun/adjectiveeggplanteggplant colored (dark purple)Mastodonic– adjectiveOf extraordinary size and powerBibliothecary– noun1. a librarianconcomitantAdjective: Naturally accompanying or associated.Noun: A phenomenon that naturally accompanies or follows something.Synonyms: adjective. attendant – accompanying noun. concurrentImmanentize the eschatonIn political theory and theology, to immanentize the eschaton means trying to bring about the eschaton (the final, heaven-like stage of history) in the immanent world. It has been used by conservative critics as a pejorative reference to certain utopian projects, such as socialism, communism, and transhumanism.[1] In all these contexts it means "trying to make that which belongs to the afterlife happen here and now (on Earth)" or "trying to create heaven here on Earth." Theologically the belief is akin to Postmillennialism as reflected in the Social Gospel of the 1880-1930 era,[2] as well as Protestant reform movements during the Second Great Awakening in the 1830s and 1840s such as abolitionism.immanentizeVerbimmanentize(third-person singular simple present immanentizes, present participle immanentizing, simple past and past participle immanentized)To make immanent.Immanent(comparativemore immanent, superlative most immanent)Naturally part of something; existing throughout and within something; inherent; integral; intrinsic; indwelling.Restricted entirely to the mind or a given domain; internal; subjective.(philosophy, metaphysics, theology, of a deity) existing within and throughout the mind and the world; dwelling within and throughout all things, all time, etc. Compare transcendent.(philosophy, of a mental act) Taking place entirely within the mind of the subject and having no effect outside of it. Compare emanant, transeunt.Being within the limits of experience or knowledge.ou·tré: violating convention or propriety : bizarreem·bon·pointn. The condition of being plump; stoutness.flâneuseYou may be familiar with the flâneur, a nineteenth century French character depicted by writers such as Balzac and Baudelaire. The flâneur was top-hatted and carried a long cane; he was a dashing young gentleman whose literary prowess allowed him to describe and analyze social customs, art, commerce,and politics in the modernizing city.Historians of nineteenth century France typically portray the flâneur as an exclusively male identity. Meanwhile, textbooks reduce nineteenth century femininity to a choice between being a housewife -- the "angel in the home" -- or a whore. Nineteenth century urban working women are assumed to have been passive, objectified, and exploited, certainly not willing, active participants in the burgeoning capitalist marketplace.For my senior history thesis at Brown [answerer note: I copied this from somewhere; I, Fred, didn't go to Brown], I used a rare collection of French popular literature and journalism to show that during the 1830s and 1840s, French gender ideologies were much more fluid and complex than has been previously assumed. Women writers of the period used the genre of panorama -- a cross between travel guides, coffee table books, and the nineteenth century version of "the hipster handbook" -- to portray women who actively sought economic independence, sexual satisfaction, political ambition, and gender experimentation. I call these women writers and the characters they created--shop girls, bluestockings, and salon hosts--flâneuses, because they embody a female, feminist alternative to the highly privileged male identify of "flâneur." My favorite flâneuses of the period are George Sand and Frances Trollope.Caledonian Antisyzygy (credit to User)noun: "the idea of dueling polarities within one entity" thought of as typical for the Scottish psyche and literature. The notion is most frequently cited in reference to the seemingly morally contradictory quality of the works of Robert Louis Stevenson (Strange Case of Dr Jekyll and Mr Hyde) and James Hogg (The Private Memoirs and Confessions of a Justified Sinner), but is also applied to contrasts between the Highlands and the Lowlands, Protestantism and Catholicism, Britishness and Scottishness, and others.