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I’m going to answer your question, “Which songs should all musical theatre nerds know by heart?”, but first I would like to suggest that you define terms a little bit better. Is a “musical theatre nerd” someone who just really likes musical theatre? Someone who’s studying it in school? Someone who wants to pursue it academically? Or someone who wants to do it for a living? In every case, the answers to your question will slightly differ, given the varying expectations in each category.Because of this, I am going to assume that, rather than a nerd, you mean an enthusiast: someone who is well rounded and knowledgeable about scores of the past as well as the present, and has a broad enough base of knowledge to “hold court” at a party, a dinner, or even a conversation among fellow enthusiasts without sounding like an idiot. This category, then, encompasses a bit of all the above, but is also the hardest to master, since many aspects of it are constantly changing, and what’s relevant is not necessarily the same from season to season or year to year—and to truly ensconce oneself within it requires knowledge of, um, a lot of songs.So… Here is my list. It is, you will notice, incredibly long, covering songs from dozens of different shows, composers, genres, and even decades. But to even pretend to really know the form, you have to know the basics—and, believe it or not, almost everything here counts as “the basics.” If you want to be a deeply informed critic, pursue this academically, or call yourself an expert, you will need to know probably two to three times as much as is here, and have a firm knowledge of not just lots of individual songs, but whole scores, whole composers’ oeuvres, whole genres, and whole decades. This list does not touch on that—there’s only so much even I can (or am willing to) do.Here are the necessary caveats. I am assuming you mean, “Which musical theatre songs should all musical theatre nerds know by heart?”, since to add in every other song ever written that would be helpful would be… time-consuming to the extreme. This list, as stated above, does not attempt to cover everything, and though I have made a serious attempt to get all the critical stuff down, the chances are excellent I’ve missed some things. (Have you ever tried to compile a list like this? It’s really hard!) For scores constructed wholly or in part from pre-existing material, whether written for the stage, for film, or for records, only new songs are being considered (which is why, among other things, you will find no jukebox musicals here). The list covers up through 2010, since at least some time is needed to determine a song’s worth/impact on the broader scale (and I only added 2000–2010 at the last minute, and I’m still not convinced it belongs yet). It’s mostly Broadway, though I have included major shows that transferred from Off-Broadway or London, provided they’re sufficiently important. And this list is obviously opinionated, and ultimately reflects my knowledge, my background, my experience, and my tastes, which may or may not align with yours. That said, I do know this stuff (and producing a list double the length of this one would not be hard for me), so… hopefully you will at least consider my selections informed, even if you don’t agree with some or all of them.Finally, please remember that this not much more than a jumping-off point from which you can—and should—explore musical theatre in a way that’s both broader and deeper. As with any art form, you can dig into musical theatre as much as you want and absorb everything you can handle and then some, but if you start with what’s here, you will have a head start on most people who self-identify as musical theatre enthusiasts (or, sigh, nerds).——————————Pre-20th Century“We Sail the Ocean Blue,” “He is an Englishman” (W.S. Gilbert/Arthur Sullivan, H.M.S. Pinafore, 1878)“Oh, Better Far to Live and Die,” “Poor Wand’ring One,” “I Am the Very Model of a Modern Major-General,” “With Cat-like Tread” (Gilbert/Sullivan, The Pirates of Penzance, 1879)“A Wand’ring Minstrel, I,” “As Some Day It May Happen,” “Three Little Maids From School Are We” (Gilbert/Sullivan, The Mikado, 1885)“Oh Promise Me” (Reginald De Koven/Clement Scott, Robin Hood, 1887)“Tell Me, Pretty Maiden” (Leslie Stuart, Florodora, 1899)Early 20th Century (Pre–Show Boat)“I Can’t Do the Sum” (Victor Herbert/Glen MacDonough, Babes in Toyland, 1903)“Give My Regards to Broadway,” “The Yankee Doodle Boy” (George M. Cohan, Little Johnny Jones, 1904)“Mary Is a Grand Old Name,” “Forty-Five Minutes From Broadway” (Cohan, Forty-Five Minutes From Broadway, 1906)“You’re a Grand Old Flag” (Cohan, George Washington, Jr., 1906)“Harrigan” (Cohan, Fifty Minutes From Boston, 1908)“Ah! Sweet Mystery of Life” (Herbert/Rida Johnson Young, Naugthy Marietta, 1910)“They Didn’t Believe Me” (Jerome Kern/Herbert Reynolds, The Girl From Utah, 1913)“I’m Always Chasing Rainbows” (Harry Carroll/Joseph McCarthy, Oh, Look!, 1918)“Oh! How I Hate to Get Up in the Morning” (Irving Berlin, Yip Yip Yaphank, 1918)“A Pretty Girl Is Like a Melody” (Berlin, Ziegfeld Follies of 1919, 1919)“Alice Blue Gown” (Harry Tierney/McCarthy, Irene, 1919)“Look for the Silver Lining” (Kern/Clifford Grey, Sally, 1920)“I’m Just Wild About Harry” (Eubie Blake/Noble Sissle, Shuffle Along, 1921)“I’ll Build a Stairway to Paradise” (George Gershwin/Ira Gershwin/Buddy DeSylva, George White’s Scandals, 1922)“What’ll I Do?” (Berlin, Music Box Revue, 1923)“Indian Love Call” (Rudolf Friml/Otto Harbach/Oscar Hammerstein II, Rose-Marie, 1924)“Fascinating Rhythm” (Gershwins, Lady, Be Good!, 1924)“Deep in My Heart Dear” (Sigmund Romberg/Dorothy Donnelly, The Student Prince, 1924)“Manhattan” (Richard Rodgers/Lorenz Hart, Garrick Gaieties, 1925)“Too Many Rings Around Rosie,” “I Want to Be Happy,” “No, No, Nanette,” “Tea for Two” (Vincent Youmans/Irving Caesar/Harbach, No, No, Nanette, 1925)“Who?” (Kern/Harbach/Hammerstein, Sunny, 1925)“Sweet and Low Down” (Gershwins, Tip-Toes, 1925)“Mountain Greenery” (Rodgers/Hart, Garrick Gaieties, 1926)“Birth of the Blues” (Gershwins, George White’s Scandals, 1926)“Someone to Watch Over Me” (Gershwins, Oh, Kay!, 1926)“Blue Skies” (Berlin, Betsy, 1926)“Varsity Drag” (Ray Henderson/DeSylva/Lew Brown, Good News, 1927)“My Heart Stood Still,” “Thou Swell,” “On a Desert Island with Thee” (Rodgers/Hart, A Connecticut Yankee, 1927)Early-Mid 20th Century (Pre-Oklahoma!)“Make Believe,” “Ol’ Man River,” “Can’t Help Lovin’ Dat Man,” “Life on the Wicked Stage,” “You Are Love,” “Why Do I Love You?”, “Bill” (Kern/Hammerstein, Show Boat, 1927)“You Took Advantage of Me” (Rodgers/Hart, Present Arms, 1928)“The Ballad of Mack the Knife,” “Pirate Jenny” (Kurt Weill/Bertolt Brecht, The Threepenny Opera, 1928)“Marianne,” “Softly, as in a Morning Sunrise,” “Stouthearted Men” (Romberg/Hammerstein, The New Moon, 1928)“Let’s Do It” (Cole Porter, Paris, 1928)“With a Song in My Heart” (Rodgers/Hart, Spring Is Here, 1929)“Why Was I Born?”, “Some Girl Is On Your Mind” (Kern/Hammerstein, Sweet Adeline, 1929)“You Don’t Know Paree” (Porter, Fifty Million Frenchmen, 1929)“Ten Cents a Dance” (Rodgers/Hart, Simple Simon, 1930)“Strike Up the Band” (Gershwins, Strike Up the Band, 1930)“Embraceable You,” “I Got Rhythm,” “But Not For Me” (Gershwins, Girl Crazy, 1930)“I Happen to Like New York” (Porter, The New Yorkers, 1930)“Love Is Sweeping the Country,” “Of Thee I Sing” (Gershwins, Of Thee I Sing, 1932)“Let’s Have Another Cup of Coffee,” “I Say It’s Spinach” (Berlin, Face the Music, 1932)“Night and Day” (Porter, Gay Divorce, 1932)“I’ve Told Every Little Star,” “The Song Is You” (Kern/Hammerstein, Music in the Air, 1932)“Isn’t It a Pity?” (Gershwins, Pardon My English, 1933)“Easter Parade,” “Heat Wave,” “Supper Time” (Berlin, As Thousands Cheer, 1933)“You’re Devastating” and “Smoke Gets In Your Eyes” (Kern/Harbach), and “I’ll Be Hard to Handle” (Kern/Bernard Dougall) (Roberta, 1933)“I Get a Kick Out of You,” “All Through the Night,” “You’re the Top,” “Anything Goes,” “Blow, Gabriel, Blow,” “Be Like the Bluebird,” “Buddie, Beware,” “The Gypsy In Me” (Porter, Anything Goes, 1934)“Summertime,” “A Woman Is a Sometime Thing,” “My Man’s Gone Now,” “I Got Plenty O’ Nuttin,” “Bess, You Is My Woman Now,” “It Ain’t Necessarily So,” “I Loves You, Porgy,” “There’s a Boat That’s Leavin’ Soon for New York” (Gershwins/DuBose Heyward, Porgy and Bess, 1935)“Begin the Beguine” (Porter, Jubilee, 1935)“My Romance,” “Little Girl Blue” (Rodgers/Hart, Jumbo, 1935)“I Can’t Get Started With You” (Vernon Duke/Ira Gershwin, The Ziegfeld Follies of 1936, 1936)“On Your Toes,” “Slaughter on Tenth Avenue” (Rodgers/Hart, On Your Toes, 1936)“Johnny’s Song” (Weill/Paul Green, Johnny Johnson, 1936)“Down in the Depths on the 90th Floor,” “It’s De-Lovely” (Porter, Red, Hot and Blue, 1936)“Where Or When,” “Babes in Arms,” “I Wish I Were in Love Again,” “My Funny Valentine,” “Johnny One-Note,” “The Lady Is a Tramp” (Rodgers/Hart, Babes in Arms, 1937)“Nickel Under the Foot,” “The Cradle Will Rock,” “Joe Worker” (Marc Blitzstein, The Cradle Will Rock, 1937)“Sing Me a Song With Social Significance,” “Doing the Reactionary,” “It’s Better With a Union Man,” “Mene, Mene, Tekel” (Harold Rome, Pins & Needles, 1937)“Buds Won’t Bud” (Harold Arlen/E.Y. Harburg, Hooray For What!, 1937)“I Married an Angel,” “Spring Is Here” (Rodgers/Hart, I Married an Angel, 1938)“Most Gentlemen Don’t Like Love,” “My Heart Belongs to Daddy” (Porter, Leave It to Me!, 1938)“There’s Nowhere to Go But Up,” “It Never Was You,” “How Can You Tell an American?”, “September Song” (Weill/Maxwell Anderson, Knickerbocker Holiday, 1938)“Falling in Love With Love,” “This Can’t Be Love,” “Sing For Your Supper,” “Oh, Diogenes!” (Rodgers/Hart, The Boys From Syracuse, 1938)“I Didn’t Know What Time It Was” (Rodgers/Hart, Too Many Girls, 1939)“All the Things You Are” (Kern/Hammerstein, Very Warm for May, 1939)“DuBarry Was a Lady,” “Well, Did You Evah!”, “Katie Went to Haiti,” “Friendship” (Porter, DuBarry Was a Lady, 1939)“It Never Entered My Mind” (Rodgers/Hart, Higher and Higher, 1940)“Taking a Chance on Love,” “Cabin in the Sky,” “Dem Bones” (Duke/John Latouche, Cabin in the Sky, 1940)“My Mother Would Love You,” “I’ve Still Got My Health,” “Let’s Be Buddies,” “Make It Another Old-Fashioned, Please” (Porter, Panama Hattie, 1940)“I Could Write a Book,” “Bewitched, Bothered, Bewildered,” “Zip,” “In Our Little Den of Iniquity” (Rodgers/Hart, Pal Joey, 1940)“One Life to Live,” “Girl of the Moment,” “This Is New,” “Tschaikowsky,” “The Saga of Jenny,” “My Ship” (Weill/Ira Gershwin, Lady in the Dark, 1941)“Let’s Not Talk About Love” (Porter, Let’s Face It!, 1941)“Hey, Good Lookin’”, “He’s a Right Guy,” “By the Mississinewa” (Porter, Something for the Boys, 1943)Golden Age“Oh, What a Beautiful Mornin’,” “The Surrey With the Fringe On Top,” “Kansas City,” “I Can’t Say No,” “Many a New Day,” “People Will Say We’re In Love,” “Out of My Dreams” (and ballet), “The Farmer and the Cowman,” “Oklahoma!” (Rodgers/Hammerstein, Oklahoma!, 1943)“I’m a Stranger Here Myself,” “Forty Minutes for Lunch,” “West Wind,” “Foolish Heart,” “The Trouble With Women,” “Speak Low,” “That’s Him,” “Venus in Ozone Heights” (Weill/Ogden Nash, One Touch of Venus, 1943)“The Eagle and Me” (Arlen/Harburg, Bloomer Girl, 1944)“Ev’ry Time We Say Goodbye” (Porter, Seven Lively Arts, 1944)“New York, New York,” “Come Up to My Place,” “Lonely Town,” “Lucky to Be Me,” “I Can Cook Too,” “Ya Got Me,” “Imaginary Coney Island,” “Some Other Time” (Leonard Bernstein/Betty Comden/Adolph Green, On the Town, 1944)“It Doesn’t Cost You Anything to Dream,” “Currier And Ives,” “Close As Pages in a Book” (Romberg/Dorothy Fields, Up in Central Park, 1945)“Carousel Waltz,” “You’re a Queer One, Julie Jordan,” “When I Marry Mister Snow,” “If I Loved You,” “June Is Bustin’ Out All Over,” “Soliloquy,” “What’s the Use of Wond’rin’?”, “You’ll Never Walk Alone” (Rodgers/Hammerstein, Carousel, 1945)“Any Place I Hang My Hat Is Home,” “I Had Myself a True Love,” “Come Rain or Come Shine” (Arlen/Johnny Mercer, St. Louis Woman, 1946)“Going Home Train,” “Call Me Mister,” “South America, Take It Away” (Rome, Call Me Mister, 1946)“Doin’ What Comes Natur’lly,” “You Can’t Get a Man With a Gun,” “There’s No Business Like Show Business,” “They Say It’s Wonderful,” “I Got Lost In His Arms,” “I Got the Sun in the Morning,” “Anything You Can Do” (Berlin, Annie Get Your Gun, 1946)“This Time of the Year,” “How Are Things in Glocca Morra?”, “Look to the Rainbow,” “Old Devil Moon,” “Something Sort of Grandish,” “If This Isn’t Love,” “Necessity,” “That Great ‘Come-and-Get-It’ Day,” “When the Idle Poor Become the Idle Rich,” “The Begat,” “When I’m Not Near the Girl I Love” (Burton Lane/Harburg, Finian’s Rainbow, 1947)“Waitin’ For My Dearie,” “I’ll Go Home With Bonnie Jean,” “The Heather on the Hill,” “The Love of My Life,” “Come to Me, Bend to Me,” “Almost Like Being In Love,” “There But For You Go I,” “From This Day On” (Alan Jay Lerner/Frederick Loewe, Brigadoon, 1947)“On a Sunday by the Sea” (Jule Styne/Sammy Cahn, High Button Shoes, 1947)“So Far,” “You Are Never Away,” “The Gentleman Is a Dope,” “Come Home” (Rodgers/Hammerstein, Allegro, 1947)“My Name Is Samuel Cooper,” “Here I’ll Stay,” “Progress,” “I Remember It Well,” “Green-Up Time,” “Economics,” “Love Song,” “Is It Him Or Is It Me?”, “Punch and Judy Get a Divorce,” “This Is the Life,” “Mr. Right” (Weill/Lerner, Love Life, 1948)“Make a Miracle,” “Once in Love With Amy” (Frank Loesser, Where’s Charley?, 1948)“Another Op’nin’, Another Show,” “Wunderbar,” “So In Love,” “I Hate Men,” “Too Darn Hot,” “Always True to You (In My Fashion),” “Brush Up Your Shakespeare” (Porter, Kiss Me, Kate, 1948)“Lost in the Stars” (Weill/Maxwell Anderson, Lost in the Stars, 1949)“A Cockeyed Optimist,” “Some Enchanted Evening,” “There Is Nothing Like a Dame,” “Bali Ha’i,” “I’m Gonna Wash That Man Right Outa My Hair,” “I’m in Love With a Wonderful Guy,” “Younger Than Springtime,” “Honey Bun,” “You’ve Got to Be Taught,” “This Nearly Was Mine” (Rodgers/Hammerstein, South Pacific, 1949)“Bye, Bye Baby,” “A Little Girl From Little Rock,” “I Love What I’m Doing,” “Just a Kiss Apart,” “It’s Delightful Down in Chile,” “Sunshine,” “I’m a’Tingle, I’m a’Glow,” “You Say You Care,” “Mamie Is Mimi,” “Diamonds Are a Girl’s Best Friend,” “Homesick Blues,” “Keeping Cool With Coolidge” (Styne/Leo Robin, Gentlemen Prefer Blondes, 1949)“The Hostess With the Mostes’ on the Ball,” “It’s a Lovely Day Today,” “They Like Ike,” “You’re Just in Love” (Berlin, Call Me Madam, 1950)“Fugue For Tinhorns,” “The Oldest Established,” “I’ll Know,” “A Bushel and a Peck,” “Adelaide’s Lament,” “Guys and Dolls,” “If I Were a Bell,” “My Time of Day,” “I’ve Never Been in Love Before,” “Take Back Your Mink,” “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “Marry the Man Today” (Loesser, Guys and Dolls, 1950)“I Whistle a Happy Tune,” “Hello, Young Lovers,” “A Puzzlement,” “Getting to Know You,” “Shall I Tell You What I Think of You?”, “Something Wonderful,” “I Have Dreamed,” “Shall We Dance?” (Rodgers/Hammerstein, The King and I, 1951)“Payday/Mine Til Monday,” “Make the Man Love Me,” “I’m Like a New Broom,” “Look Who’s Dancing,” “I’ll Buy You a Star,” “He Had Refinement” (Arthur Schwartz/Fields, A Tree Grows in Brooklyn, 1951)“They Call the Wind Maria,” “Wand’rin Star” (Lerner/Loewe, Paint Your Wagon, 1951)“Ohio,” “One Hundred Easy Ways,” “A Little Bit in Love,” “Conga!”, “It’s Love,” “Wrong Note Rag” (Bernstein/Comden/Green, Wonderful Town, 1953)“C’est Magnifique,” “I Love Paris,” “Can-Can” (Porter, Can-Can, 1953)“No Other Love” (Rodgers/Hammerstein, Me and Juliet, 1953)“Rhymes Have I,” “Not Since Ninevah,” “Baubles, Bangles and Beads,” “Stranger in Paradise,” “Gesticulate,” “Night of My Nights,” “Was I Wazir?”, “Rahadlakum,” “And This Is My Beloved” (Aleksander Borodin/George Forrest/Robert Wright, Kismet, 1953)“I’m Not At All in Love,” “Hey There,” “Her Is,” “Small Talk,” “Steam Heat,” “Hernando’s Hideaway” (Jerry Ross/Richard Adler) and “A New Town Is a Blue Town” and “There Once Was a Man” (Frank Loesser) (The Pajama Game, 1954)“I’ve Got to Crow,” “I’m Flying,” “I Won’t Grow Up” (Moose Charlap/Carolyn Leigh) and “Neverland,” “Wendy,” “Ugg-a-Wugg” (Jule Styne/Comden/Green) (Peter Pan, 1954)“Fanny,” “The Thought of You” (Rome, Fanny, 1954)“A Sleepin’ Bee,” “Two Ladies in de Shade of de Banana Tree,” “I Never Has Seen Snow” (Arlen/Truman Capote, House of Flowers, 1954)“Six Months Out of Every Year,” “Heart,” “Shoeless Joe from Hannibal, Mo.”, “A Man Doesn’t Know,” “A Little Brains, A Little Talent,” “Whatever Lola Wants (Lola Gets)”, “The Game,” “Those Were the Good Old Days,” “Two Lost Souls” (Ross/Adler, Damn Yankees, 1955)“Stereophonic Sound” (Porter, Silk Stockings, 1955)“Why Can’t the English?”, “Wouldn’t It Be Loverly?”, “With a Little Bit of Luck,” “I’m an Ordinary Man,” “The Rain in Spain,” “I Could Have Danced All Night,” “Ascot Gavotte,” “On the Street Where You Live,” “Get Me to the Church on Time,” “A Hymn to Him,” “I’ve Grown Accustomed to Her Face” (Lerner/Loewe, My Fair Lady, 1956)“Somebody, Somewhere,” “The Most Happy Fella,” “Standing on the Corner,” “Joey, Joey, Joey,” “Abbondanza,” “Happy to Make Your Acquaintance,” “Big D,” “My Heart Is So Full of You” (Loesser, The Most Happy Fella, 1956)“A Typical Day,” “If I Had My Druthers,” “Jubilation T. Cornpone,” “Rag Offen the Bush,” “Namely You,” “The Country’s in the Very Best of Hands,” “I’m Past My Prime” (Gene de Paul/Mercer, Li’l Abner, 1956)“It’s a Perfect Relationship,” “It’s a Simple Little System,” “Is It a Crime?”, “I Met a Girl,” “Long Before I Knew You,” “Just in Time,” “The Party’s Over,” “I’m Going Back” (Styne/Comden/Green, Bells Are Ringing, 1956)“The Best Of All Possible Worlds,” “Oh, Happy We,” “It Must Be So,” “Glitter and Be Gay,” “I Am Easily Assimilated,” “What’s the Use,” “Make Our Garden Grow” (Bernstein/Richard Wilbur, Candide, 1956)“Maria,” “Tonight,” “America,” “I Feel Pretty,” “Somewhere,” “Gee, Officer Krupke” (Bernstein/Stephen Sondheim, West Side Story, 1957)“Trouble,” “Goodnight, My Someone,” “Seventy-Six Trombones,” “The Sadder-But-Wiser Girl,” “Marian the Librarian,” “My White Knight,” “Will I Ever Tell You?”, “Gary, Indiana,” “Till There Was You” (Meredith Willson, The Music Man, 1957)“A Hundred Million Miracles,” “I Enjoy Being a Girl,” “Grant Avenue,” “Love, Look Away” (Rodgers/Hammerstein, Flower Drum Song, 1958)“Many Moons Ago,” “Shy,” “Yesterday I Loved You” (Mary Rodgers/Marshall Barer, Once Upon a Mattress, 1959)Overture, “Some People,” “Small World,” “Everything’s Coming Up Roses,” “Together, Wherever We Go,” “You Gotta Get a Gimmick,” “Rose’s Turn” (Styne/Sondheim, Gypsy, 1959)“The Sound of Music,” “Maria,” “My Favorite Things,” “Do-Re-Mi,” “You Are Sixteen,” “The Lonely Goatherd,” “Climb Every Mountain,” “Edelweiss” (Richard Rodgers/Hammerstein, The Sound of Music, 1959)“The Name’s LaGuardia,” “When Did I Fall in Love,” “Little Tin Box,” “The Very Next Man” (Jerry Bock/Sheldon Harnick, Fiorello!, 1959)“Never Will I Marry” (Loesser, Greenwillow, 1960)“An English Teacher,” “The Telephone Hour,” “How Lovely to Be a Woman,” “Normal American Boy,” “One Boy,” “Honestly Sincere,” “Hymn for a Sunday Evening,” “One Last Kiss,” “What Did I Ever See in Him?”, “A Lot of Livin’ to Do,” “Kids,” “Spanish Rose” (Charles Strouse/Lee Adams, Bye Bye Birdie, 1960)“Try to Remember,” “Soon It’s Gonna Rain,” “This Plum Is Too Ripe,” “I Can See It,” “They Were You” (The Fantasticks, Tom Jones/Harvey Schmidt, 1960)“Artificial Flowers,” “The Picture of Happiness” (Bock/Harnick, Tenderloin, 1960)“I Ain’t Down Yet,” “Belly Up to the Bar, Boys” (Willson, The Unsinkable Molly Brown, 1960)“I Wonder What the King Is Doing Tonight?”, “The Simple Joys of Maidenhood,” “Camelot,” “C’est Moi,” “The Lusty Month of May,” “How to Handle a Woman,” “Before I Gaze at You Again,” “If Ever I Would Leave You,” “What Do the Simple Folk Do?” (Lerner/Loewe, Camelot, 1960)Post–Golden Age“Hey Look Me Over” (Cy Coleman/Leigh, Wildcat, 1960)“Cry Like the Wind,” “Make Someone Happy” (Styne/Comden/Green, Do Re Mi, 1960)“A Very Nice Man,” “Love Makes the World Go ‘Round,” “Her Face” (Bob Merrill, Carnival!, 1961)“How to Succeed,” “Happy to Keep His Dinner Warm,” “Been a Long Day,” “Paris Original,” “Rosemary,” “I Believe In You,” “Brotherhood Man” (Loesser, How to Succeed in Business Without Really Trying, 1961)“The Sweetest Sounds,” “Loads of Love,” “Nobody Told Me,” “Maine,” “No Strings” (Rodgers, No Strings, 1962)“Miss Marmelstein” (Rome, I Can Get It For You Wholesale, 1962)“Comedy Tonight,” “Everybody Ought to Have a Maid” (Sondheim, A Funny Thing Happened on the Way to the Forum, 1962)“What Kind of Fool Am I?” (Anthony Newley/Leslie Bricusse, Stop the World—I Want to Get Off, 1962)“The Other Side of the Tracks,” “Boom-Boom,” “Real Live Girl,” “Little Me” (Coleman/Leigh, Little Me, 1962)“Food, Glorious Food,” “Where Is Love?”, “Consider Yourself,” “You’ve Got to Pick a Pocket or Two,” “It’s a Fine Life,” “I’d Do Anything,” “As Long As He Needs Me,” “Who Will Buy,” “Reviewing the Situation” (Lionel Bart, Oliver!, 1963)“Tonight at Eight,” “Will He Like Me?”, “Dear Friend,” “Ice Cream,” “She Loves Me,” “Grand Knowing You” (Bock/Harnick, She Loves Me, 1963)“The Rain Song,” “Raunchy,” “Old Maid,” “Little Red Hat” (Jones/Schmidt, 110 in the Shade, 1963)“Put On Your Sunday Clothes,” “Before the Parade Passes By,” “Hello, Dolly!”, “It Only Takes a Moment” (Jerry Herman) and “Elegance” (Merrill) (Hello, Dolly!, 1964)Overture, “I’m the Greatest Star,” “People,” “You Are Woman,” “Don’t Rain on My Parade,” “The Music That Makes Me Dance” (Styne/Merrill, Funny Girl, 1964)“You Better Love Me,” “Home Sweet Heaven” (Hugh Martin/Timothy Gray, High Spirits, 1964)“There Won’t Be Trumpets,” “Simple,” “Anyone Can Whistle,” “Everybody Says Don’t,” “With So Little to Be Sure Of” (Sondheim, Anyone Can Whistle, 1964)“Tradition,” “Matchmaker, Matchmaker,” “If I Were a Rich Man,” “Sunrise, Sunset,” “Do You Love Me?” “Far From the Home I Love” (Bock/Harnick, Fiddler on the Roof, 1964)“Fickle Finger of Fate,” “I Had a Ball,” “Almost” (Jack Lawrence/Stan Freeman, I Had a Ball, 1964)“Do I Hear a Waltz?” (Rodgers/Sondheim, Do I Hear a Waltz?, 1965)“Who Can I Turn To (When Nobody Needs Me)” (Newley/Bricusse, The Roar of the Greasepaint—The Smell of the Crowd, 1965)“Hurry! It’s Lovely Up Here,” “On a Clear Day You Can See Forever,” “On the S.S. Bernard Cohn,” “She Wasn’t You,” “What Did I Have That I Don’t Have,” “Wait ’Til We’re Sixty-Five,” “Come Back to Me” (Lerner/Lane, On a Clear Day You Can See Forever, 1965)“Man of La Mancha (I, Don Quixote),” “Dulcinea,” “I’m Only Thinking of Him,” “To Each His Dulcinea (To Every Man His Dream)”, “The Impossible Dream (The Quest)”, “Aldonza” (Mitch Leigh/Joe Darion, Man of La Mancha, 1965)“The Boy From…” (Mary Rodgers/Sondheim, The Mad Show, 1966)Overture, “Big Spender,” “Rich Man’s Frug,” “If My Friends Could See Me Now,” “There’s Gotta Be Something Better Than This,” “The Rhythm of Life,” “I’m a Brass Band” (Coleman/Fields, Sweet Charity, 1966)“You’ve Got Possibilities” (Strouse/Adams, It’s a Bird…It’s a Plane…It’s Superman, 1966)“It’s Today,” “Open a New Window,” “My Best Girl,” “We Need a Little Christmas,” “Mame,” “Bosom Buddies,” “Gooch’s Song,” “That’s How Young I Feel,” “If He Walked Into My Life” (Herman, Mame, 1966)“Here in Eden,” “What Makes Me Love Him,” “Gorgeous” (Bock/Harnick, The Apple Tree, 1966)“Willkommen,” “So What?”, “Don’t Tell Mama,” “Telephone Song,” “Perfectly Marvelous,” “Tomorrow Belongs to Me,” “The Money Song,” “Married,” “Meeskite,” “If You Could See Her,” “Cabaret” (John Kander/Fred Ebb, Cabaret, 1966)“My Cup Runneth Over,” “Flaming Agnes,” “What Is a Woman” (Schmidt/Jones, I Do! I Do!, 1966)“My Own Morning,” “I Wanted to Change Him,” “Talking to Yourself” (Styne/Comden/Green, Hallelujah, Baby!, 1967)“They Don’t Make ’Em Like That Anymore” (Elmer Bernstein/Leigh, How Now, Dow Jones, 1967)“The Happy Time,” “I Don’t Remember You,” “A Certain Girl” (Kander/Ebb, The Happy Time, 1968)“Aquarius,” “Manchester,” “Ain’t Got No,” “I Got Life,” “Hair,” “Easy to Be Hard,” “Frank Mills,” “Black Boys,” “White Boys,” “Good Morning Starshine,” “The Flesh Failures (Let the Sun Shine In)” (Galt MacDermot/Gerome Ragni/James Rado, Hair, 1968)“Life Is,” “Happy Birthday” (Kander/Ebb, Zorba, 1968)“Basketball,” “Knowing When to Leave,” “Turkey Lurkey Time,” “A Fact Can Be a Beautiful Thing,” “I’ll Never Fall in Love Again,” “Promises, Promises” (Burt Bacharach/Hal David, Promises, Promises, 1968)“Sit Down, John,” “The Lees of Old Virginia,” “But Mr. Adams,” “He Plays the Violin,” “Cool, Cool, Considerate Men,” “Momma Look Sharp,” “The Egg,” “Molasses to Rum,” “Is Anybody There?” (Sherman Edwards, 1776, 1969)“I Don’t Want to Know,” “I Never Said I Love You,” “Dear World” (Herman, Dear World, 1969)“Always Mademoiselle” (André Previn/Lerner, Coco, 1969)“I Got Love” (Gary Geld/Peter Udell, Purlie, 1970)“But Alive,” “Applause,” “Welcome to the Theatre,” “One Hallowe’en,” “Something Greater” (Strouse/Adams, Applause, 1970)“Company,” “You Could Drive a Person Crazy,” “Another Hundred People,” “Getting Married Today,” “Side By Side By Side/What Would We Do Without You,” “The Ladies Who Lunch,” “Being Alive” (Sondheim, Company, 1970)“Beautiful Girls,” “Waiting for the Girls Upstairs,” “Broadway Baby,” “The Road You Didn’t Take,” “In Buddy’s Eyes,” “Broadway Baby,” “Who’s That Woman?” “I’m Still Here,” “Too Many Mornings,” “One More Kiss,” “Could I Leave You?”, “Loveland”, “You’re Gonna Love Tomorrow/Love Will See Us Through,” “Losing My Mind,” “The Story of Lucy and Jessie,” “Live, Laugh, Love” (Sondheim, Follies, 1971)“Old Folks,” “Home,” “Coffee in a Cardboard Cup,” “Do We?”, “Hit It, Lorraine,” “See the Light,” “Go Visit Your Grandmother,” “Yes” (Kander/Ebb, 70, Girls, 70, 1971)“Heaven on Their Minds,” “What’s the Buzz,” “Everything’s Alright,” “This Jesus Must Die,” “Hosanna,” “I Don’t Know How to Love Him,” “Gethsemane,” “King Herod’s Song,” “Could We Start Again, Please?”, “Superstar” (Andrew Lloyd Webber/Tim Rice, Jesus Christ Superstar, 1971)“Summer, Summer,” “Thou, Julia, Thou Hast Metamorphosed Me,” “Pearls,” “Bring All the Boys Back Home,” “Night Letter,” “Calla Lily Lady,” “Hot Lover,” “Love Has Driven Me Sane” (MacDermot/John Guare, Two Gentlemen of Verona, 1971)“Summer Nights,” “Those Magic Changes,” “Freddy, My Love,” “Greased Lightning,” “Mooning,” “Look at Me, I’m Sandra Dee,” “We Go Together,” “It’s Raining on Prom Night,” “Born to Hand Jive,” “Beauty School Dropout,” “There Are Worse Things I Could Do” (Jim Jacobs/Warren Casey, Grease, 1972)“Magic to Do,” “Corner of the Sky,” “Simple Joys,” “No Time at All,” “Spread a Little Sunshine,” “Morning Glow,” “On the Right Track” (Stephen Schwartz, Pippin, 1972)“Now/Later/Soon,” “You Must Meet My Wife,” “Liaisons,” “Every Day a Little Death,” “A Weekend in the Country,” “Send in the Clowns,” “The Miller’s Son” (Sondheim, A Little Night Music, 1973)“Nobody Does It Like Me,” “It’s Not Where You Start” (Coleman/Fields, Seesaw, 1973)“Look What Happened to Mabel,” “I Won’t Send Roses,” “When Mabel Comes in the Room,” “Time Heals Everything,” “Tap Your Troubles Away,” “I Promise You a Happy Ending” (Herman, Mack & Mabel, 1974)“Ease on Down the Road,” “Home” (Charlie Smalls, The Wiz, 1975)“Why Am I Me?”, “Meditation” (Geld/Udell, Shenandoah, 1975)“All That Jazz,” “Cell Block Tango,” “When You’re Good to Mama,” “All I Care About,” “We Both Reached for the Gun,” “Roxie,” “My Own Best Friend,” “Me and My Baby,” “Mister Cellophane,” “Razzle Dazzle,” “Class,” “Nowadays” (Kander/Ebb, Chicago, 1975)“I Hope I Get It,” “At the Ballet,” “Hello Twelve, Hello Thirteen, Hello Love,” “Nothing,” “Dance Ten, Looks Three,” “The Music and the Mirror,” “One,” “What I Did For Love” (Marvin Hamlisch/Edward Kleban, A Chorus Line, 1975)“The Advantages of Floating in the Middle of the Sea,” “Chrysanthemum Tea,” “Someone in a Tree,” “Please Hello!”, “A Bowler Hat,” “Next” (Sondheim, Pacific Overtures, 1976)“On Ten Square Miles by the Potomac River,” “Take Care of This House,” “The President Jefferson Sunday Luncheon Party March,” “I Love My Wife,” “Monroviad,” “Duet for One (The First Lady of the Land),” “I Love This Land/To Make Us Proud” (Bernstein/Lerner, 1600 Pennsylvania Avenue, 1976)“Prepare Ye the Way of the Lord,” “Day by Day,” “All for the Best” (Schwartz, Godspell, 1976)“Maybe,” “It’s the Hard-Knock Life,” “Tomorrow,” “Little Girls,” “N.Y.C.”, “Easy Street,” “You’re Never Fully Dressed Without a Smile,” “I Don’t Need Anything But You,” “New Deal for Christmas” (Strouse/Adams, Annie, 1977)“On the 20th Century,” “I Rise Again,” “Veronique,” “Never,” “Our Private World,” “Repent,” “She’s a Nut,” “Babbette,” “Lily/Oscar” (Coleman/Comden/Green, On the Twentieth Century, 1978)“Hard Candy Christmas” (Carol Hall, The Best Little Whorehouse in Texas, 1978)“Fifty Percent” (Billy Goldenberg/Alan and Marilyn Bergman, Ballroom, 1978)“I’ll Be Here Tomorrow” (Herman, The Grand Tour, 1979)“They’re Playing Our Song” (Hamlisch/Carole Bayer Sager, They’re Playing Our Song, 1979)“The Ballad of Sweeney Todd,” “The Worst Pies in London,” “Johanna,” “Pretty Women,” “Epiphany,” “A Little Priest,” “By the Sea,” “Not While I’m Around” (Sondheim, Sweeney Todd, 1979)“Oh What a Circus,” “Buenos Aires,” “Another Suitcase in Another Hall,” “A New Argentina,” “Don’t Cry for Me Argentina,” “High Flying Adored,” “Rainbow High,” “And the Money Kept Rolling In (and Out)” (Lloyd Webber/Rice, Evita, 1979)Pre-Contemporary/British Invasion“There’s a Sucker Born Ev’ry Minute,” “The Colors of My Life,” “Come Follow the Band” (Coleman/Michael Stewart, Barnum, 1980)“Woman of the Year,” “One of the Boys,” “It Isn’t Working,” “I Wrote the Book,” “Sometimes a Day Goes By,” “The Grass Is Always Greener” (Kander/Ebb, Woman of the Year, 1981)“Merrily We Roll Along,” “Franklin Shepard, Inc.”, “Old Friends,” “Not a Day Goes By,” “Now You Know,” “Good Thing Going,” “Opening Doors,” “Our Time” (Sondheim, Merrily We Roll Along, 1981)“Move (You’re Steppin’ on My Heart)”, “Cadillac Car,” “Steppin’ to the Bad Side,” “Family,” “Dreamgirls,” “Heavy,” “It’s All Over/And I Am Telling You I’m Not Going/Love Love You Baby,” “I Am Changing,” “One Night Only,” “Hard to Say Goodbye, My Love” (Henry Krieger/Tom Eyen, Dreamgirls, 1981)“Prologue,” “Any Dream Will Do,” “Jacob and Sons/Joseph’s Coat,” “One More Angel in Heaven,” “Close Every Door,” “Go, Go, Go Joseph,” “Pharaoh’s Story,” “Those Canaan Days” (Lloyd Webber/Rice, Joseph and the Amazing Technicolor Dreamcoat, 1982)“Guido’s Song,” “The Germans at the Spa,” “My Husband Makes Movies,” “A Call From the Vatican,” “Only With You,” “Folies Bergeres,” “Be Italian,” “Unusual Way,” “The Grand Canal,” “Simple,” “Be On Your Own” (Maury Yeston, Nine, 1982)“Little Shop of Horrors,” “Skid Row,” “Somewhere That’s Green,” “Feed Me,” “Suddenly Seymour,” “The Meek Shall Inherit,” “Don’t Feed the Plants” (Alan Menken/Howard Ashman, Little Shop of Horrors, 1982)“Jellicle Songs for Jellicle Cats,” “The Old Gumbie Cat,” “Rum Tum Tugger,” “The Jellicle Ball,” “Growltiger’s Last Stand,” “Skimbleshanks,” “Mr. Mistoffolees,” “Memory,” “The Ad-Dressing of Cats” (Webber/T.S. Eliot/Richard Stilgoe/Trevor Nunn, Cats, 1982)“A Little More Mascara,” “Song on the Sand,” “La Cage aux Folles,” “I Am What I Am,” “Look Over There,” “The Best of Times” (Herman, La Cage aux Folles, 1983)“I Want It All, “Fatherhood Blues,” “I Chose Right,” “The Story Goes On” (David Shire/Richard Maltby, Jr., Baby, 1983)“Colored Lights,” “Chief Cook and Bottle Washer” (Kander/Ebb, The Rink, 1984)“Sunday in the Park With George,” “Color and Light,” “Finishing the Hat,” “We Do Not Belong Together,” “Beautiful,” “Sunday,” “It’s Hot Up Here,” “Putting It Together,” “Children and Art,” “Lesson #8,” “Move On” (Sondheim, Sunday in the Park With George, 1984)“Waitin’ for the Light to Shine,” “Hand for the Hog,” “Muddy Water,” “When the Sun Goes Down in the South,” “Worlds Apart,” “Free at Last” (Roger Miller, Big River, 1985)“Take That Look Off Your Face,” “Unexpected Song,” “Come Back With the Same Look in Your Eyes,” “Tell Me on a Sunday” (Lloyd Webber/Don Black/Maltby, Song and Dance, 1985)“There You Are,” “A Man Could Go Quite Mad,” “Moonfall,” “The Wages of Sin,” “Both Sides of the Coin,” “Perfect Strangers,” “No Good Can Come From Bad,” “Never the Luck,” “Off to the Races,” “Don’t Quit While You’re Ahead,” “The Writing on the Wall” (Rupert Holmes, The Mystery of Edwin Drood, 1985)“The Lambeth Walk,” “The Sun Has Got His Hat On,” “Leaning on a Lamp-post” (Douglas Furber/L. Arthur Rose, Me and My Girl, 1986)“Children of the Wind,” “Rags” (Strouse/Schwartz, Rags, 1986)“At the End of the Day,” “I Dreamed a Dream,” “Who Am I?”, “Come to Me,” “Castle on a Cloud,” “Master of the House,” “Stars,” “Do You Hear the People Sing,” “In My Life,” “One Day More,” “On My Own,” “A Little Fall of Rain,” “Bring Him Home,” “Soliloquy (Javert’s Suicide)”, “Empty Chairs At Empty Tables” (Claude-Michel Schönberg/Alain Boublil/Herbert Kretzmer, Les Misérables, 1987)“Into the Woods,” “Giants in the Sky,” “Agony,” “On the Steps of the Palace,” “Moments in the Woods,” “Last Midnight,” “No More,” “No One Is Alone” (Sondheim, Into the Woods, 1987)“Think of Me,” “Angel of Music,” “The Phantom of the Opera,” “The Music of the Night,” “Notes/Prima Donna,” “All I Ask of You,” “Masquerade,” “Wishing You Were Somehow Here Again,” “The Point of No Return” (Lloyd Webber/Charles Hart, The Phantom of the Opera, 1988)“Someone Else’s Story,” “One Night in Bangkok,” “Nobody’s Side,” “Anthem,” “Heaven Help My Heart,” “You and I,” “I Know Him So Well,” “Pity the Child” (Benny Andersson/Björn Ulvaeus/Rice, Chess, 1988)“Carrie,” “And Eve Was Weak,” “Evening Prayers,” “Unsuspecting Hearts,” “I Remember How Those Boys Could Dance,” “When There’s No One” (Michael Gore/Dean Pitchford, Carrie, 1988)“Life Story” (Maltby/Shire, Closer Than Ever, 1989)“The Grand Parade,” “Table With a View,” “Maybe My Baby Loves Me,” “I Want to Go to Hollywood,” “Who Couldn’t Dance With You?”, “Love Can’t Happen,” “What She Needs,” “Bonjour Amour,” “We’ll Take a Glass Together,” “Roses at the Station,” “Bolero,” “How Can I Tell Her?” (Forrest/Wright/Yeston, Grand Hotel, 1989)“What You Don’t Know About Women,” “The Buddy System,” “With Every Breath I Take,” “The Tennis Song,” “Lost and Found,” “You’re Nothing Without Me,” “You Can Always Count on Me,” “It Needs Work,” “Funny” (Coleman/David Zippel, City of Angels, 1989)“Love Changes Everything,” “Seeing Is Believing,” “The First Man You Remember,” “Anything But Lonely” (Lloyd Webber/Hart/Black, Aspects of Love, 1990)“We Dance,” “Waiting for Life,” “Mama Will Provide,” “Why We Tell the Story” (Stephen Flaherty/Lynn Ahrens, Once On This Island, 1990)“Everybody’s Got the Right,” “Gun Song,” “Unworthy of Your Love” (Sondheim, Assassins, 1990)“The Heat Is On in Saigon,” “The Movie in My Mind,” “Why God Why?”, “Sun and Moon,” “The Last Night of the World,” “I Still Believe,” “You Will Not Touch Him,” “If You Want to Die in Bed,” “I’d Give My Life for You,” “Bui-Doi,” “The Guilt Inside Your Head (The Fall of Saigon, April 1975),” “Now That I’ve Seen Her,” “The American Dream” (Schönberg/Boublil/Maltby, Miss Saigon, 1991)“The House Upon the Hill,” “Winter’s on the Wing,” “A Bit of Earth,” “Lily’s Eyes,” “Race You to the Top of the Morning,” “Wick,” “Come to My Garden,” “Hold On,” “How Could I Ever Know” (Lucy Simon/Marsha Norman, The Secret Garden, 1991)“Will-a-Mania,” “It’s a Boy!”, “The Big Time,” “My Big Mistake,” “Marry Me Now/I Got You,” “Favorite Son,” “No Man Left For Me,” “Never Met a Man I Didn’t Like” (Coleman/Comden/Green, The Will Rogers Follies, 1991)“Four Jews in a Room Bitching,” “I’m Breaking Down,” “March of the Falsettos,” “Sitting Watching Jason (Play Baseball),” “What More Can I Say,” “What Would I Do?” (William Finn, Falsettos, 1992)“Dressing Them Up,” “Dear One,” “Where You Are,” “She’s a Woman,” “Gimme Love,” “Anything for Him,” “Kiss of the Spider Woman,” “Only in the Movies” (Kander/Ebb, Kiss of the Spider Woman, 1993)“Hello Again,” “The Mistress of the Senator” (Michael John LaChiusa, Hello Again, 1993)“If I Can’t Love Her” (Menken/Rice, Beauty and the Beast, 1994)“Happiness,” “I Read,” “I Wish I Could Forget You,” “Loving You,” “No One Has Ever Loved Me” (Sondheim, Passion, 1994)“Every Movie’s a Circus,” “With One Look,” “The Greatest Star of All,” “New Ways to Dream,” “The Perfect Year,” “This Time Next Year,” “Sunset Boulevard,” “As If We Never Said Goodbye,” “Too Much in Love to Care” (Lloyd Webber/Black/Christopher Hampton, Sunset Boulevard, 1994)“I’m Not Afraid of Anything,” “Stars and the Moon,” “She Cries,” “I’d Give It All for You” (Jason Robert Brown, Songs for a New World, 1995)“Rent,” “One Song Glory,” “Light My Candle,” “Today 4 U,” “Tango: Maureen,” “Out Tonight,” “Another Day,” “Santa Fe,” “I’ll Cover You,” “Christmas Bells,” “La Vie Bohème,” “Seasons of Love,” “Take Me Or Leave Me,” “Without You,” “What You Own” (Jonathan Larson, Rent, 1996)“Riddle Song,” “How Glory Goes” (Adam Guettel, Floyd Collins, 1996)Entire opening sequence, “What a Remarkable Age This Is,” “Lady’s Maid,” “Doing the Latest Rag,” “No Moon,” “Autumn,” We’ll Meet Tomorrow,” “Still” (Yeston, Titanic, 1997)“Second Chance,” “The Last Girl,” “Wet,” “Two Little Words,” “First You Dream” (Kander/Ebb, Steel Pier, 1997)“The Oldest Profession,” “My Body,” “My Friend” (Coleman/Ira Gasman, The Life, 1997)“This Is the Moment,” “Someone Like You,” “Once Upon a Dream,” “In His Eyes,” “A New Life,” “Confrontation” (Frank Wildhorn/Bricusse/Steve Cuden, Jekyll & Hyde, 1997)“Serenity” (Jeffrey Stock/Susan Birkenhead, Triumph of Love, 1997)“Come Look at the Freaks,” “Like Everyone Else,” “The Devil You Know,” “More Than We Bargained For,” “When I’m By Your Side,” “Say Goodbye to the Freak Show,” “Leave Me Alone,” “We Share Everything,” “Who Will Love Me as I Am?”, “One Plus One Equals Three,” “You Should Be Loved,” “Tunnel of Love,” “I Will Never Leave You” (Krieger/Bill Russell, Side Show, 1997)“Into the Fire,” “Falcon in the Dive,” “The Creation of Man” (Wildhorn/Nan Knighton, The Scarlet Pimpernel, 1997)“Ragtime,” “Journey On,” “The Crime of the Century,” “Success,” “Henry Ford,” “Your Daddy’s Son,” “New Music,” “Wheels of a Dream,” “The Night That Goldman Spoke at Union Square,” “Till We Reach That Day,” “What a Game!”, “Atlantic City,” “Buffalo Nickel Photoplay, Inc.”, “Our Children,” “Sarah Brown Eyes,” “He Wanted to Say,” “Back to Before,” “Make Them Hear You” (Ahrens/Flaherty, Ragtime, 1998)“Heart and Music,” “Sailing,” “And They’re Off,” “Sitting Becalmed in the Lee of Cuttyhunk,” “Change,” “The Music Still Plays On,” “I Feel So Much Spring” (Finn, A New Brain, 1998)“Learning to Be Silent” (Tom Snow/Pitchford, Footloose, 1998)“The Old Red Hills of Home,” “How Can I Call This Home?”, “Come Up to My Office,” “That’s What He Said,” “This Is Not Over Yet,” “All the Wasted Time” (Brown, Parade, 1998)“Way Back to Paradise” (LaChiusa, Marie Christine, 1999)Present Day (2000–2010)“An Old-Fashioned Love Story” (Andrew Lippa, The Wild Party [Off-Broadway], 2000)“Every Story Is a Love Story,” “My Strongest Suit,” “The Gods Love Nubia,” “Easy as Life” (Elton John/Rice, Aida, 2000)“Queenie Was a Blonde,” “Wild Party,” “Welcome to My Party,” “Breezin’ Through Another Day,” “Uptown,” “Moving Uptown,” “Lowdown-Down,” “Gin/Wild,” “Black Is a Moocher,” “People Like Us,” “The Lights of Broadway,” “When It Ends,” “This Is What It Is” (LaChiusa, The Wild Party [Broadway], 2000)“Big-Ass Rock,” “You Walk With Me,” “Let It Go” (David Yazbek, The Full Monty, 2000)“Brave Enough for Love” (Paul Gordon, Jane Eyre, 2000)“Oh, the Thinks You Can Think!”, “It’s Possible,” “Alone in the Universe,” “Notice Me, Horton,” “All For You” (Ahrens/Flaherty, Seussical, 2000)“Hold Me, Bat Boy,” “Comfort and Joy,” “Three Bedroom House,” “Inside Your Heart” (Laurence O’Keefe, Bat Boy, 2001)“The King of Broadway,” “We Can Do It,” “I Wanna Be a Producer,” “When You Got It, Flaunt It,” “Along Came Bialy,” “Betrayed” (Mel Brooks, The Producers, 2001)“Urinetown,” “Follow Your Heart” (Greg Kotis/Mark Hollmann, Urinetown, 2001)“30/90,” “Sunday,” “Therapy,” “See Her Smile,” “Come to Your Senses,” “Why,” “Louder Than Words” (Larson, tick, tick… BOOM!, 2001)“The Column,” “I Cannot Hear the City,” “Welcome to the Night,” “At the Fountain,” “Don’t Know Where You Leave Off,” “One Track Mind,” “Don’t Look Now” (Hamlisch/Craig Carnelia, Sweet Smell of Success, 2002)“Forget About the Boy,” “Gimme Gimme” (Jeanine Tesori/Dick Scanlan, Thoroughly Modern Millie, 2002)“Good Morning Baltimore,” “Welcome to the ‘60s,” “Timeless to Me,” “Without Love,” “You Can’t Stop the Beat” (Marc Shaiman/Scott Wittman, Hairspray, 2002)“It Sucks to Be Me,” “If You Were Gay,” “Everyone’s a Little Bit Racist,” “There’s a Fine, Fine Line,” “For Now” (Jeff Marx/Robert Lopez, Avenue Q, 2003)“The Wizard and I,” “Popular,” “Defying Gravity,” “For Good” (Schwartz, Wicked, 2003)“Shakalaka Baby” (A.R. Rahman/Black, Bombay Dreams, 2004)“16 Feet Beneath the Sea,” “Roosevelt Petrucius Coleslaw,” “I Hate the Bus,” “Lot’s Wife” (Jeanine Tesori/Tony Kushner, Caroline, or Change, 2004)“Great Big Stuff,” “Here I Am,” “Nothing Is Too Wonderful to Be True,” “Dirty Rotten Number” (Yazbek, Dirty Rotten Scoundrels, 2005)“The Beauty Is,” “Dividing Day,” “Say It Somehow,” “The Light in the Piazza,” “Fable” (Guettel, The Light in the Piazza, 2005)“I’m Here” (Allee Willis/Brenda Russell/Stephen Bray, The Color Purple, 2005)“Show Off,” “As We Stumble Along” (Greg Morrison/Lisa Lambert, The Drowsy Chaperone, 2006)“Someday” (Matthew Sklar/Chad Beguelin, The Wedding Singer, 2006)“The Revolutionary Costume for Today,” “Another Winter in a Summer Town” (Scott Frankel/Michael Korie, Grey Gardens, 2006)“The Last Real Record Store” (Tom Kitt/Amanda Green, High Fidelity, 2006)“The Bitch of Living,” “Totally Fucked” (Duncan Sheik/Steven Sater, Spring Awakening, 2006)“In the Same Boat,” “I Miss the Music,” “It’s a Business,” “A Tough Act to Follow” (Kander/Ebb, Curtains, 2007)“Omigod You Guys,” “Chip on My Shoulder,” “So Much Better,” “Legally Blonde” (O’Keefe/Nell Benjamin, Legally Blonde, 2007)“In the Heights,” “96,000,” “Paciencia y Fe (Patience and Faith)”, “The Club/Fireworks” (Lin-Manuel Miranda, In the Heights, 2008)“Keys,” “Love Like That” (Heidi Rodewald/Stew, Passing Strange, 2008)“Screw Loose,” “A Little Upset” (Adam Schlesinger/David Javerbaum, Cry-Baby, 2008)“Solidarity,” “Expressing Yourself,” “Electricity” (John/Lee Hall, Billy Elliot, 2008)“I Miss the Mountains,” “I’m Alive,” “Light” (Kitt/Brian Yorkey, Next to Normal, 2009)“Memphis Lives in Me” (David Bryan/Joe DiPietro, Memphis, 2009)Important to Know, Difficult to Classify“What More Do I Need?” (Sondheim, Saturday Night, 1955–1997)“Paris Through the Window” (Gallery), “Under Separate Cover” (Subject to Change), “Better” (Merton of the Movies), “The Next Best Thing to Love” (Scandal) (Kleban, used in A Class Act, years vary from early 1970s to early 1980s)