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How does Sasha Baron Cohen include people in his films who do not consent to being in them?

Sascha Baron Cohen (or more accurately, his production company) uses a very well-constructed (and clearly lawyered well through six-figures) super-hybrid rights-release consent agreement that includes legal language for video release, talent release (When to Use a Talent Release Form), crowd release (also known as an area release) and materials release from the participant (talent) to the producer, in perpetuity and all derived forms including commercial use and uses not yet known or invented (!)Cohen and his production company also have hefty E&O insurance policies (errors and omissions coverage), which covers producers in the event of a claim that they did not properly obtain necessary permissions from persons appearing in the production. E&O carriers may require releases as a condition of coverage as a risk-reduction measure.This consent agreement, obtained and signed before any camera rolls, is a grant by the talent — what we think of as an actor, participant or performer — to the producer allowing commercial, derivative and promotional use of the following without any restriction, compensation or participation in the creative process:NameVoice. This includes both the audio recordings of the talent’s utterances, and the utterances or dialog itself. This prevents the participant from claiming authorship, copyright or credit for their spontaneous verbal contributions to the “script”.Image and likeness. This refers to the talent’s physical appearance. This include use of the talent’s image and likeness in the primary work, as well as in promotional materials.Performance. This refers to the talent’s manner of interpreting the role portrayed in the production. It may also cover musical performances or choreography, and indirectly (to the casual, nonprofessional participant) classifies the primary work (the movie) as a fictional representation rather than journalistic, documentary or factual interview. A work of fiction has greater latitude that permits editing and guiding the talent’s performance to suit the artistic interests of the producer, rather than the factual representation in a non-fiction work.Incidental and non-performance. The crowd and video release language allows the producers to use non-specific, incidental recordings where the talent appears or is heard outside of what the participant might argue is the “boundary” of the performance for they released their rights.The video release is a reaffirmation that the participant will be captured on recorded media, just in case they later claim not to understand the form of the primary work. The materials release covers all ancillary aspects of what is recorded that the participant might assert under copyright: photographs and artworks within their home and property or on their person; written works within same; music or sounds within same; and so forth. The crowd release allows the recording of open and public areas without requiring prior written consent from people who cross or enter the area recorded.Cohen’s documents aren’t this simple, but for illustrative purposes…Most releases contain the following provisions:An authorization to record the participant and to use the recording and other material about the participant in one or more productions and related advertising and promotion, in all media, in perpetuity.A statement of the compensation to be paid to the participant (or that no compensation will paid).A provision that the producer owns the recordings in which the participant appears and any contributions to the production made by the participant.A release of claims in favor of the producer.A choice of law and venue provision for the producer's preferred jurisdiction.Some appearance releases go considerably further, such as by authorizing the producer to make re-creations (dramatic sequences) portraying the participant, fictionalize events involving the participant, or use the material authorized under the release in books and even scripted feature films. If a re-creation, fictionalization or similar production technique, or a book or other derivative, is actually contemplated, provisions like these are appropriate.But while a producer might think to include such provisions "just in case," they are objectionable to many participants and could stand in the way of a release being signed. In order for a producer to obtain signed releases successfully and without lengthy negotiations, it's wise to include provisions like these only when needed.A Practical Discussion of Appearance Releaseshttps://media.nationalgeographic.org/assets/file/Appearance_Release_NG_and_NGP.pdfhttps://kino-eye.com/download/David-Tames-Release-Forms.pdfhttps://www.thehartford.com/professional-liability-insurance/errors-omissions-insurance

What is your view on the recent video of a young Kashmiri man tied to the front of an army Jeep?

Amazing Display of Presence of Mind!!!Problem at Hand: Hundreds of stone-pelters (including women and children) surround you while you are on your way to a polling booth which is being held to ransom by another violent mob. How to tackle the situation in the most peaceful manner?Let us explore the various options Major Gogoi and his team had at that moment:Solution 1 - Retreat. I am sorry, but that is not taught to soldiers in the Indian Army.Solution 2 - Engage the crowd and wait for additional force to arrive. The polling station would have been ransacked and the polling officers and security personnel inside it would have been stoned to death/ burnt alive by then. And the same people who are crying of atrocity now would have been raising questions at our army’s competency.Solution 3 - Do nothing. And get martyred, wrapped in the tricolor and delivered to your home with all pomp and show. In your dreams, peace loving misguided youth.Solution 4 - Retaliate with fire and disperse the mob. Seeing the outcry after the jeep incident, I can only imagine how hurt our liberal, leftist, separatist political parties and media houses would have been, had the army opened fire. Hence, solution discarded.Solution 5 - Retaliate with pellet guns. Ah, I forgot the army is not allowed to use them any more.Solution 6 - Tie one person from the mob to the bonnet of the jeep, and sail through the crowd. Release him perfectly intact after wards. This was the best solution because -No collateral damage.No guns fired.No one blinded.No one killed.No violence.People stranded at the polling booth rescued safely.Problem Solved.Job Well Done Major Saab!!!Thanks!Gunjan Jhamb

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