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Q. Did medical doctors and nurses watch the ER series when it was popular?A. I liked the show and the characters, but the medicine was bad, contrived, inaccurate, and fantasized. I imagine what other professions Hollywood gets wrong. Policemen, attorneys, reporters must cringe all the time.The contemporaneous medical show Chicago Hope was more realistic and less dramatized, in the beginning.Scrubs surprisingly was more accurate. ER actually had a script consultant (Greg Moran, MD) who trained in Emergency Medicine and Infectious Disease at USC and is Vice Chair of Emergency Medicine at UCLA.TV Medical Drama Accuracy FAIL! (In 3 Categories) - Soliant Healthby TERA TUTEN onAPRIL 13, 2011“It must be true…I saw it on TV,” many non-medical professionals exclaim, after catching some insights on a procedure or disease during a modern medical drama episode.It’s a refrain heard over and over again, and while many entertaining depictions of life from the ER to the OR employ consultants in the medical industry, there’s no rule that says their advice has to be obeyed.From entire series’ to reoccurring myths to specific (sometimes brutal) technical blunders, here are a few of the glaring accuracy fails we’ve spotted in three cringe-inducing categories…TVs most prominent medical shows ranked according to accurate portrayal of real-life hospital situations:Scrubs – Surprisingly, this bumbling live-action cartoon was heralded by doctors and med students as the most true-to-life medical TV series in terms of both technical accuracy and capturing the culture of doctors and interns (more…)St. Elsewhere – Sure, it was easier to remain true to the real-life profession when TV reigned as the supreme medium and ratings were a cakewalk, but the folks at St. Eligius did it with an homage to real medical doctors, nurses and hospitals that’s tough to equal in any decadeER– Despite having the master of researched fiction – Michael Crichton – as its creator and consultant, the team at County General lands just in the middle of the spectrum. (To put it in perspective, though, Crichton is the same person who created Jurassic Park.)House, MD – Some well-researched plots but also some pretty far-fetched situations you wouldn’t encounter outside the world of fiction. (full medical reviews of each episode…)Grey's Anatomy – Squarely at the bottom, TV’s most popular medical drama is also heralded by doctors as the least accurate, when it comes to portraying life working at a hospital. As addictive as it is, Grey’s is also by-far the greatest committer of the following sins:Most common inaccurate portrayals of hospitals and their staff on TV medical dramas:The TV myth: Doctors operating outside their specialtyThe reality: Though shows like ER or Grey’s depict surgeons performing every procedure in the hospital, this just ain’t so. The sheer variety of surgeries in different specialties that doctors perform on these shows is also something you’ll only see on TV.The TV myth: Doctors doing everything at every step in patient careThe reality: Many patients who are fans of these shows are amazed to see that the nurses in real hospitals seem to do everything. (Usually this appearance is because patients see nurses many times more often than doctors, though it’s also because – unlike on TV– doctors don’t do most of the stuff to patients that looks cool on TV.)The TV myth: Patients revived just in time for the commercial breakThe reality: Though lots of medical dramas let the credits roll right after a dramatic death scored with a melancholy Top 40 ballad, the same shows also rely on just-in-time resuscitations before or after commercial breaks. In reality, flat-lines can’t be solved with paddles, CPR is rarely successful, and hospital resuscitations are successful 5-10% of the time in ideal circumstances.The TV myth: Every resident leaving the hospital at the same time (often to go have drinks)The reality: Though this was a favorite of ER and Grey’s, it’s just mathematically impossible. In addition, as one poster on http://forums.studentdoctor.net/ puts it “you aren’t going to meet too many surgeons who tie one on every weeknight to the point of inebriation and are able to show up in the morning ready to work. (Many of the surgeons I know won’t even drink coffee within a day of a surgery because it makes them jittery).”The TV myth: Doctors hooking up with colleagues on-the-jobThe reality: *Ahem* You know which show we’re talking about here…Beyond doctors on almost every post on the web that discusses this laughingly wondering which hospital in America they could work at that would actually allow them enough time to form a romantic relationship with a colleague, such broom closet rendezvous’ would be serious cause for dismissal at pretty much any real-life facility.Specific medical accuracy FAILs on TVIn one Grey’s Anatomy episode, two characters perform an illegal autopsy against a family’s wishes. On the show, the characters are forgiven (instead of arrested) because they discover the patient had a rare genetic disease. Since the Tuskegee tragedy, noted a recent Slate article, doctors have instilled institutional checks to ensure that clinical research is ethical. Unfortunately, many patients may still avoid doctors because now they are afraid of being experimented on after – in their minds – TV fiction confirmed their worst fears.Medical Investigation (NBC, 2004-2005), did the out-in-the-field epidemic detective work of the CDC but were identified as employees of the National Institutes of Health (a federal agency more focused on lab-based science.) Also, the heroes wore leather jackets while checking for a deadly pathogen (*pff!* who needs that mandatory protective gear.)A Canadian study out of Halifax Nova Scotia’s Dartmouth University showed that TV doctors and nurses responded inappropriately to seizures almost half the time: “Television dramas are a potentially powerful method of educating the public about first aid and seizures,” said study author Andrew Moeller. “Our results, showing that television shows inaccurately showed seizure management half the time, are a call to action. People with epilepsy should lobby the television industry to adhere to guidelines for first aid management of seizures.”In another Grey’s episode, Dr. Yang asks a woman to donate her husband’s organs after he dies. Yang tanks in the sensitivity department, dispassionately asking for the husband’s eyes and skin, then runs out of the room as the wife begins to cry. “The scene is rife with errors that could damage public perception of organ donation,” noted the same Slate piece. As it turns out, Yang is jockeying for the husband’s organs because another patient – a close friend of the chief of surgery – is dying from liver failure and will be saved if the wife agrees. In real life, hospitals go to great lengths to prevent these types of conflicts of interest, barring doctors from approaching patients and designating statewide organizations (rather than individual hospitals) to distribute organs.That’s not all…More TV medical myths:http://realdoctorstu.com/2011/01/19/the-top-10-medical-tv-myths/New program pairs U.S. health officials with Hollywood writers: http://www.deseretnews.com/article/660213843/US-health-officials-prescribing-doses-of-medical-accuracy-for-TV-shows.htmlKeeping medicine on TV real: http://www.msnbc.msn.com/id/18233164/ns/health-health_care/The most accurate television show about the medical profession? Scrubs.By Joanna WeissZach Braff in ScrubsAny fictional television show about a real profession runs the risk of getting things wrong. I work for a newspaper and cringe whenever I see reporters portrayed on TV. (They're always so self-serving and venal. What's up with that?) I once interviewed a criminology professor who complained about the stunningly obvious things CSI characters say at crime scenes. Real forensic investigators, he explained, don't shout, "Look at this! It looks like blood! We'd better send it to the lab!" But if you talk to doctors, they'll often sing the praises of one medical show in particular, which they say captures the training process, the profession, and the dynamics of a hospital with remarkable accuracy. No, it's not House, the tale of a misanthrope who happens to be a doctor. It's not Grey's Anatomy, a torrid romance novel disguised as a medical show. It's not even the recently departed ER, which broke television ground with its realistic gore. It's Scrubs.After seven seasons on NBC and an eighth on ABC, the series airs tonight what might be its final episode. If it returns next fall—"a coin flip," at this point, creator Bill Lawrence told me—it will feel like a different show, tracking familiar characters but at a different stage in their lives and careers. Scrubs follows the travails of doctors John "J.D." Dorian (Zach Braff), Christopher Turk (Donald Faison), and Elliot Reed (Sarah Chalke), who launched their careers in 2001 as interns at the fictional Sacred Heart Hospital.To the layman, the half-hour sitcom may hardly seem like a paragon of factual accuracy. Its approach isn't realist or vérité—on the contrary, it's essentially a live-action cartoon, filled with fantasy cut-aways, bathroom humor, sex jokes, and jiggy dances. At any moment, a Sacred Heart physician might imagine sick patients ballroom dancing through the ward or a scowling malpractice lawyer strutting through the waiting room and tossing out business cards like a blackjack dealer. J.D., meanwhile, has been known to contemplate a tough medical decision while stroking Justin, his stuffed "soul-searching unicorn."This probably doesn't sound like any hospital you've visited. But if you look past the cartoonishness, you find a series that's quite in tune with the real lives of doctors—and unlike your typical medical drama, one that's not required to end each episode with a climactic surgical procedure or whiz-bang diagnosis. ER, for instance, was about the heroic things doctors do to save lives, and every episode was rife with calamity. Scrubs, on the other hand, is mostly about what happens at hospitals between crises—the way doctors and nurses handle ordinary cases. And doctors say that as a depiction of the residency process, the show hits strikingly familiar emotional notes. J.D. narrates nearly every episode in a voice-over, setting up jokes and transitions between bits, but also describing his thoughts and insecurities. Doctors say they recognize in J.D.'s internal monologue the real thought processes of a young doctor at work."He says exactly what a resident feels, day in or day out. 'Am I hurting the patient? Am I learning what I should? Am I kissing up too much to the attending?' " says Jonathan Samuels, an attending rheumatologist at the NYU Hospital for Joint Diseases. "I always thought Scrubs was right on."If the show feels like somebody's real-life experience, that's probably because it is. Creator Bill Lawrence, the man behind Spin City, Clone High, and the upcoming Cougar Town, built Scrubs around stories from his college friend Jonathan Doris, now a cardiologist in Los Angeles and a medical adviser to the show. He found humor in Doris' experiences, he says, and also a truth about human nature that's not often seen in medical shows. "In television, we like our doctors to be very heroic and very dramatic, and they kick doors open, and they say the word stat a lot," Lawrence says. But: "If your buddy was a funny kind of goofball that made jokes out of everything in college, then as a doctor, he's the same guy."Some moments from Doris' residency found their way directly onto Scrubs, says Dr. Paul Pirraglia, an internist in Providence, R.I., who was part of Doris' Brown University resident class. In the pilot, J.D. performs a procedure called a paracentesis to drain fluid from a patient's distended belly; he turns away for a moment, then looks back to discover a geyser of fluid gushing into the air. It happened—just like that—to a fellow resident at Brown. Lawrence says Doris, like the fictional J.D., also hid in a closet early in his residency to avoid being the first doctor on the scene when a patient was coding.In fact, Lawrence says, nearly every medical scenario on the show has originated with a real-life situation, tweaked a little bit for drama and the constraints of half-hour comedy. Each year, he assigns his writers to interview five doctors and report back with story ideas. Doctors often volunteer funny stories as well, he says, though many of them involve objects that patients manage to insert in their rear ends—a plotline Lawrence and his crew could use only once. (For Scrubs purposes, it was a light bulb.)But Pirraglia and other doctors say what makes Scrubs resonate isn't the specific scenarios so much as the broader themes. The show tracks the tensions between surgical and internal medicine residents—the jocks vs. the chess club, as J.D. puts it in the pilot. It captures the allure of private practice—in Season 6, Elliot takes that route and enjoys the fruits of an inflated salary. It explores the risks and rewards of intra-hospital romance, through the on-again, off-again relationship between Elliot and J.D.—which is currently quite on. It dramatizes the ways hospitals struggle to allocate resources—Dr. Kelso, Sacred Heart's chief of medicine, has more than once ordered a patient without insurance to go untreated. And it pokes fun at the way residents jockey to get plum assignments—in one episode, residents race down a hallway like Pamplona bulls for the right to treat a member of the hospital board, trampling one another and several patients in the process.Even these fantasy sequences can be seen as an element of the show's verisimilitude, suggesting a sort of survival tactic, a way to endure the grueling rhythms of life on 36-hour shifts. Scrubs captures the agony of hunger and fatigue those shifts force doctors to endure, says Dr. Svetlana Krasnokutsky, another attending rheumatologist at NYU and Samuels' fiancee. (Hospital romance does happen in real life; there's hope for J.D. and Elliot yet.) She recalls watching a Scrubs doctor eat food off a comatose patient's tray. Krasnokutsky says she's never gone that far, but she's thought about it.Krasnokutsky says she, too, identifies with J.D.'s constant self-reflection and self-doubt. In the pilot, J.D. declares, "I don't know jack," and the show in many ways has been an ongoing exposition of that point. Residents often feel like they know nothing, Pirraglia says, yet they're suddenly invested with huge amounts of responsibility, expected to give orders to much-more-experienced nurses, required to make quick decisions with life-or-death consequences."Being a resident is a strange place between officially being a doctor, which you are, but also really not knowing it all," he says. "You get this level of authority that you don't think you deserve. All of a sudden you're the doctor and people are going to listen to you."What helps—and also comes through on Scrubs, he says—is the support of fellow doctors. A seminal moment in his own residency came when he was called to a patient with a serious gastrointestinal bleed. Blood poured over the table. Time was running out. And suddenly, the room was filled with fellow residents, offering unsolicited help. Over and over again, even when they're mired in hospital politics or a relationship squabble, Elliot and J.D. do the same for each other. In the Season 4 episode "My Office," they snipe at each other relentlessly after being named co-chief residents. But when a patient codes, they work together without a second thought. "The best thing about this place," J.D. says in his voice-over, "is that when somebody's really in trouble, all the pettiness melts away."Despite the dogged efforts of the medical staff, however, the patients on the show sometimes die anyway—sometimes because the Scrubsdoctors have made fatal mistakes. Scrubs isn't a procedural built around dramatic recoveries, and many of the episodes, as goofy as they are, end on notes that are wistful or just plain sad. "You never promise a patient they're gonna be fine," the abrasive Dr. Cox growls to J.D. in the Season 4 episode "My Best Moment." "God hates doctors. He truly does. …"That case had a happy outcome—it was a Christmas episode, after all. Unflinching as it often is, Scrubs also maintains an unabashedly sentimental perspective on medicine. That could well be something else that doctors love about the show and a reason Lawrence is asked to speak at medical school graduations. J.D and his colleagues may be by turns blustery and mired in secret self-doubt, but they're also uniformly human and well-meaning; even the supposedly hard-hearted, penny-pinching Dr. Kelso has turned out to be a softie in the end. God might hate doctors, but Scrubs loves them, and the feeling is mutual.Script DoctorsJun 07, 2012 | MD Magazine Staff.Since at least the 1950s, medical dramas have been a staple of television programming—and for good reason. Where else are the stark realities of life and death more vividly experienced than in the work of doctors and other medical professionals? Few television writers and producers have a background in medicine, though, so MDs have been enlisted as consultants to help lend these programs a sense of reality. To find out what it takes to help produce medical dramas that are both accurate and entertaining, we spoke with consultants from two of the most popular examples of the genre in recent decades: House and ER.If you’re interested in working as a consultant on a medical show, it generally comes down to who you know. Harley Liker, MD, MBA, helped his friend and neighbor, television producer David Shore, sketch out the cast of characters for a new show Shore was developing that would center on solving medical mysteries—and ended up as a consultant on House from its first season on. Greg Moran, MD, who did a residency in emergency medicine and a fellowship in infectious diseases, started out feeding ideas for odd maladies to a friend from his residency program at USC who was a consultant on ER and went on to become a consultant himself for the show’s final five seasons. Compared with Liker and Moran, Lisa Sanders, MD, took a slightly unorthodox route to her position as a consultant on House: Her monthly Diagnosis column in the New York Times Magazine, which explains how physicians sleuth out difficult cases, was an inspiration for the show and has served as the basis for a number of its episodes.Once on board, medical show consultants generally keep their day jobs. Although Moran’s friend, who got a film degree in addition to an MD, moved up the ranks and ultimately became an executive producer of ER, most consultants are strictly part-time. “It was a side thing,” says Moran, who is vice chair of emergency medicine at Olive View-UCLA Medical Center and a professor of medicine at UCLA. “It was a few hours a week.” When the work comes through, however, it has to be attended to quickly. “No matter what’s happening in my life, when a script comes, I have to drop everything and look at it, because I only have 48 hours to make suggestions on how to fix it,” says Sanders, an assistant professor of medicine in the internal medicine and primary care program at the Yale School of Medicine.Medical consultants are just one part of a complicated apparatus, and their feedback can have significant consequences for others involved in making the show. “The scripts get moving pretty quickly, and there is a whole production cycle of when a script gets released to the time it needs to be revised to the time it gets to the actors to the time it gets to the special effects and props people so they can get what they need,” says Liker, who is an associate clinical professor of medicine at UCLA and provides concierge medical services through his company, Liker Consulting. “Say I had to give a writer a note or comment where I thought that the patient absolutely needed to have an MRI and imagine there wasn’t a reproduction of an MRI machine on the set and they are going to have to go out and get one—you can’t do that in a day.”The basic role of the consultant is to help ensure that the medical details of each episode are accurate—pointing out when a drug that is only available orally is scripted to be delivered intravenously, for instance—and help the writers imagine how medical scenarios might play out. On ER, Moran would generally receive an outline of an episode script with broad sketches of what was to happen in each scene and then write a first draft of the medical sections. This might involve coming up with a plausible dispute between two characters over how to approach a particular case. On House, consultants vet scripts for medical accuracy and play a role in coming up with the ultimate diagnosis for each episode as well as the false leads that the physicians might pursue in trying to treat it.“It’s a 60-minute show, and in the first 45 or 50 minutes, you basically want to distract the viewer,” says Liker. “Maybe it’s a pneumonia, OK, let’s treat it with antibiotics. Oh, we treated for pneumonia, but he’s not getting better, so maybe it’s something else. And I think they needed a lot of help with the something elses and how to step through to get to the end.”When working on a television show, however, consultants learn to balance absolute verisimilitude against the need to tell a good story. One challenge is working with a limited cast, which means that characters might be shown performing a procedure that is far outside their normal area of practice. “For instance, you’ve got someone like Chase [on House] who is trained as a pulmonary critical care expert occasionally doing neurosurgery,” says Liker. “That would never happen. Only a neurosurgeon would do neurosurgery.” And, of course, there is House’s central character, the famously cantankerous yet brilliant Gregory House, MD, who cuts ethical corners, disregards patients’ treatment preferences, and berates colleagues and patients alike, all in the pursuit of the greater good. “In internal medicine, we spend a lot of time teaching our residents how to behave properly on the theory that if you’re good to your patients, you have a much, much better chance of getting the whole story,” says Sanders. “So there are a whole bunch of people who do primary care who just hate House because he has such a terrible bedside manner.”Moran acknowledges that the drama was frequently amped up much higher on ER than it was in a real-life emergency room, but takes pride in how the show managed to have physicians and other medical staff use the sort of medical language they would in reality. “We would have to find a way to make it self-explanatory so the audience could tell what was going on, but we would use all the technical jargon,” he says. “That was just part of the feel of the show—that the docs and the nurses were speaking in the way that they would in the real world.” Another mark of ER’s realism: Some patients actually died. “That really is more reflective of the real-world situation,” Moran says. “A lot of patients do die. Clearly the outcomes on ER overall were better than in the real world, but they didn’t always have to have a happy ending.”Sanders says that House’s writers and producers are generally eager to incorporate her suggestions for correcting errors to help make the show as accurate as possible, although there was one notable exception—the time she challenged a writer’s description of an infection in a man’s mouth as “bacterial vaginosis,” meant to imply that he had been engaged in oral-genital contact. “I sent this long email saying that, first of all, that organism doesn’t grow in the mouth, but even if it did, it wouldn’t be called ‘bacterial vaginosis’ because it’s not in the vagina, so it would be called oral stomatitis or something, and then I gave a few other suggestions that would convey that kind of contact in a funny way,” she says. “Twenty minutes later, the answer came back, and it was just one line: ‘Thanks, Lisa, but my way is funnier.’ And, you know, it was. I thought, ‘Oh, right, I get that.’ It’s nice to be accurate, but sometimes it’s also good to get off a really good joke.”In the end, as Liker points out, the shows belong to the writers and the producers, not the consultants. “The writers come up with the ideas, and the medical consultants help them shape those ideas to create stories that will be compelling and as technically accurate as possible given the understanding that the show is a drama and not meant to represent pure reality,” he says. “It’s like somebody builds a beautiful car, and we shine the chrome to make it a little brighter, but we’re not building the car.”- See more at: Script Doctors

Immediate family[edit]Richard Parker (father, deceased)Mary Parker (mother, née Fitzpatrick, deceased)Teresa Parker (sister): Peter Parker's long lost sister who is introduced in the graphic novel Spider-Man: Family Business[1]Ben Parker (uncle, deceased)May Parker (aunt, née Reilly): Peter Parker's loving aunt, who raises him after his parents died. After the murder of her husband, Ben (Peter's uncle), May is virtually his only family, and they are very close.Zoe Parker (cousin): The history of the character is unknownMary Jane Watson-Parker (former wife): originally merely Gwen Stacy's competition, M.J. eventually became Peter's best friend and wife. After Peter and Mary Jane made a deal with Mephisto to save Aunt May's life, their marriage is erased from official continuity.May Parker (daughter)Benjy Parker (son)Will Fitzpatrick (grandfather, deceased): Mary Parker's father and Peter Parker's grandfatherClones[edit]Ben Reilly aka Scarlet Spider, and the second Spider-Man (clone brother, Deceased)Kaine (clone brother)Spidercide (clone brother, deceased)Jack [2]Guardian [3]skeleton of a Spider-Man clone found in a smokestackDoppelganger (mystic duplicate)Mary Jane's family[edit]Anna Watson: Mary Jane's aunt and Aunt May's best friend.Madeline Watson (mother, deceased)Phillip Watson (father)Kristy Watson (cousin)Gayle Watson-Byrnes (sister)May Parker's Family[edit]Albert Reilly (father)Claire Reilly (mother)Horace Reilly (uncle)Bill Reilly (uncle)Claudia Reilly (aunt): Bill Reilly's wifeSam Reilly (cousin): Bill and Claudia's sonJulia Reilly (cousin): Bill and Claudia's daughter (married last name unrevealed)Jan Reilly (sister)April Reilly (sister)Alexa (niece): Julia Reilly's daughter and Peter Parker's cousin, last name unrevealedAmes (niece): Peter Parker's cousin, last name unrevealedAmanda (niece): Peter Parker's cousin, last name unrevealedLove interests[edit]Peter Parker's love interests[edit]Gwen Stacy: Gwen was Peter's first serious girlfriend. She was very kind but slightly spoiled, smart, beautiful and shared Peter's love for science. Her father was police Captain George Stacy. Peter initially ignored her due to his concern for his sick Aunt May, which frustrated Gwen. First a friendship, then a romance gradually formed between the two, which lasted for over a year, until her death. She was killed by the Green Goblin when he threw her off a bridge. In House of M, Gwen is still alive and married to Peter.Mary Jane Watson: listed above. A former seemingly shallow, party girl who matured and settled down with Peter eventually after Gwen (who Mary Jane was good friends with) died.She was really in love with Peter and even got married to him (before Mephisto altered reality).Black Cat a.k.a. Felicia Hardy: Peter's first superhero girlfriend. She is calculating, strong and sly. Felicia competed against Mary Jane for Peter's affections, eventually losing after she left town for a while.Betty Brant: Betty takes over her mother's former position as Daily Bugle secretary after she dies. Peter dates Betty Brant for a while, but they break up due to her blaming Spider-Man for the death of her brother. She later marries Daily Bugle reporter Ned Leeds, although she briefly gets back with Peter after the breakdown of her marriage. Despite this, both Betty and Peter maintain a close friendship.Carlie Cooper: She is an officer of the NYPD's Crime Scene Unit and ex-best friend of Harry Osborn's ex-girlfriend, Lily Hollister. She had also been friends with Gwen Stacy. At Harry Osborn's goodbye party Peter asks her to be his girlfriend and the two share their first kiss. However they break up after Spider Island due to surmising that Peter was Spider-Man, and was angry that he'd lied to her.[4] Carlie eventually left New York for her own safety.[5]Anna Maria Marconi: Girlfriend of Peter when he was possessed by Dr. Octopus. After Peter regained control of himself, Anna became his friend.Michele Gonzales: Michele is a criminal defense lawyer and the hot-tempered sister of Peter's roommate Vin Gonzales, as well his temporary roommate while Vin serves time for his involvement in the Spider-Tracer Killings frame-up (to which she got him a plea bargain[6]). When Michelle attempts to kick Peter out (who is actually the Chameleon in disguise) she is instead seduced by him and become infatuated with him.[7] She is almost constantly angry, and questioning her or drawing attention to the size of her buttocks really sets her off.[8] However,she is also a helpful and kind person, by trying hard to help her clients get their lives back on track. She returned to her previous home in Chicago shortly after Vin's release.[9]Ms. Marvel: Carol Danvers, the superhero Ms. Marvel, has worked with Spider-Man on occasion and even agreed to go on a date with him in accordance with his helping her on a mission, despite how angry he can make her. She later fulfills her promise.[10] Spider-Man had admitted to himself he finds her attractive in her outfit. At the end of the near disastrous date, the two bonded together over a love of junk food. After she was possessed by the symbiote for a time, Venom hints to Spider-Man that his feelings for Ms. Marvel are mutual. The two have remained close friends.Liz Allan: Peter's high school crush, although they never get together. Liz instead marries Peter's friend, Harry Osborn.Debra Whitman: a fellow Empire State University student and secretary whom Peter dates for a period of time, though his frequent disappearances complicate their relationship. She is eventually diagnosed with mild schizophrenia, ironically exacerbated by her "delusional" belief that Peter is Spider-Man. With Peter's help, she overcomes that idea. Soon afterward, she leaves New York after another man, Biff Rifkin, confesses his strong feelings for her.Other continuity[edit]Kitty Pryde: In the Ultimate Marvel Universe, Kitty Pryde of the X-Men had a crush on Spider-Man and would eventually become his girlfriend.Sophia "Chat" Sanduval: A mutant known as Chat from the Marvel Adventures Spider-Man who appeared in issue 53 and is best friends with this version's Emma Frost. She has the power to talk to animals. She is one of the few people who knows Spider-Man's identity and has developed deep feelings for him. She and Peter begin dating, meanwhile Emma (with her own crush on Peter) shakes their relationship. Eventually, Chat becomes Peter's girlfriend.Jean Grey: When the X-Men save the life of Spider-Man by using some freshly drawn enzymes from Morbius and Professor Xavier's equipment, Spidey shows his gratitude by kissing Jean.[11]Silver Sable: In the What If? storyline "What If Spider-man had married the Black Cat?", after Black Cat is accidentally killed by the Paladin, Silver Sable and Spider-Man enter into a romantic relationship due to their shared grief over the loss of their loved ones; Uatu the Watcher leaves it ambiguous whether this relationship will work out or not. Incidentally, the 616 version of Sable recently displayed romantic interest towards Spider-man.Emma Frost: In Marvel Adventures Spider-man, Emma reveals that she has a crush on Peter and tries to separate Chat and Spidey by erasing Chat's memory. On her own, she decides to pay for her crimes and get arrested, but returns to help Spidey, apparently, still holding a crush on Peter.Rogue: In X-Men Forever continuity, Spider-Man helped Rogue when she was annoyed with events happening around herself, her new powers and the X-Men's current status. Rogue somewhat takes Spider-Man's advice to follow her heart and, now that she can touch people, almost kisses him.Ben Reilly's love interests[edit]Janine Godbe aka Elizabeth Tyne The one great love of Ben's life. Ben found out Janine was living under an assumed name after she murdered the father who molested her. Ben confided in Janine that he was a clone of Spider-Man. Later Kaine forced Janine to fake her death to hurt Ben. Janine later turned herself into the police for killing her father. In the MC2 universe Darkdevil is Ben and Janine's son.Betty Brant was attracted to the Scarlet Spider during the Web of Life storyline where Ben saved her from the Grim Hunter.Jessica Carradine is the daughter of the burglar who killed Peter Parker's uncle Ben. She dated Ben during the period where he was Spider-Man and thought he was the real Peter Parker. Janine is a photographer and discovers Ben is Spider-Man.Firestar: Ben and Firestar both had an attraction towards each other, but it was were never acted upon.Lois Lane: When Ben competed in Marvel vs DC he met Lois Lane and asked her on a date to find out she is engaged to Clark Kent/Superman. Lane, however, develops a slight attraction towards Ben's alter-ego Spider-Man before their mutual universes are separated again.Carrie Bradley: A woman Ben was supposed to go on a date with but failed to make the date on time because of his life as a super hero.Black Cat: They both dated when Ben was acting as Spider-Man. He admitted that he was not the Spider-Man she knew, but he never revealed his true identity.Ben had Peter's memories of dating Betty Brant and Gwen Stacy, though not Mary Jane. This is due to the fact that Peter had not yet developed feelings for Mary Jane, at the time he was cloned.Peter Parker's supporting characters[edit]See also: Daily BugleLiving Brain: A robot was created by the fictional International Computing Machines Corporation and billed as the most intelligent computer and robot in existence, capable of solving virtually any question asked of it.Elias Wirtham: A physician and surgeon, and the owner and administrator of a biological research firm. Elias Wirtham is driven by his brother's death to research life-saving medical practices. He serves as an ally and occasional adversary of Spider-Man.Jean DeWolff: A police captain and good friend of Spider-Man. She fell in love with Spider-Man (rather than Peter Parker, as she never learned his true identity), and eventually confessed those feelings to him during a time when he was physically asleep and his body being manipulated by the Venom symbiote. She eventually died in the line of duty, with Peter never knowing that she had had feelings for him, though he did have suspicions after finding a collection of photographs of the two of them together after her death.Glory Grant: Former neighbor and friend of Peter Parker. Later becomes J. Jonah Jameson's secretary.Edwin JarvisJ. Jonah Jameson: Peter Parker's boss at the Daily Bugle.Ashley Kafka: A psychiatrist at Ravencroft Institute for the criminally insane who has occasionally sided with Spider-Man against super-villains.Max Modell: Peter's boss in Horizon Labs after Marla Jameson recommended Max to hire him.Ned LeedsJoe "Robbie" RobertsonRandy Robertson: Joe Robertson's son. Friend of Peter Parker.Sha Shan: Former lover of Flash Thompson; written out of stories between "Amazing Spider-Man" issues 280 and 622 due to anachronistic nature of the characters origins.Jimmy-6 aka Giacomo FortunatoFlash Thompson: Peter's former high school bully and later best friend.Ezekiel SimsLeo ZelinskyNorah WintersDexter BennettLily HollisterVin GonzalesBen Reilly's supporting characters[edit]Gabrielle Greer: A young woman who lived at the same hotel as Ben, when he first returned to New York City.Shirley Lewis (née Washington): Owner of the Daily Grind and Ben's boss.Desiree Winthrop: A model and regular at the Daily Grind.Buzz: A regular at the Daily Grind (his real name was never stated). On a few occasions he helped Ben (not realizing he's Spider-Man), through useful advice.Devon Lewis: Son of Shirley and part-time employee at the Daily Grind. At first Devon was distrustful of Ben, but over the months that followed he warmed up to him.Kaine's supporting characters[edit]Aracely: A 16-year-old Mexican girl, whom Kaine saved from human traffickers and took in, upon his arrival in Houston. It's later revealed that Aracely possesses psychic abilities, similar to Madame Web. Her full name is María Aracely Josefina Penalba de las Heras,[12] and adopted the codename "Hummingbird"[13]Annabelle Adams: A bartender/singer at the Four Seasons Kaine lives at. Annabelle is Mexican, which prompted Kaine to ask her for help with Aracely (who couldn't speak English). Kaine later attends a concert Annabelle's band holds.Donald Meland: A Houston doctor whom Kaine meets when he brings in the half-dead Aracely to the hospital.Wallence "Wally" Layton: A Houston police officer, who encouraged Kaine to continue as a vigilante in Houston. Wally is gay and married to Donald Meland.Gwen Stacy's family[edit]George Stacy (deceased): Gwen Stacy's father, Police Captain. Introduced in The Amazing Spider-Man (vol. 1) #56 (1968). He approves of Peter and Gwen's relationship as boyfriend and girlfriend. During a fight between Spider-Man and Doctor Octopus, he is crushed by falling debris while saving a child. As he dies, he reveals to Peter that he had known his identity for some time (something Peter had suspected anyway), and asks Peter to take care of Gwen.Helen Stacy: Gwen's mother and wife of George. Her first and only appearance is Peter Parker: Spider-Man #-1 (minus one).Arthur Stacy: Gwen Stacy's uncle, a private investigator, first appeared in The Amazing Spider-Man (vol. 1) #93 and #95. He was reintroduced only in the 1990s, in Peter Parker: Spider-Man #70 (in the last part of 'Clone Saga'). He is George's younger brother, but was originally presented in the 1970s as the older brother. For a time, Spider-Man would call on Stacy's skills as an investigator.Nancy Stacy: Gwen's aunt. Wife of Arthur and mother of Jill and Paul. First appeared in The Amazing Spider-Man (vol. 1) #93.Jill Stacy: Arthur Stacy's daughter and Gwen's cousin. Friend of Mary Jane and Peter. After Mary Jane was kidnapped, and thought to be dead, Jill made romantic advances toward Peter. Introduced in Peter Parker: Spider-Man #76 (1997).Paul Stacy: Arthur Stacy's son and Gwen's cousin. He blames Spider-Man for Gwen's death and joins the anti-mutant group the Friends of Humanity in an attempt to bring him to justice. Introduced in The Amazing Spider-Man (vol. 1) #422.Gabriel (last name unrevealed): Gwen's son by Norman Osborn. Norman convinced Gabriel and his sister, Sarah, that Peter Parker was their father and had killed their mother. Although Sarah is persuaded otherwise, Gabriel continues to believe so and takes on the identity of the "Gray" Goblin. After a confrontation with Spider-Man, he crashed into the river on his glider and lost his memories. Sarah took him to their home in France to recover. After failing to convince Sarah to join him, he flies off on a different glider. Introduced in The Amazing Spider-Man #509.Sarah (last name unrevealed): Gwen's daughter by Norman Osborn. Norman convinced Sarah and her brother, Gabriel, that Peter Parker was their father and had killed their mother. Sarah becomes suspicious after she meets Spider-Man however. She is convinced of the truth when Spider-Man saves her life by giving her a blood transfusion after she is shot by police. Spider-Man later learns that the pain caused by her accelerated aging has led her to abuse painkillers, and her addiction has gotten her in trouble with the French authorities. However, she promises to seek help, and perhaps someday become a hero herself. Introduced in The Amazing Spider-Man #509.Source : Wikipedia

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