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[PDF] ¡Arriba!: Comunicación y cultura (6th Edition)ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition, you may need a CourseID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products.PackagesAccess codes for Pearson's MyLab & Mastering products may not be included when purchasing or renting from companies other than Pearson; check with the seller before completing your purchase.Used or rental booksIf you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code.Access codesAccess codes that are purchased from sellers other than Pearson carry a higher risk of being either the wrong ISBN or a previously redeemed code. Check with the seller prior to purchase.--¡Arriba! Comunicación y cultura is a highly flexible program–one that can be used effectively in a wide range of learning environments by students who learn in different ways and use technology to varying degrees. ¡Arriba! has been consistently praised for its clarity and for providing materials that are both motivating and easy to use. We believe that you will find these qualities reflected in the sixth edition as well.From a new cultural focus in Perfiles that introduces the cultures of the Hispanic world through personal perspectives to new opportunities for cross-cultural learning throughout; learners can now interact with Spanish in a dynamic way. You can also gauge your progress with new section-ending ¿Cuánto saben? activities that help you put everything together in realistic, role-play situations. With the new Presencia hispana notes, you can see that Spanish is right outside their your door in your local community, making learning Spanish applicable and useful in your life. See for yourself how this new, personal approach combined with the hallmarks of clear grammar explanations and a wealth of meaningful practice activities brings Spanish to life!Note: This is the standalone book, if you want Arriba!: Comunicación y culturabook with MySpanishLab with Pearson eText -- Access Card order the ISBN below:0205203337 / 9780205203338 ¡Arriba!: Comunicación y cultura with MySpanishLab eText 24MOPackage consists of0205032923 / 9780205032921 MySpanishLab with Pearson eText -- Access Card -- for ¡Arriba!: Comunicacíon y cultura (24-month access)0205740375 / 9780205740376 ¡Arriba!: Comunicación y cultura

Earning money on YouTube requires two things: eligibility to become a YouTube Partner, and a valid AdSense account. [1]YOUTUBE PARTNER ELIGIBILITY REQUIREMENTS [2]:(1) YouTube allows membership in your country. Kenya is on the list of eligible countries [3], so you’re already good to go.(2) You upload original content which is advertiser-friendly.Now, technically, “advertiser-friendly” is listed as frowning upon many, many things - partial nudity, sexual humor, displays of serious injury, events leading to violent extremism, verbal harassment, profanity, promotion of drugs and regulated substances, abuse of such substances, use of such substances, selling such substances, war, political conflicts, natural disasters, and tragedies (even if graphic images aren’t shown). [4]However, there are so many popular channels which do exactly what I’ve listed and get away with it that the rule is clearly not being followed at all. In fact, I suspect that rule isn’t even being taken seriously by YouTube itself. So you can try to follow their rules, but I honestly suspect they’re not really rules any more.Plus, those rules kind of make it impossible for anything fun to be made, ever.So here are my rules for advertiser-friendly content, based on what I’ve personally seen: just don’t post anything that makes you seem like a complete asshole. This includes terrorism, anything that’s illegal, etc.IMPORTANT NOTE: With regards to using original material in your videos, YouTube doesn’t mention Fair Use, which is crucial for you to know.The specifics of Fair Use and what you can actually do differ per country, but the general principle is that under certain circumstances, you may use copyrighted materials in your own work without the express permission of, and without needing to pay royalties to, the copyright owner.The actual legalities and specifics of this vary per country. Because you mentioned your country is Kenya, I’ll refer to the exceptions dictated by the Kenya Copyright Act of 2001 [5]:KCA section 26 (1):Copyright in a literary, musical or artistic work or audio-visual work shall be the exclusive right to control the doing in Kenya of any of the following acts, namely the reproduction in any material form of the original work or its translation or. adaptation, the distribution to the public of the work by way of sale, rental, lease, hire, loan, importation or similar arrangement, and the communication to the public and the broadcasting of the whole work or a substantial part thereof, either in its original form or in any form recognizably derived from the original; but copyright in any such work shall not include the right to control:(a) the doing of any of those acts by way of fair dealing for the purposes of scientific research, private use, criticism or review, or the reporting of current events subject to acknowledgement of the source;(b) the reproduction and distribution of copies, or the inclusion in a film or broadcast, of an artistic work situated in a place where it can be viewed by the public;(c) the incidental inclusion of an artistic work. in a film or broadcast;(d) the inclusion in a collection of literary or musical works of not more than two short passages from the work in question if the collection is designed for use in a school registered under the Education Act or any university established by or. under any written law and includes an acknowledgement of the title and authorship of the work;(e) the broadcasting of a work if the broadcast is intended to be used for purposes of systematic instructional activities;(f) the reproduction of a broadcast referred to in the preceding paragraph and the use of that reproduction in a school registered under the Education Act or any university established by or under any written law for the systematic instructional activities of any such school or university;(g) the reading or recitation in public or in a broadcast by one person of any reasonable extract from a published literary work if accompanied by a sufficient acknowledgement of the author;(h) the reproduction of a work by or under the direction or control of the Government, or by such public libraries, non-commercial documentation centres and scientific institutions as may be prescribed, where the reproduction is in the public interest and no revenue is derived there from;(i) the reproduction of a work by or under the direction or control of a broadcasting authority where the reproduction or copies thereof are intended exclusively for broadcast by that broadcasting authority authorized by the copyright owner of the work and are destroyed before the end of the period of six calendar months immediately following the making of the reproduction or such longer period as may be agreed between the broadcasting authority and the owner of the relevant part of the copyright in the work; and any reproduction of a work made under this paragraph may, if it is of an exceptional documentary nature, be preserved in the archives of the broadcasting authority, but, subject to the provisions of this Act, shall not be used for broadcasting or for any other purpose without the consent of the owner of the relevant part of the copyright in the work;(j) the broadcasting of a literary, musical or artistic work or audio-visual works already lawfully made accessible to the public with which. no licensing body referred to under section 46 is concerned:(1) Provided that subject to the provisions of this section the owner of the broadcasting right in the work receives fair compensation determined, in the absence of agreement, by the competent authority appointed under section 48; and any use made of a work for the purpose of a judicial proceeding or of any report of any such proceeding.So based on this, it seems like your country’s version of Fair Use is actually rather limited.Using copyrighted materials without permission requires paying royalties of some kind, which essentially negates the whole point of Fair Use.You can only use copyrighted materials to your heart’s content if they’re for the purposes of criticism and review, scientific research, private use, or reporting of current events - otherwise, how much of them you use is subject to what you’re using them for.But at least now you know about all of this.With regards to Fair Use on YouTube specifically, you should be really careful. There are lots of companies and people out there who simply don’t understand or don’t care about Fair Use. They will try to take down your video for copyright infringement anyway, and you will have to fight off attacks like that fairly often if you become popular in making content like that. I know this because I’ve seen it happen multiple times, as have others. [6](3) Your video content complies with YouTube Terms of Service and Community Guidelines.Read ’em and weep.Terms of ServiceCommunity GuidelinesIf you’re wondering what the difference between the two is, it’s essentially that Community Guidelines are a subset of Terms of Service.Community Guidelines cover just the social aspects of YouTube - playing nicely in the sandbox with each other, how to not be a complete asshole, that kind of thing.Terms of Service cover that as well as the rest - how monetization works, when you should flag videos, explanations of the rightful uses of technical features like Embeddable Players, and so forth.(4) You’ve reviewed how copyright generally works on YouTube.I know I already gave you a massive lecture on Kenyan copyright law, but that was just in terms of your country’s version of Fair Use. You need to also know how copyright infringement claims are disputed and dealt with on YouTube, so you can work with them should you need to (and you definitely will need to if you plan on incorporating Fair Use in any way into your videos).Now, the truth of the matter is that YouTube sucks at addressing copyright issues. It tends to take the side of the copyright holder no matter whether the claim of copyright infringement was correct or not, and unless you are a creator with many subscribers, they will not care in the slightest when you email them about your concerns. They may not even reply.See my videos below in the references section on the plights of ‘I Hate Everything’ and ‘Channel Awesome’, if you want a good idea of how this situation tends to unfold for the people who have to regularly deal with it.However, you should at least know how to deal with copyright issues, so here you go: YouTube Copyright Center - YouTubeADSENSE ELIGIBILITY REQUIREMENTSThey’re very simple [7]:Do you have a website? Well, in this case, you have a channel, so close enough.Are you at least 18 years old? This is just a yes or a no.Does your site/channel comply with Adsense’s program policies? These include a number of different things [8] - below, I’ve included only the ones that apply to you.It’s your responsibility to keep up to date with their Terms and Conditions, regardless of how often or how severely it changes.You can’t artificially inflate views of or clicks on the ad (i.e. viewing your own video multiple times, clicking the ad yourself, using automated click tools, or using deceptive software).You can’t encourage other people to view or click your ad (i.e. offering compensation to people for viewing/clicking the ad, promising to raise money for third parties based on the clicks/views you get on the ad, placing images next to individual ads to trick people into clicking the ad).You can’t paste AdSense code on pages containing content that violates their Content Guidelines.You can’t post an ad on a video that violates copyright law (unless Fair Use, but we’ve already covered that). AdSense usually adheres to the Digital Copyright Millenium Act when it comes to determining copyright infringement; you may want to review that act here.You can’t post an ad on a video that offers for sale, or promotes the sale, of counterfeit goods (goods that use a logo or trademark similar to the original in order to mimic genuineness).You can alter your ad’s code so long as the alterations don’t artifically inflate ad performance or harm advertisers (review Modification of the AdSense ad code for more specific information on the dos and do-nots).You’re encouraged to experiment with where you place your ads (in terms of where in the video, in your case); however, you can’t violate Ad placement policies in the process.You can only place ads on a video if that video uses a language supported by Google. The supported languages include [9]: Arabic, Bulgarian, Chinese (simplified and traditional), Croatian, Czech, Danish, Dutch, English, Estonian, Filipino, Finnish, French, German, Greek, Hebrew, Hindi, Hungarian, Indonesian, Italian, Japanese, Korean, Latvian, Lithuanian, Malay, Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovak, Slovenian, Spanish, Swedish, Thai, Turkish, Ukrainian, Vietnamese.You must abide by the fact that third parties may be placing/reading cookies on your users’ browsers, or else using web beacons to collect information as a result of ad serving on your website. For instance, Google uses the DoubleClick cookie on websites that display AdSense for content ads, and you have the right to use of all data derived from your use of the DoubleClick cookie for any purpose relating to your business (provided that Google can use/disclose the data in a way that complies with the terms of their Privacy Policy, as well as any applicable laws).You must not pass personally identifiable information to Google in the process of using an ad tag (HTML code a browser uses to get an ad from an ad server - a redirect to content). View Google’s Guidance for complying with the Identifying Users Policy for specifics on how to avoid this.You must clearly disclose any data collection/sharing/usage taking place as a consequence of you using AdSense. This includes viewership stats (like those calculated in Google Analytics), social products (like the Google +1 Button), and of course AdSense. Specifics on how Google uses the information they get can be found here.You must comply with COPPA (Children’s Online Privacy Protection Act) at all times. This includes tagging your video as child-directed treatment if it falls under the requirements given, and it includes not targeting children under the age of 13 with your ads.Technically, YouTube doesn’t even allow people under 13 to make accounts, but we all know such people exist on YouTube anyway, so this isn’t an excuse not to follow the policy whenever necessary.You can’t place ads on gambling-related content. Unless you’re in Austria, Belgium, Canada, Denmark, Finland, France, Greece, Ireland, Italy, Israel, Norway, Peru, Portugal, Romania, Serbia, Spain, Sweden, or the UK. Gambling content includes information about, or games having to do with: online casino games, sports betting, bingo, lotteries, tips, odds, handicapping, mahjong, educational/supplemental materials, and bonus codes.Has your site been active for at least six months? In some locations, this is required. The countries where it’s not required aren’t listed, so either notify them and ask about your country, or else assume this policy applies to your country as well.Sign up for AdSense here (it’s a specific sign-up process for YouTube, so you won’t be able to use the usual version) and follow these instructions:Make sure your YouTube account is monetized.Submit your application to create an AdSense account that’s linked to your YouTube account.REFERENCES[1] How to earn money from your videos[2] YouTube Partner Program overview[3] YouTube Partner Program availability[4] Advertiser-friendly content guidelines[5] Kenya Copyright Act, 2001 - the quoted sections start on page 13 of the linked PDF[6] “Where’s The Fair Use? - Nostalgia Critic” - Channel Awesome“Cool Cat Learns Fair Use” - YourMovieSucksDOTOrg“I Hate Everything vs Derek Savage - IT’S OVER” - I Hate Everything[7] Eligibility to participate in AdSense[8] AdSense program policies[9] Languages AdSense supports